Sentences with phrase «canvas works whose»

Photo - realist, shaped canvas works whose draped forms echo the Old Masters he studied in Europe after Yale.

Not exact matches

It has become a commonplace that Stella peaked too early, and that the deep - thinking black paintings and other inexpressive canvases of the 1960s have more virtue than the hulking late works, whose swooping forms seem more pedestrian.

Unlikely as it seems, this artist, known for many decades as a Pop painter whose canvases throng with violent, sensual imagery amid bright fields of color, began her career working exclusively as a sculptor.

Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).

Gilliam, an internationally known artist whose work is influenced by Abstract Expressionism, is recognized for his Color Field paintings and pioneering works on unsupported canvases which he first introduced in 1965.

The painter James Doolin — whose work was highly refined, rather like yours — once told me when I was inspecting one of his canvases: That is how I see the world.

The overall effect recalls the work of the Russian constructivists, whose adherence to the formal structures of geometric abstraction led them to push the twodimensional plane of the canvas to its very limits.

While she describes herself as a painter and has won international recognition for her abstract canvases embroidered with erotic motifs, Ghada Amer is a multimedia artist whose entire body of work is infused with the same ideological and aesthetic concerns.

Anne Chu, Hiroko Nakao, Jacco Olivier, Grayson Perry, Tal R, Adriana Varejão This exhibition features six artists from Asia, the Americas and Europe whose work extends the possibility of painting beyond the canvas.

The 82 - year - old painter, who has lived most of his life in northern France near the Belgian border, has pursued his distinctive if somewhat conservative painting style for at least three decades, working for months and sometimes years on canvases whose paint surfaces are so obsessively thick that their images — mostly nudes, heads and still lifes — are virtually obliterated.

Tempted to relate to the tech crowd, the fair could not fail to show the following art world's most notorious utilizers of computer technology who also epitomize its effect on visual arts: Takashi Murakami, with a canvas entitled Enso: Wind (2015) at Blum and Poe's booth; Wade Guyton, whose Untitled (2017) was featured by Galerie Chantal Crousel; the German photographer Thomas Struth (Marian Goodman Gallery) with computer - enhanced photographs of NASA - produced space - bound equipment; and Christopher Wool, whose work occupies the entire Luhring Augustine booth.

An artist whose market went incandescent in the aughts due to her exceptionally covetable trompe - l'oeil paintings of folds and other semi-abstract forms, Tauba Auerbach has been refining her work since joining Paula Cooper five years ago to encompass a range of new materials and formats, from woven canvases to sleek, utterly refined geometric sculptures and jewelry.

Bäst — whose canvases, murals, and sculptures combine collage, graffiti, and found objects — is opening an exhibit of new work called «Seafoam» on June 15 at the Eric Firestone Gallery in East Hampton.

The first artist to receive the Stein Prize is Jackie Saccoccio, whose work appears in Confronting the Canvas: Women of Abstraction, opening June 4 at MOCA Jacksonville.

«Bushwick Open Studios really strives to give every working artist in Bushwick, regardless of their level of experience or success in the art world, an equal opportunity to show their work to a wider public,» said Hitchings, whose works include a series of pastel colored paintings in which forms and figures seem to bleed through the canvas like haunted photographs.

Auerbach, whose work has a surface of thick impasto paint that almost vibrates with raw emotion, has an ability to articulate sentiments through the painted canvas.

This year we were thrilled to be able to show the work of Matt Hansel, whose subjects and compositions draw our attention to art history as a whole, and how we bring our own knowledge to the canvas, as he combine traditional Flemish imagery with digital manipulations and pop elements.»

Named after the ancient cities whose circular plans Stella had noticed while traveling in the Middle East during the 1960s, s these works usually comprised several canvases set flush against one another so that the geometric figures in each section came together in a larger, more complex whole.

Of the themes that define my waking hours and whose influence is undeniably woven into in the work, the most palpable one, playing out on the canvas of late, is an obsession with time — as a resource, as a thief, as a constant shadow.

While the seller was not named and officials at Sotheby's declined to comment, the paintings are part of a larger group of works, which also includes an abstract canvas by Gerhard Richter, being sold by Steven A. Cohen, the hedge fund billionaire, whose company, SAC Capital Advisors, is fighting criminal charges of insider trading.

Iraqi - American Ahmed Alsoudani, whose work was last seen in the MATRIX gallery in 2012, is represented by an acrylic - and - charcoal on canvas showing bodies torn apart by war.

Terry Haggerty, Side by Side 2, 2008 Acrylic on canvas on wood, 145 x 122 cm August 29 — October 4, 2008 YOU SAID HE SAID SHE SAID is a group show of New York based artists whose work to date spans various media and who have enjoyed exploring space, senses, sensitivity and scenarios.

If anyone's profile increased this year in the Modern galleries, it was Gottlieb's, whose work showed up quite a bit on paper and on canvas.

Other artists included Jim Dine, who had a one - person show; Renée Rubin, whose Coney Island Pinball (1958), made of aluminum and oil on canvas and wood, is on view; Martha Edelheit, represented by her multi-media painting Frabjous Day (1959); and Rosalyn Drexler, whose one - person show included works made of found objects, plaster, and melted lead.

This exhibition features six artists from Asia, the Americas and Europe whose work extends the possibility of painting beyond the canvas.

This exhibition includes some sixty sculptures and mostly large - scale paintings, by eighteen artists who run the gamut from the famous (Allen Jones, Patrick Caulfield, Peter Blake) to the fairly obscure (Colin Self, Gerald Laing, and the delicious Pauline Boty, whose canvases are startlingly prescient with respect to David Salle's work).

As a postmodern artist, whose paintings revitalized a languishing genre in the era of image saturation, Wool creates provocative canvases whose abstract, self - referential imagery refers back to previous paintings to quote and re-quote past work.

Other proponents of the movement as it took hold in the 1960s include Luciano Fabro (1936 - 2007), whose conceptual sculptures are highly sought after, and Giulio Paolini (b. 1940), acclaimed for his minimal and conceptual works subverting classical materials such as canvas and plaster.

In several works from 1972, Mr. Overstreet switches to an explosive, staccato drip technique, whose intimations of starry skies are regularly contradicted by dividing lines or added segments of canvas, leaving us suspended between deep space and eccentric objects.

Invited, along with nine other artists, by the Nasher Sculpture Center to create new work at one of 10 sites throughout Dallas, Lowe — whose practice relies heavily on collaboration and community — chose the undulating Vickery Meadows neighborhood as his canvas.

Sydney Ball, Azriaxis, 2007 Acrylic on canvas, 118.5 x 137.5 cm November 3 - 29, 2009 Curated by David Hagger Participating Artists: Justin Andrews, Sydney Ball, Cathy Blanchflower, Louise Blyton, Col Jordan, Emma Langridge, David Milne, Giles Ryder, Alex Spremberg, Wilma Tabacco & PJ Hickman Reductive brings together a selection of prominent artists whose practices are concerned as much with the methodology of conception as they are with the production of the resulting work.

The debut solo show is the result of a 3 - month residency by Saint Laurent collaborator Alexander Muret, whose series of minimal works use industrial vinyl, collaged in layers on canvas.

As late as 1994, the photographer and painter Marilyn Minter whose output included translating porn into canvases that drip with body fluids and lurid colour, had work turned away from Bad Girls, a survey meant to embrace feminism's contradictions.

Untitled (Milton), an irregularly shaped canvas whose subtly contoured edges soften the intensity of the work, looks as though it has been charred — a burnt crust of thick black pigment mixed with wax sits alongside a strip of matte, coal - colored paint.

The fully illustrated exhibition catalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhere (2008).

At the forefront of this new paradigm was HALE WOODRUFF, whose integration of African - design motifs into his colorful, large - scale canvases stood alongside an enigmatic and symbol - laden painterly abstraction in works by other painters.

Emma Cousin is a British artist, curator, writer and poet whose humorous and surreal works on canvas and paper have already featured in London in two group shows, a solo show and a two - person show in the first two months of 2017.

Black - and - white - patterned chevrons are stacked haphazardly in «Untitled (016),» a disorienting work whose elements seem to vibrate off the canvas.

The Barré paintings at Andrea Rosen belonged to a group of works developed between the years 1963 and 1967, whose most prominent features are black lines spray - painted across the white canvas background.

Angel Otero is a painter and sculptor whose lush, seductive canvases and hybrid works in porcelain and steel test the elasticity of these traditional forms.

From Stieglitz and some of the other photographers whose work he promoted, such as Paul Strand and Edward Steichen, O'Keeffe learned the technique of cropping and filling the frame of the camera, or canvas, with your subject.

Best known as the man responsible for the massive Mark Rothko: The Works on Canvas: A Catalogue Raisonné, British art historian David Anfam has more recently been focusing on another mid-20th-century American artist, Clyfford Still, whose flame - like works that have their own luminoWorks on Canvas: A Catalogue Raisonné, British art historian David Anfam has more recently been focusing on another mid-20th-century American artist, Clyfford Still, whose flame - like works that have their own luminoworks that have their own luminosity.

Grace Hartigan, whose bold 1960 oil on canvas New York City Rhapsody will also be on view, gained early support from the influential critic Clement Greenberg, who featured her work in a 1950 show at the Samuel Kootz Gallery.

Among them is Francesco Clemente, whose large oil - on - canvas works fill Mana's sixth floor gallery.

Unlikely as it seems, this artist, known for many decades as a Pop painter whose canvases throng with violent, sensual imagery amid bright field of color, began her career working exclusively as a sculptor.

The figure most often quoted within Verabioff's work, however, is Hannah Wilke whose presence is palpable in the gum «lesions» that populate the surfaces of the show's canvases and works on paper.

The Royal couple met with the young winners of our Page Turner competition, whose works hang in the gallery, pupils from Northdown Primary School and Hartsdown Technology College who were involved in activities in the Clore Learning Studio, and participants from our current and past community projects; Artworks, Blank Canvas, Cultural Ambassadors, The Great Art Quest, Generate and Art of Sound, as well as our Youth Navigators.

There are eight canvases in total, and with the exception of the very first in the series, Untitled (all works 2013), whose background / foreground relationship is a bit vague, all look more or less similar, the only slight differences being their colour and whether the foreground or background is emphasised.

In the autumn the Royal Academy celebrates four decades of spectacular tertiary colour in the work of painter, sculptor and Honorary Academician Anselm Kiefer, whose For Paul Celan, Ash Flowers (2006), featuring burnt books piercing the canvas, is one of a series dedicated to the Jewish Romanian poet.

The peripatetic artist was born in Scotland, raised in Trinidad and Canada, worked in London and now paints primarily in Port of Spain, Trinidad, whose lush, hallucinatory colors are blotted into his canvases.