Sentences with phrase «canvases by painter»

Leading the sale is # 6 - 9m Gerhard Richter candle painting that is backed by an additional 4 abstract canvases by the painter.

From figurative sculpture at the Hayward Gallery to jazz - influenced canvases by painter Sean Scully RA.

On SEASON's website, closely cropped images of canvases by painters like Andy Heck Boyd, Anthony Palocci Jr., and Sharon Butler suggest a gallery that operates like any other — within the «white cube.»

Not exact matches

A New York artist says her reputation has been ruined after she was wrongly pegged as the painter of a 1972 canvas by an online auctioneer who hawked the work on eBay with her name and biography.

Inspired by contemporary German painter Gerhard Richter, Rose translated scraped prints and «hazy and obscured imagery» from canvas to fabric to create a frothy, abstract collection with a water - color palette.

In one masterfully conceived shot, Leigh evocatively situates us within the milieu of a Turner canvas, while almost subliminally shading in one of the film's foremost themes: the once celebrated painter's progressive sidelining by the tumultuous forces of 19th - century history as well as the fickle tide of public opinion.

Juxtaposing works by fledgling avant - gardists such as Picasso and Mondrian with canvases by French academic painter Bouguereau, Pre-Raphaelite Burne - Jones, and the stars of the 1900 World's Fair, this exhibition remaps history.

Just an hour from Manhattan by car or train (the Metro North from Grand Central station follows this route) was the tiny riverside town of Cold Spring, immortalised by 19th Century landscape painters from the Hudson River School, and as picture perfect a pastoral scene as those canvases make out.

Inspired by Pacific Northwest landscapes, painter Don Bishop creates canvases of magical scenery in a tonalist style.

Located in the La Plaza District at Arenas Road and South Indian Canyon Drive, Stewart Galleries carries fine art ranging from plein - air Western and coastal landscapes by California painters to Cubist and Surrealist canvases.

Boucher introduces Lotto as «an outlier in Italian Renaissance art, a portrait painter capable of capturing the soul on canvas, a man whose religious art struck a note of sincerity in an age bound by ritual and dogma, a figure overshadowed in life by Titian and Raphael and condemned to poverty and relative failure in his own day.»

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

These small collages are composed by the painter as studies for her larger canvases, but it's hard to imagine that their successors could trump them in terms of spontaneity or sheer joie de vivre.

Every painter belongs to his time; if Jackson Pollock's canvases suggest an artist circling his own psychic abyss, by comparison Berding's give the impression of contemplations of a shimmering screen.

The Washington Color Painters featured canvases by Morris Louis, Kenneth Noland, Gene Davis, Thomas Downing, Howard Mehring, and Paul Reed.

After meeting Champion's director Sonia Dutton this past March, Brooklyn - based painter Ryan Schneider (NAP # 74) assembled a potent group of young artists reveling in color and canvas and undaunted by formalism.

Works by painters Sam Gilliam, Ron Gorchov, and Frank Stella clarify or confuse elements of figure and ground by redefining the possibilities of the shaped canvas and how it can contain color and gesture.

Each canvas is a faithful replica of a well - known 19th - century New York area landscape painting, recreated by Simeon Lagodich, a contemporary American realist painter who resides in New York City and the Hudson Valley.

Dana Schutz is an accomplished painter whose canvases have been seen in the tradition of the grotesque represented by artists from Francisco Goya to Willem de Kooning and Francis Bacon.

He doesn't display his work at home, preferring to hang canvases by fellow abstract painters Kenneth Noland and Jules Olitski in his living room.

MARLèNE MOCQUET: RECENT PAINTINGS This young French painter presents small, vaporous, psychologically charged canvases — occupied by hapless, mostly hybrid beings — that might be called illustrational, not the least for the way their titles narrate very specific events.

From a new piece by one of Los Angeles's most critically adored painters to a canvas by an irresistible art - world jester, these are white - hot works that collectors should snap up fast.

Like painters from the Renaissance to Thomas Eakins, Gorky finished his most famous full - scale drawing by overlaying a grid, for transfer to canvas.

Since the band split in the mid-1980s, Simonon has focused on oil on canvas paintings inspired by 20th century realism and its documentation of the living conditions of the working classes, in particular the work of the American Ashcan School in turn of the century New York, and the «Kitchen Sink» school of painters of 1950s post-War Britain.

A large canvas by German painter Katharina Grosse, known for site - specific installations saturated with sprayed color, evokes burning flames while Robert Moskowitz and Sterling Ruby use black spray paint to more directly reference smoke saturated skies.

In a recent documentary interview, Appel explained why she considers herself a Romantic landscape painter: «Not recording mimetically what lay before me, but trying to express the excitement I felt in response to nature by using paint - soaked brush strokes on a large canvas wherein the over-lapping layered strokes of color were metaphors for the contiguities found in nature.

In order to transport such a raw depiction of New York onto the canvas [3], painters of the Ashcan School relied on a robust and unfettered style which was strongly influenced by the poetry of Walt Whitman, Henri's favorite poet.

It's easiest to say that Karen Kilimnik is a painter — it's what she's best known for by far, through canvases that blithely mix celebrity icons (Paris Hilton, most famously) with the tradition of classic European painting — but that only scratches the surface of her talents.

Saccoccio's work is featured in Confronting the Canvas: Women of Abstraction, one of the first museum exhibitions to focus solely on contemporary female painters, with works by Keltie Ferris, Maya Hayuk, Jill Nathanson, Fran O'Neill, and Anke Weyer.

A canvas like Mountain of Heaven, 1961, illustrates how Bearden was indeed an experimenter, but not in the iconoclastic sense of the AbEx group, nor in the Greenbergian formal sense favored by the younger color - field painters.

Aware of a similar technique pioneered by painters such as Helen Frankenthaler and Morris Louis, Osborne was initially interested in capturing the light and transparency of her watercolors and translating those qualities to canvas.

Brandon is also a self taught abstract painter inspired by natural movement and the street working mostly with acrylic paint, canvas and salt.

Landscape has inspired painters, it was the canvas upon which created the most impressive and great works by the artists of Land & Earth Art, an art movement in which landscape and the work of art are inextricably linked.

When British artists saw the first London exhibitions of American abstract painters such as Jackson Pollock and Mark Rothko in the late Fifties, they were astonished by the improvisatory freedom of their works, in which paint appeared to have been hurled on to the canvas without any preconceived ideas, and by the sheer size of the paintings.

SARATOGA SPRINGS, N.Y. (March 19, 2018)-- The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College will present a survey of work by painter Dona Nelson, best known for her bold, free - standing canvases, painted front and back.

Its 38 canvases represent 17 painters, including a selection of works by Abstract Expressionist precursors titled «Origins of Color Field.»

His large - scale canvases reiterate historical portraits by Old Master painters, but with contemporary black youth in place of the original subjects.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, ParisPainters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Parispainters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

They have created three collaborative canvases inspired by painter Noah Davis» 1975 Paintings.

BRUCE SILVERSTEIN GALLERY In the «Spotlight» section, showcasing a single artist in each booth, Bruce Silverstein is exhibiting three spectacular canvases from the 1970s by Alfred Leslie, a painter who started off as an Abstract Expressionist and later turned to figurative realism.

So when the easygoing, 46 - year - old painter of abstract - figurative canvases — more appreciated in the indie music and zine subcultures than by Tokyo - based curators and gallerists — was given a retrospective in August 2014, «The Great Circus,» at the prestigious Kawamura Memorial DIC Museum of Art, an hour's train ride southeast of Tokyo, it caught Japan's art community by surprise...

We can, for example, compare Toledo's Syndics of the Amsterdam Goldsmiths Guild, a 1627 canvas by the Dutch painter Thomas de Keyser, with Frick mainstays by Rembrandt and Frans Hals in an adjoining gallery.

New Work of paintings on paper and canvas by Seattle painter Randy Hayes.

Eleven large - scale canvases by the English abstract painter Sandra Blow RA (1925 - 2006) will be the subject of an exhibition at The Fine Art Society in London.

In 1965, Gilliam became the first painter to introduce the unsupported canvas and in 1975 he began to create geometric collages influenced by jazz.

Thus, we could see in Stamos's paintings of the 1960s — with their expanses of near - monochrome pigment and spare deployment of geometric shapes — an affinity with color - field canvases by Jules Olitski, Helen Frankenthaler, and other painters championed by the formalist critic Clement Greenberg.

He soon moved away to champion a new group of artists who were emerging in the nation's capital, the Washington Color Field painters — a group including Kenneth Noland, Helen Frankenthaler, and Morris Louis who achieved what the critic considered highly admirable flatness by pouring thin paint directly into the weave of their canvases.

«Flora / Fauna» features works by contemporary romantic painter Annika Connor, including watercolor and oil on canvas paintings revolving around themes of nature and wildlife.

Often associated throughout art history with the Jackson Pollock myth of the individual male painter expressing his physical prowess on the canvas, Abstract Expressionism has been recently reassessed by casting a new light on female artists who played an important role in the movement such as Lee Krasner or Grace Hartigan.

Ten circular canvases graced Elizabeth Dee's upstairs annex in a jewel - box exhibition dedicated to Betty Blayton, the late abstract painter whose artistic achievements have been partially eclipsed by her roles as cofounder of New York's Studio Museum in Harlem and as an advocate for African American artists.