Sentences with phrase «canvases gives each painting»

His handling of paint over the coarse canvases gives each painting the look and feel of woven fabric.

Not exact matches

To celebrate, I'm giving FREE SHIPPING on all my art... that's large canvases, watercolor paintings, cartoons, Sophia, and even my sculptures!

Similarly, in the art of painting, science may give the most complete physical and chemical analysis of a certain canvas, but can do absolutely nothing to explain its value or its effect.

So if Ballard and scouts gives them some good canvas to paint on, this team will turn around faster than 3 years

The pleasure and joy painting gives her comes straight from her heart, through the brush and on to the canvas.

I gave my little guy some berries, and he created an abstract painting with our high chair as the canvas.

I poured different coloured paint onto a plastic picnic plate for Emily, covered the floor and her clothes the best I could, then gave her the canvas and the plate and let her do her own thing!

I gave him a paper towel & he blotted the painted canvas.

With its hegemony diminished, universe has given way to other terms that capture the wider canvas on which the totality of reality may be painted.

Just like cool chalkboard paint, this sidewalk chalk paint gives kids a bigger canvas to play with.

I also gave a coat of the same color paint to the basswood canvas and then glued the flower to the wood using some construction glue intended for gluing odd things together.

«You want that self - leveling effect, when the colored polish you paint on settles without streaks, and this product will even out your nail bed, giving you that smooth canvas,» she says.

Kriste lightly sanded the piece and painted it in two coats of MMS Milk Paint Farmhouse White to give a blank white «canvas» for the landscape.

After all the fabric flowers were made, I grabbed a 8 ″ x10 ″ canvas off the shelf and gave it a quick coat of watered down aqua paint.

Field of Lost Shoes doesn't tread any particularly new ground, but it certainly treads over very solid ground and Wiedmann has painted on a particularly grand canvas, writing emotionally rich music that is very easy to like and will surely prove very popular amongst those people who like the no - holds - barred - when - it - comes - to - emotions approach of 1990s John Barry or James Horner (and who are willing to give this score a chance).

Unsurprisingly I guess, oil - paint on canvas (canvas textured boards, we couldn't have bounce of actual canvas on frame) gave us results closest to Vincent's paintings.

Twenty artists will be given two hours to complete their cat painting on canvas.

Too often in recent years it seems that we are given a blank canvas, and told to paint the picture ourselves.

Gottlieb, for instance, tells Goodnough that painting is «not only a matter of colors and shapes on canvas, but images made visible and integrated» (p. 58) while Baziotes gives a contradictory statement, remarking that «reference to existing objects is not particularly helpful in contemporary painting.»

His extremely vulgar and poorly executed sculpture of himself in the buff lying alongside the Italian porn - star - turned - politician Cicciolina was flanked by laser - painted canvases of the slickly unamorous couple, unveiled and smug in various revealing close - ups — which gave the term «site - specific» a whole other meaning.

If he seems more poet than protester, never entirely abandoning canvas, paint and frame, Burri is nonetheless reaching beyond painting's conventional limits to give it a brave new repertoire.

Untitled (Golden Yellow) Acrylic on canvas, 72 x 60 inches Ian Hughes October 9 — November 8, 2014 Over the arc of his career, Ian Hughes has honed a distinctive visual language in which paint reveals its lushest and most viscous qualities while simultaneously giving shape to bio-reminiscent forms that have a compelling life of their own.

According to the Phillips Gallery in Washington, D.C., «His large canvases, typical of his mature style, establish a one - on - one correspondence with the viewer, giving human scale to the experience of the painting and intensifying the effects of color.

As in earlier works drawing is achieved via construction, lines are real, the edges of joined or overlapping parts but the plywood gives the «drawing» more precision, more clarity when compared with lines created in earlier paintings by joining or grouping canvases, which are inherently softer.

Thomas supported herself for decades teaching art in a Washington, D.C., segregated high school, painting in the off - hours until her retirement in 1960 at the age of 69, when at last she could give her canvases full attention.

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Prominent among them is Pearlstein's Roman Ruin (1961), an oil - on - canvas close - up of a ruin, painted in a pastel palette that gives the work a dream - like quality.

Jaison places his canvas flat on the table and uses a modern painting technique of dripped - on paint texture, which gives his work a gracefully energetic appearance.

The way the paint was applied to the canvas, or dripped on it, gave his abstract expressionism a level of distinctiveness in the similar way his personal life was different from other artists.

The black paintings of the 1960s and the later 1950s give way to the monochrome canvases of the mid-1950s, with their symmetrical compositions of bars and squares, painted with smoldering reds and transcendental blues.

Samorì's reinterpretation of Ribera's The Martyrdom of Saint Bartholomew (Ebbro, 2011) is seen as if in a memory, but instead of the saint's skin being flayed the artist peels back the rich crimson paint from the canvas to give a totally contemporary stance to the work.

At ABMB, Pace showed (and sold, at prices ranging from $ 75,000 to $ 1m) 16 signature black Louise Nevelsons; Mitchell - Innes & Nash gave a wall to Jessica Stockholder's 14 - element assemblage; Rosalyn Drexler's canvas collages of magazine strips took over Garth Greenan's Survey booth; a Kiki Smith white car - painted bronze anchored Timothy Taylor's space; Noga, the sole Israeli gallery (why?)

Sydney Ball, Zianexis, 2009 Acrylic on canvas, 152 x 168 cm March 4 - 21, 2010 The following extract is taken from «Sydney Ball: prophet of abstraction» by Wendy Walker, Sydney Ball: The Colour Paintings 1963 — 2007, p21 The emergence at the end of the 1990s of an insistent form in Ball's paintings — reminiscent of shapes in early drawings of rock formations from his landscape works — gave rise to the asymmetrical, ragged - edged motifs in the abstract Paintings 1963 — 2007, p21 The emergence at the end of the 1990s of an insistent form in Ball's paintings — reminiscent of shapes in early drawings of rock formations from his landscape works — gave rise to the asymmetrical, ragged - edged motifs in the abstract paintings — reminiscent of shapes in early drawings of rock formations from his landscape works — gave rise to the asymmetrical, ragged - edged motifs in the abstract -LSB-...]

Sprawling across a two - metre tall canvas, the painting exaggerates the viewer's perspective of the pieces shown, creating a dizzying effect: the pieces near the bottom of the canvas are painted as though the viewer is looking directly down on them, while those at the top seem to tower above, giving it the appearance of a photograph taken through a wide - angle lens.

Mr. Leroy's extravagantly paint - laden canvases are engrossing in the way a glowing, slow - burning log might be: they are mesmerizing in their flickering details of texture and color, and so impacted with paint that they almost seem to give off their own heat.

This idea gave me room to apply wood on three - dimensional structures, analogous to paint on canvas.»

The problem persists in a lower key in other works of the period, including pictures made in 1953, while Diebenkorn was teaching in Illinois: the Urbana series, like the Albuquerque paintings, often gives the viewer the illusion of looking down at a distant landscape, as though from the harness of a parachute, rather than across at the matter on the canvas.

«Bushwick Open Studios really strives to give every working artist in Bushwick, regardless of their level of experience or success in the art world, an equal opportunity to show their work to a wider public,» said Hitchings, whose works include a series of pastel colored paintings in which forms and figures seem to bleed through the canvas like haunted photographs.

In a kind of ironic way, being drawn to good - old fashioned painting on canvas gave her a lot of space, a lot of freedom to explore ideas,» said Scott Rothkopf, the Whitney Museum's chief curator and organizing curator of this exhibition.

Each of the 3 canvases that make up «Atlas Trilogy» were started in 2001, so there was a ton of give and take and setting aside over the years... If a painting hasn't sold and it's in my studio it's fair game as far as I'm concerned.

I'm inspired by nature and I'm pushing my technique to get more and more texture on the canvas while keeping transparency.This gives the painting a third dimension and lightening becomes key when looking at my paintings.

For each painting, Maslansky swaps unprimed canvas for old bed sheets, which give the image an almost soft - focused, sensitive quality.

The rawness of the resulting colour fields, along with the large areas of unpainted canvas, gives many of his paintings a provisional feeling, emphasising his convictions about the independent life of the materials.

Given a supply of canvases and paint by his dealer, each time Wols produced 40 finished works.

Given Rauschenberg's known lack of financial resources in the 1950s and his propensity for reusing canvases, it is likely that the White Paintings began to be remade and repainted almost immediately after their completion in fall 1951, a fact that testifies to the artist's understanding of these works as primarily conceptual rather than material.

He shoots directly into the sun, giving space between the trees the reality and potential of a drip painting's bare canvas.

Hockney painted the finished work on so many different canvases so that equal attention could be given to every section of the panoramic view.

There are a few smaller canvases and studies in the show; however, the focus is given to Parke's large paintings — 60 x 84» canvases that consume the viewer.

Making it was a simple strategy of separating out facts from feelings, choosing «givens»: the canvas for the outer world of facts, and poured paint (added to it in a mixed complex of colour) for the inner emotional world of feelings.

Combining acute attention to detail and an insistence on painting from life, Halvorson gives herself only one day to complete each canvas.