Blinn Jacobs is represented by Fred Giampietro Gallery, New Haven, Ct The shaped
canvases of abstract artist Blinn Jacobs push the boundaries between form and surface in painting.
Not exact matches
The wonderful Autumn Grass
Canvas Wall Art by
artist, Avery Tillmon, adds a touch
of abstract nature to your home.
Opening: Sadie Laska at CANADA Following her group show at Gavin Brown's Enterprise earlier this year, Sadie Laska (who performs in the sound band I.U.D. along with
artist Lizzie Bougatsos) will display more
of her explosive
abstract canvases in her third solo show to date.
Kurchanova writes: «Apart from large
canvases covered by Pollock's signature all - over web
of patterned, dripped or sculpted paint, a range
of his smaller
abstract paintings adds complexity to our understanding
of his work as that
of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding
of his work as based in physical action and unmediated involvement
of the
artist's hand.
Lebanese - born
artist, academic and poet Etel Adnan produces with her palette knife luminous
abstracted landscapes — blocks
of bright colour on
canvas — that, late in life (Adnan is now nearly 90 years old), have brought her a new generation
of devotees.
Helen Frankenthaler, the lyrically
abstract painter whose technique
of staining pigment into raw
canvas helped shape an influential art movement in the mid-20th century and who became one
of the most admired
artists of her generation, died on Tuesday at her home in Darien, Conn..
In this presentation
of abstract works, you'll see how
artists, including Robert Motherwell, Betty Parsons, and Joan Mitchell used loose brushwork and emphasized surface rather than depth on the
canvas.
Integrated a multitude
of styles and movements into a single
canvas, the
artist makes compositions that are both figurative and
abstract, and a bit erotic and violent, from a perspective that is decidedly feminine and contemporary.
One
of the first American
artists to investigate the aesthetic potential
of the irregularly shaped
canvas, Neil Williams initially depicted hard - edged geometric forms, but eventually turned to a painterly
abstract style.
The twelve vibrantly colored
abstract canvases take their title from a 1981 score for cello and piano by composer Morton Feldman and continue the
artist's lifelong investigation
of the intersection between representation and abstraction.
In her
canvases of the late 1950s onwards, American
artist Helen Frankenthaler translated landscape into
abstract compositions characterised by flooding colour and increasingly large scale.
Artist Helen Frankenthaler's pictures reacted to the ropey, anxious
canvases of abstract expressionism.
Continuing the Warholian reference, on show will be a series
of large scale unique silkscreened portraits
of the
artist as Che Guevara, Joseph Beuys, Elvis Presley amongst others, as well as works based on Warhol's urine oxidation paintings,
abstract works made by pissing on copper metallic painted
canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense
of what we think we are seeing.
Peggy Bates October 20 — November 26, 2011 Presenting new acrylic paintings on
canvas by
abstract artist Peggy Bates in an exhibition entitled Channels inspired by the
artist's recent observations
of light and color in California's Channel Islands.
The way the paint was applied to the
canvas, or dripped on it, gave his
abstract expressionism a level
of distinctiveness in the similar way his personal life was different from other
artists.
Luiz Zerbini is one
of Brazil's most established contemporary
artists, known for his vivid works on
canvas which draw on a range
of themes from the
abstract to landscapes, cityscapes, and domestic scenes using a range
of techniques and styles.
While she describes herself as a painter and has won international recognition for her
abstract canvases embroidered with erotic motifs, Ghada Amer is a multimedia
artist whose entire body
of work is infused with the same ideological and aesthetic concerns.
GUTS (yellow / gold)(all works 2007), for example, her contribution to «Late Liberties» at John Connelly Presents, is a vivid and uncompromising
canvas that confronted viewers with a seemingly metaphorical treatment
of the titular word, ensuring that they would be hard - pressed to disagree with curator Augusto Arbizo's claim that «for a young
artist to be making work at this moment in what could be called an
abstract or nonrepre - sentational manner... is... a highly personal and political act.»
Yet Kandinsky's curious gift
of colour - hearing, which he successfully translated onto
canvas as «visual music», to use the term coined by the art critic Roger Fry in 1912, gave the world another way
of appreciating art that would be inherited by many more poets,
abstract artists and psychedelic rockers throughout the rest
of the disharmonic 20th century.
More recently, the British
artist Ian Davenport has poured stripes
of paint down
canvases using syringes, letting the colors mix and pool together towards the bottom
of his
abstract paintings.
South Korean
artist Seungjo Jeong creates pared - back
canvases that explore the relationship between viewer and
artist through the almost
abstract evocation
of objects.
The gallery I thought contained countless
canvas of abstract expressionism from
artists like Jackson Pullock to Ad Reinhardt.
Matisse stands as the
artist who most directly got under the skin
of his work, and indeed there have been few
artists who have engaged as deeply and as intelligently with Matisse's paintings, and yet managed to create a distinctly American panorama, both in his figurative work and, to a point, his later
abstract canvases.
An exhibition
of new and recent
abstract paintings on
canvas and wood panel by visual
artist Jimmie James.
Bearden's
abstract canvases are
of their time, yet set apart in ways that prove crucial to understanding their significance as a stage in the
artist's development.
Presenting new acrylic paintings on
canvas by
abstract artist Peggy Bates in an exhibition entitled Channels inspired by the
artist's recent observations
of light and color in California's Channel Islands.
An original member
of Park Place, the historic New York
artist collective, Novros is well known for his large,
abstract paintings on irregularly shaped, multipaneled
canvases.
The signature
of the
artist, traditionally the valued hallmark
of authority and provenance, recurs throughout «Who What When Where How and Why», emerging from the
canvases of Turk's Pollock paintings; the
abstract expressionist
artist's paint splatters exchanged for innumerable «Gavin Turk» signatures.
Chris Moon is an outsider
artist making serious waves as a painter with
abstract work that recalls the intensity
of Francis Bacon in its stretching
of anonymous human forms into the endless void
of the
canvas
Built from bony slats
of bolted - together plywood, this modular bench provided a direct (if less than comfortable) vantage onto the seven large
abstract geometric
canvases that comprise the
artist's «Execution Changes» series, 2010 — .
Bradford (b. 1961)-- a Los Angeles — based
artist and MacArthur Foundation «genius» award recipient — works in a variety
of media but is best known for his often enormously scaled collages on
canvas, which are akin to
abstract paintings.
Gary Petersen, Smashed, 2008 Oil on
canvas, 56 x 40 inches January 8 — February 7, 2009 This exhibition examines many
of the ways in which
artists use line as the dominant element in creating
abstract imagery.
When British
artists saw the first London exhibitions
of American
abstract painters such as Jackson Pollock and Mark Rothko in the late Fifties, they were astonished by the improvisatory freedom
of their works, in which paint appeared to have been hurled on to the
canvas without any preconceived ideas, and by the sheer size
of the paintings.
In this video interview with Stuart Krimko, Director
of David Kordansky Gallery, Los Angeles, we learn about Gilliam's unique brush-less technique, his innovations in treating the
canvas as the principal material and his influence on a young generation
of artists (
abstract and not).
They drew on the work
of many contemporary
artists to create large and small scale portraits,
abstract canvases and collaborative sculptures.
The
artist's barbershop paintings from 2007 - 2009 are shot with color, and range from figurative to completely
abstracted, color - blocked
canvases referencing the architectural perspective
of the space.
Oil on
Canvas Born in Havana, Cuba, in the late 70s during a well - documented time
of religious and political oppression,
abstract expressionist
artist Mirtha Moreno, immigrated to t...
Bailey Cove (2007), for example, is the name
of a campground on Lake Shasta near the
artist's hometown
of Redding, California; in Wilson's
abstract rendition
of the area, he stacks overlapped squares
of olive green, musty yellow, and slate gray near the bottom
of the
canvas, evoking a moment at dusk or dawn.
Zak Prekop, Untitled, 2008 Pen and paper on
canvas 25 3/4 x 23 3/4 inches September 9 — October 18, 2009 Lisa Cooley Gallery presents a two - person exhibition
of abstract paintings by two
artists, Jon Pestoni, from Los Angeles, and Zak Prekop, from Chicago.
Ten circular
canvases graced Elizabeth Dee's upstairs annex in a jewel - box exhibition dedicated to Betty Blayton, the late
abstract painter whose artistic achievements have been partially eclipsed by her roles as cofounder
of New York's Studio Museum in Harlem and as an advocate for African American
artists.
Chapter 1: Things Must be Pulverized:
Abstract Expressionism Charts the move from figurative to
abstract painting as the dominant style
of painting (1940s & 50s) Key
artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe:
abstract painters immediate responses to the horrors
of World War II (1940s & 50s) Key
artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those
artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key
artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development
of a rational, universal language
of art - the opposite
of the highly emotional Informel or
Abstract Expressionism (1950s and early 1960s) Key
artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath
of Pollock's death: the early days
of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key
artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth
of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key
artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation
of figuration and expressionism in the 1970s and 80s, including many
artists who have only been appreciated in later years (1970s & 80s) Key
artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and
abstract exist side by side rather than polar opposites plus painting expands beyond the
canvas (late 1980s to 2000s) Key
artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war,
artists use paint to create a new kind
of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key
artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans
As a postmodern
artist, whose paintings revitalized a languishing genre in the era
of image saturation, Wool creates provocative
canvases whose
abstract, self - referential imagery refers back to previous paintings to quote and re-quote past work.
The larger space has enabled Bartlett to take on a bigger roster
of artists, including the
abstract canvases of L.A. painter Alex Olson and the exploratory films
of the British
artist Beatrice Gibson.
With the
artist's subtle use
of different shades
of paint, as well as his careful attention to the variegated surface
of the
canvas, the painting stands as a successful intervention into the terrain
of abstract expressionist painting.
Each
of the vibrantly colored
abstract paintings in the exhibition measures 16 x 20 inches — a common
canvas size that the
artist has used extensively throughout his career.
It seems almost unimaginable that the sparse,
abstract works on show here were made by an
artist known for
canvases heaving under dense layers
of paint.
Talk: «Al Held Panel Discussion» at Cheim & Read Following last week's opening
of the highly praised exhibition «Al Held: Black and White Paintings,» which showcases eight
of the
abstract painter's monumental
canvases of interlocking forms from 1967 to 1969, the gallery is presenting an in - depth discussion
of the
artist and his work.
The
artist breaks away such divisions and focuses on the creation
of the minimal
abstract objects — wall - mounted reliefs from foam shapes, which Adian beforehand covers with oil enamel or spray painted
canvas.
At the same time, knowing that African American
artists had for years been largely expected to make works
of social realism, and the ambition to make
abstract works every bit as important as Helen Frankenthaler or Morris marked a equally revolutionary statement
of artistic freedom, the abstractions
of Bowling, Gilliam, Thomas and Ed Clark — who created shaped
canvases, sweeping paint across them with push - brooms — are no less arresting.
Referencing art history, mythology, and the work
of such
artists as Richard Diebenkorn, Franz Kline, and Pablo Picasso, Maureen Chatfield paints expressive, landscape - inspired
abstract canvases.