Sentences with phrase «captures images of an object»

The Stanford group isn't alone in developing methods for bouncing lasers around corners to capture images of objects.

NDP works in a way somewhat analogous to an MRI, in that it non-invasively captures images of an object's interior.

The Belkin Portable Tablet Stage features an adjustable platform that lets you position your mobile device at the ideal angle for recording video or capturing images of objects, textbooks or documents.

(a) Capturing images of objects or people on the ground or in the air; (b) Intercepting communications on the ground or in the air; or (c) Firing a bullet or other projectile.

The touch focus camera lets you capture images of the objects you are focusing on and makes the non-focused object blurry.

Not exact matches

At the bottom of Campbell's heroic circle is the goal of the quest, expressed in such images as atonement, deification, or the capture of a desired object.

Hubble captured images of the galaxy in visible and infrared light, witnessing a new bright object within NGC 4993 that was brighter than a nova but fainter than a supernova.

The algorithm can focus on any part of the three - dimensional data the scope captures and produce images of objects smaller than a micron anywhere in the field.

A team led by Shree K. Nayar, T.C. Chang Professor of Computer Science at Columbia Engineering, has developed a novel sheet camera that can be wrapped around everyday objects to capture images that can not be taken with one or more conventional cameras.

In the early 2000s, when looking for other objects in a nearby galaxy, he and his colleagues captured an image filled with the echoing light of three known supernovas.

Second, it does not just capture sky images; it also gauges the distance to many of the objects — a million galaxies and 100,000 quasars so far — that pass through its field of view, providing a unique three - dimensional perspective on deep space.

The Sloan survey captures the sky in full color rather than just through red and blue filters, produces images twice as sharp as Palomar's, and detects objects one - tenth the brightness of those detectable by its predecessor.

When we look at an object, the images captured by the left and right eyes are slightly different from each other and when combined they give the brain the perception of depth.

Not only will it need to process wide - angle images, but it will need to do so rapidly, concentrating light efficiently enough to capture, within seconds, objects less than one - millionth the brightness of what can be seen with the naked eye.

An infra - red camera captures the projected image of the grid and uses this to generate a three - dimensional map of the object.

DSSI works on a principle that utilizes multiple short exposures of an object to capture and remove the noise introduced by atmospheric turbulence producing images with extreme detail.

Capturing clear images of objects as tiny as a single virus or a nanoparticle is difficult because the optical signal strength and contrast are very low for objects that are smaller than the wavelength of light.

The US military has built a radar - imaging device that can see through walls to capture 3D images of people and objects beyond.

Hubble's observations for this image were performed in infrared light, which enabled the telescope to peer through the gas and dust cocooning the newly forming stars and capture a clear view of the HH objects.

NASA has released a gallery of images captured by the Hubble Space Telescope, showcasing celestial objects contained in the Messier catalog.

This enables scientists to capture images of much smaller objects or to determine their size or position with much greater accuracy.

The new technology could one day enable tiny wearable devices that capture and store 3 - D images of objects or people.

Just this year it captured the most distant single star yet, learned more about a strange stellar ring, watched two galaxies merge, and created lots of new images of the Messier objects, the distant smudges first described by astronomer Charles Messier in the 18th century.

NASA's Hubble space telescope has captured images of a set of thin, green objects, which astronomers have identified as the short - lived ghosts of quasars — extremely bright masses of energy and light — that flickered to life and then faded away.

Screenshots captured at this resolution are incredibly detailed, with even the smallest objects retaining definition when you zoom in, and by enabling Ansel the level of detail in Witcher 3 is further increased to create the highest quality images possible.

The artist aims to capture content, specifically in search of «giving narrative life to objects, to alter their course, utility, and to amplify their charm; inscribing meanings and stories to these same objects, removing their varnish so as to not be perceived as «the [immutable] originals»; provoking collisions between images and assembling vernacular history with fantasies; fomenting a contemporary prosopopoeia, where a simple leather cushion, a tennis racket, or a lid of a tin biscuit box bare faces and voices.»

This work can be interpreted in the simplest, most direct manner — as a stereotyped image of China's food culture and painting traditions, but at the same time, its multiple references to various Chinese social and historical backgrounds make interpretation much more difficult: the use of objects to express morality in Chinese landscaping, satirical poetry mocking ostentatious refinement, and the imitation of handwritten menus to capture a scene of civil life... Viewers unfamiliar with the specific context can easily find themselves lost in the smokescreen of mysterious Oriental poetic calligraphy and bonsai art.

Starling traced the objects from those photographs as they were installed and translated the drawing to the glass backing of one of two Deardorff large format cameras, replicas of the original cameras used to capture these images.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

The subject keywords in SFMOMA's online object record for Robert Rauschenberg's series of five photographs Cy + Roman Steps (I — V)(1952) are delightful both as almost a found piece of poetry and for their uncanny ability to capture the equal parts of humor and erotic charge in these images.

Megan Mueller's images are created by placing objects and photographs on a flatbed scanner, often inviting gesture and ambient light to distort the capturing of information.

Dena Yago's flatbed scanner images, including high resolution capture of lemons, apples or copies of The New York Times, have a clear dialogue with Smith's Xeroxes in that they also employ the tools and objects readily available to the artist in her working environment.

These domestically sized objects brilliantly capture the archetypal image of a missile as commonly found in cartoon iconography - an elongated oval placed upright on four supporting feet.

French artist Marie Angeletti uses the repetition and re-presentation of photographic images to capture a range of subjects and abstracted objects.

There is an aura that pervades these works of everyday objects that require the viewer to look closely, to take in the complex surface qualities and ambiguous abstractions, while simultaneously recognizing the underlying «real - life» image captured by the artist's lens.

Demand began the series by using the camera on his phone to take images of everyday objects and situations which captured his attention, which he then translated into paper sculptures.

Whether assembling found metal objects or experimenting with his own photographic images screen - printed onto aluminum, stainless steel, bronze, brass, or copper, Rauschenberg sought to capture the reflective, textural, sculptural, and thematic possibilities of the material.

From found object paintings to trademark Pop art silkscreens, the show is spread across different rooms of the London museum, each of them capturing a certain moment of this rich journey, from Rauschenberg's early response to Abstract Expressionism to his final works saturated in images and color.

It's an image that captures a lot of what her husband was about — not only the wind turbine and verdant landscape but also the clear sense of motion imparted by the blurry car mirror (or whatever that object is) in the foreground.

The brighter an object is, the shorter the exposure time required to capture an image of it.

(3) A person who possesses or controls a drone in violation of subsection (1) of this section and uses the drone to capture an image of a person or object on the ground or in the air commits a Class A misdemeanor.

The camera captures the image of the document or object on the bed.

One example is real - time scene and object recognition, which uses AI to identify what's being captured — like stage, person, or even dog, as CNET notes — and adjust the camera to get the best image out of it.

Specifically, an AR - equipped camera on the iPhone would let you snap a photo and use depth sensing technology to alter the depth of the captured image, according to the report; you would also be able to change the depth of specific objects in that photo.

The passive depth sensor Qualcomm's adding will use differently placed cameras to capture two different images of the same object.

Thanks to Sony Motion Eye technology, the XZ1's 19 - megapixel camera is capable of shooting 960 frames - per - second super slow motion; producing crisp images with hybrid burst autofocus; helping photographers capture the perfect moment with 10 frames - per - second predictive capture; and even creating 3D scans of faces, heads, food, and regular objects.