Sentences with phrase «car culture at»

Nissan Supports Two Exhibits On Japanese Manufacturing And Car Culture At The Petersen Automotive Museum

There's so much opportunity with car culture at the moment to do something cool with the customisation... rat rods, stance, drift missiles, vip, euro, bosozoku, time attack... can have drag racing, drift, time attack, touge etc..

Not exact matches

Uber needs a deal - maker who can take them into the connected car future without too many dings and dents, but they also need someone who is willing to force a change in the culture at a company that has been way too cavalier in how they form best practices.

«Culture is certainly the most difficult task for Diess,» said Ferdinand Dudenhöffer, a professor at the University of Duisburg - Essen who follows the car industry.

According to sources close to the situation, Uber's full board will meet tomorrow (June 11) morning to consider a series of recommendations — which could include calling for the firing of some top managers — from an investigation that looked at the car - hailing company's toxic culture.

Peter Whittle pointed out in the September Standpoint magazine that «If faced with a group of gang members playing music unbearably loud in the car next to them at traffic lights I personally know of nobody - nobody, from Daily Telegraph reader toGuardian reader - who would risk asking them to turn it down... but it's not just the gang culture.»

When you look at modern cultures that have strict gun control laws, the crazy maniacs who are set on killing people just use other tools to kill people, like bombs, machetes, and cars.

At Top the Cops, the organizers seem intent on preserving something of that culture: the kids, the cars, the friendly, if a little bit stern, cops.

This means changing the culture at TfL and prioritising people, not cars, on London's streets.»

A place where everyone shows up in their own cars at exactly 7:30 a.m. will have a very different culture than one where people are car - pooling in at 9:00 a.m., or one where there's a random stream of cars between 7:00 and 11:00 a.m.

The second feature from director Robert Zemeckis and co-writer and producer Bob Gale, Used Cars comes right out of the screen comedy culture of the late 1970s and early 1980s, when the underdogs snubbed their collective noses at authority, propriety, property and privacy laws and anything else that crossed their paths in slobs vs. snobs comedies like Animal House (1978), Caddyshack (1980) and Ghostbusters (1984).

At the film's recent press day in Los Angeles, Waugh and stunt coordinator Lance Gilbert talked about their longtime friendship and professional relationship, what it was like growing up together on the sets of «Smokey and the Bandit,» «Vanishing Point,» «The Blues Brothers» and «Bullitt,» why Waugh considers Gilbert one of the best stunt coordinators in the world, the challenges they faced pulling off practical stunts and capturing amazing action sequences realistically in - camera without CGI enhancement, and the entertaining Easter eggs they included as a homage to the classic car - culture movies of another era.

The evolution of culture and advertisements has left billboards in the dust; with so much information at our fingertips at all times, the need to capture an audience confined to their cars just isn't worth the money and the hassle that comes with its upkeep.

In secondary education... we are beset by a peculiar paradox: in our complex industrial society there is increasingly more to learn, and formal education is ever more important in shaping one's life chances; at the same time, there is coming to be more and more an independent «society of adolescents,» an adolescent culture which shows little interest in education and focuses the attention of teenagers on cars, dates, sports, popular music, and other matters just as unrelated to school.

As EVs and Teslas seep further into the mainstream, we'll see how the enthusiast car culture adapts to welcome and accommodate the new - age tech, if it does at all.

The i8 is the result of a new culture of innovation at BMW, and it leaves us impressed with not only the car but also everyone at BMW brave enough to embrace this expensive project.

«As we've seen hundreds of times over the years — from «Bullitt» to «Gone in Sixty Seconds» — Mustang fits the bill perfectly, and it's really a car that represents American culture at its best, which is why we chose it for Toby's ride in «Need for Speed.

That tradition is alive and well at Susan Eley Fine Art on New York City's Upper West Side, where the recent exhibition Vroom Vroom Beep Beep has showcased contemporary artists» often incidental intersection with the culture of cars.

At its best, Toyota's Scion youth brand was an influential force in tuner culture that captured the attention of young car buyers with unique, bizarre models that were like nothing else offered at the timAt its best, Toyota's Scion youth brand was an influential force in tuner culture that captured the attention of young car buyers with unique, bizarre models that were like nothing else offered at the timat the time.

As Director of Ford Racing Jamie Allison said at our «Racing and Performance» forum in November: «SEMA is the intersection of cars and car culture.»

Mini, BMW's sporty British brand, showcased a classic red Mini Electric small rally car that was a herald to»60s pop culture in England at the 2018 New York International Auto Show this week.

After running the cars with the highest levels of downforce possible for first part of the year, it was a bit of a culture shock to how the car needs to be set up and how it needs to be in order to go fast around 8.3 miles at Le Mans.

«Growing up in Southern California in the»70s, I've always been connected with the local car culture, and after all the time and hard work put into the E-Z UP Corvette, I can honestly say I'm proud to show it at the upcoming SEMA show,» said Mark Carter, chairman and founder of the company that makes Instant Shelter products.

Popularized in contemporary culture, the full - size Escalade SUV has taken a backseat to Cadillac's more innovative cars: the ATS, XTS, and CTS.

With its aerodynamically - innovative exterior design completed at the Torrance - based Acura Design Studio, the 2017 NSX brings world's - first technologies and ultra-advanced engineering to this hotbed of performance car culture as Acura makes final preparations for NSX production next spring.

Despite the many and varied attractions at the villa, guests wanting to explore can avail themselves of a car and driver to visit the best that Bali has to offer: the art and culture of Ubud and the charming, laid - back beachside cafés and restaurants of Sanur are both within an easy drive, and the boutiques and bustling streets of Seminyak are not much further away.

International airports are within easy reach by train or car and the lively West End and Oxford Street district is at your doorstep with an outstanding choice of shopping, dining, nightlife, entertainment and culture.

Volkswagen will also be showcasing a full - size mock up of the VisionGTI Roadster this Thursday at the Worthersee Festival, a car show in Austria that celebrates the culture of high performance Volkswagen cars.

We drove on, Marshall taking us through the intersection of Pershing and Indiana a few blocks north, and I recognized it as the vista that appears in his 2003 painting «7 am Sunday Morning,» an urban landscape painting with, in its blurred passing car, a nod to one of Marshall's favorite painters, Gerhard Richter, but which moreover showcases the real storefronts of Rothschild Liquors and, adjoining it, Your School of Beauty Culture, the latter of which I stared at in something like wonder.

During their residency at 18th Street, they've visited several art sites, but have chosen to spend a chunk of their time, renting a car and traveling along the coast, up the iconic Highway 1 to San Francisco, taking in California's diverse landscape and culture along the way.

At no time was this more evident than in the later»60s, when, fed up with reductive critiques that related his sculptures to car crashes and thence to the violence supposedly endemic to contemporary American culture, Chamberlain took a seven - year sabbatical from his signature medium.

Artist Llyn Foulkes performed at the Armand Hammer Museum of Art and Culture Center at UCLA with his renowned Machine, a one - man band amalgam of percussion, xylophone, car horn, and bass.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

The announcement, by culture secretary Maria Miller, that South Korean car company Hyundai will be taking over sponsorship of Tate's Turbine Hall commissions, for the next 11 years, suggests that cultural diplomacy is at play, the BBC reports.

Over the years, Open Engagement has been made possible by invested students, educators, artists, community members, and local organizations and businesses, alongside the generous support of: A Blade of Grass, Arizona State University, Big Car Collective, Frank - Ratchye STUDIO for Creative Inquiry, Lewis and Clark College, Limerick School of Art and Design, OTIS College of Art and Design, Pacific Northwest College of Art, Portland Art Museum, Portland State University, Queens Museum, Regional Art and Culture Council, SPARC, Social Sciences and Humanities Research Council of Canada, Southern Methodist University, The Carnegie Museum of Art, The Dunlop Art Gallery, The Heinz Foundation, The Office of Public Art, The School of Art at Carnegie Mellon University, The Sprout Fund, TriMet, University of Queensland, and University of Regina.

In his show at Regen Projects, the artist ties all of these concepts to the landscape of Southern California: Namely, car culture.

Lloyd has written a lot about the emotional advertising surrounding car culture and how it puts cyclists and pedestrians at risk; it drives development of car - friendly infrastructure and creates a world that's far dirtier and more dangerous for people to live in.

It's a lot of talk about the US's car - culture with shots of the Volt in action.No mention of the environmental benefits, no mention of the plu - in hybrid drivetrain (in fact, at the end GM refers to the Volt as an «electric car» with no mention that it's gas engine that gives it its advantageous range).