We can pit two cars together as we often do, and then pit the third
car out of sequence.»
Not exact matches
Considering the damage that was done to Vettel's
car in the crash, naturally there were concerns he could have been on the receiving end
of a five - place grid drop for taking a new gearbox
out of sequence.
The most impressive stunt being a
car dumped
out the back
of a plane with Sheen in the drivers seat, clearly not the star but its a fun
sequence and better than watching skydivers mince around in the air with «Drop Zone».
He brings the pacing
of Creed's boxing matches to the longer action scenes, producing a fabulously entertaining
sequence in which a shoot -
out in a South Korean underground casino — presented in part as an uninterrupted long take — breaks
out into a rollicking
car chase through city streets.
Rather, it's a delirious five - minute
sequence that involved shutting down an active freeway off - ramp for two days, hundreds
of dancers hoofing and singing their hearts
out on top
of color - coded
cars, and an extraordinary amount
of co-ordination to make it seem as if it's all happening in one seamless, smooth - as - hell single shot.
There is a lot
of flair and bravado to the action
sequences here, whether it be in -
car chases, boat chases, Nazi torture doctors, and powerful slaps that can knock a man
out while keeping him standing still upright, but your left solely appreciating the idiosyncratic nature
of it all alongside some admittedly wonderful cinematography that captures these scenes with, again, style.
It all feels fragmented, making certain
sequences — like one where Margherita purposely smashes her mom's
car after catching her driving — feel baffling or
out of place.
Fantasy
sequences involving Conrad's reconstruction
of his mother's
car accident play
out in beautiful slow - motion
sequences.
Hughes» action
sequences are mostly by the numbers, but when the film busts
out a breathtaking chase through the Amsterdam canals — featuring boats, bridges, motorcycles and
cars — it provides a much - needed injection
of adrenaline to the proceedings.
The Rookie's best
sequence is its intital
car chase, in which Eastwood pursues (and boards) the
car thieves» semi auto - carrier, but matters get downight nutty by the picture's midsection — in which Pulovski is kidnapped by the baddies: his escape involves a sports
car shooting
out of a second - story wall, just ahead
of an explosion («Fasten your seatbelt,» Pulovski sez).
In
sequences like that one, this movie doesn't stint on the ooohs and aaahs, especially when Okoye demonstrates martial artistry with her vibranium spear or when Black Panther grabs hold
of a
car and tilts it in a high - speed chase or somersaults
out of the way
of a tumbling vehicle.
Despite far too many helicopter shots
of Manhattan (seemingly left over from the end credits), Stahelski and Leitch direct the hell
out of what little story there is — particularly the extraordinary
car sequences — but this is one film that could actually use a sequel / sidequel for Kolstad's characters to really let rip.
The trippy aspect
of the film is established in the Brakhage-esque credit
sequence with the abstraction
of the
out -
of - focus lights in the distance through the
car windshield.
The clip's opening
sequence captures the film's quirky take on family drama, with an argument between Lady Bird and Marion over college ending with the latter hurling herself
out of the moving
car.
Perhaps unusually for a 500bhp
car, the Scuderia is more awesome into the corners than
out of them, the highlight
of the lap being the entry to the new Pif - Paf
sequence.
The distinctive rhythm
of the 1 — 2 — 4 — 5 — 3 five - cylinder ignition
sequence — the classic Audi soundtrack played
out since the 1980s by rally
cars, touring
cars and production models such as the Ur quattro, the RS 2 and the TT RS — washes over the cabin as the new RS 3 Sportback gathers momentum.
When the
car is started, an instrument display
sequence is triggered, creating a sense
of occasion, culminating in the four digital dials showing oil and water temperatures, fuel level and oil pressure radiating
out from the centre
of the rev counter to take up their positions on either side
of the central dial.
To close the roof from the driver's seat Solstice GXP owners must perform the following
sequence of tasks: pop the trunk using key fob to release the deck lid; get
out of the
car, open the deck lid, pull
out the folding cloth top and lean it on the windshield; get back in the
car and fasten the clasp joining the top to the frame; get back
out of the
car, slam (and I mean slam) the cover shut, and snap the two rear fasteners into place; then get back into the
car and drive away.
It is a highly scripted
sequence where as you take
out one
car of baddies another rolls in to take its place.
While the first half
of the demo focused on the
car chase that everyone saw at Sony's presentation on Monday, what followed immediately after showed Naughty Dog's dedication to never taking the control
out of the player's hands if it doesn't have to, as well as giving the action
sequences of Uncharted 4 a level
of flair that even the previous games never quite reached.
This
sequence teaches you how to get in and
out of cars, basic driving (gas, break, turning), how to change the radio station in the
car, how to pick up passengers, how to get a new
car if your current
car gets too damaged, and how to use the mini-map to find mission objectives.
Along the way, quick
sequences take place with other
cars getting knocked
out of the way.
But in some cases there is proof
out there that the defendant is lying because the light
sequence report is mutually exclusive
of the defendant's version
of how the
car accident occurred.