With the craft knife, in the center of the sparkly
cardboard stage floor, I cut a small section out, again, just big enough for the stick to fit through.
In contemporary practice installation art continues to provide a fertile playground for new ideas and the use of unconventional materials, from Martin Boyce's dystopic, futuristic
staging, to Clare Barclay's manipulated materials, Nathan Coley's
cardboard constructions and Jim Lambie's psychedelic
floor designs.