Sentences with phrase «care about the characters enough»

I don't feel the danger or care about the characters enough in this installment though.

Not exact matches

Character development is admittedly spotty, with some individuals getting little more than token screen time, but there is enough here for us to care about the core group of mutants.

McQuarrie's complex screenplay — based on a story co-written by Drew Pearce — may not have much to do with current global concerns, but he makes you care enough about the characters to directly affect your pulse and respiratory system.

Gives us a story of love among 20 - somethings without telling us enough about the main characters to indicate why we should care about their perfectly ordinary entanglements.

It's still a fun, fast ride, with lots of twists and turns, murder and menace, and after only a few episodes we know enough back story about most of the main characters to care what happens to them.

Between giving us a real feel for Paris and New York, Zemeckis gives us enough character development that we care about the main crew: Petit, Annie, photographer Jean Louis (Clement Sibony) and math guy (and sufferers of extreme fear of heights) Jeff (Cesar Domboy)-- and even New York addition JP.

The characters have enough depth that you do not get too serious yet you do care about them.

Maybe it is the acting job that is being done or maybe the creators cares much more about this character at this point and it shows — in any case, even he is not enough to warrant more than two episodes of trail for me.

Another rotten romance inexplicably released by formerly respectable indie studio Miramax, «Boys and Girls» is a badly miscast and sadly stagnant collegiate rip - off of «When Harry Met Sally,» devoid of a single moment of emotional sincerity or even a single character interesting enough to care about.

The zany misadventures aren't enough to carry the film, and lacking depth of character creates a «holiday spirit» climax that is tough to care about.

The Player (Robert Altman, 1992) Robert Altman's films are all epic in the interplay between characters, but he's adept enough at the small moments to make you care about every little twist and turn.

While Wick isn't an especially demanding character and the role plays to Reeves» strengths — another steely, controlled character — Reeves fits the part perfectly and he offers up enough to make you care about Wick besides his jaw - dropping ways of killing bad guys.

We might have been distracted from this irrational setup if the movie cared about its characters or its world enough to develop either of them.

Although the focus is on only a handful of characters, the screenplay does not do enough to make the audience care about them.

Far too many horror movies are overly concerned with «Cool Kills» and not concerned enough with presenting characters worth caring about.

We never dig deep enough to truly care about any of the characters or even the plot twists.

Yes, «American Pie» had gross out humour but those moments were exaggerations of awkward teenage sexual experiences and the film had enough heart for you to care about the characters.

There were the stereotypical characters seen in so many other movies about dysfunctional families, however none of them portrayed interestingly enough to allow me to care about or root for them.

It's in this hand - off from one tone to another where Macdonald fumbles the ball, as he hasn't given us enough of an emotional connection between the characters in order to feel for their plight, or even care about Daisy's newfound romance, before they're all thrust into danger and having to propel themselves forward out of a sense of love that we feel is shallow and, in a real world sense, would likely have been forgotten in the face of the death and destruction that surrounds them.

In fact, it tacitly accepts the more absurd elements of its convoluted fictional universe, instead laboring under the delusion that we care enough about the characters that we want to see what happens to them after the events of the first movie.

Stiller did a fine job with the character, but I just didn't care enough about the character.

Hopefully it's enough stuff to care about and isn't ROOM related at all — that it's just about these crazy characters.

In the final act the wheels fall off, where resolution is given to small characters that don't deserve it, and not enough justice is given for the one's we care about.

There has never been a more gifted visual storyteller than Steven Spielberg; in the five minutes of shorthand that opens his War of the Worlds, he creates three characters we care about, a world that we recognize, and a real hope that this time, this one time, he'll be courageous enough to follow a narrative through to its logical end instead of the one he thinks will least disturb his audience.

Call me hard - hearted, but this film proved to be so inauthentic in its design, that I could scarcely take it seriously enough to truly care about these characters as real people.

There's no emotional depth, and by the end, the stakes aren't high enough to care about are two title characters.

To care enough about the characters that they become real people.

Also, with the jumping back and forth from character to character, I didn't feel that it stayed with any one long enough for me to really connect with them and to start to care about the character.

Seiya, the only reccuring character, isn't interesting enough to care about.

They're evocative enough and inhabited by characters I care enough about that I don't necessarily need to earn experience points when I buy clothes, or when I drive on the wrong side of the street, or when I chain together consecutive punches.

It's not the most cinematic of titles you're going to play with most of the story progression coming in the form of characters speaking at the start and end of missions, but it offers enough to at least make you care about everything that's going on.

Fortunately, in fighting games, new characters are often enough to get players back into the game — if they're ones that owners care about.

Heck, even the main character from Detention was sympathetic enough for me to care about her and make me want to help her overcome her troubles.

Even though the story isn't deep or all that engaging, and the dialogue is corny, there's enough back story about what's happening with the characters as to make you care about what's going on.