Sentences with phrase «care about the characters too»

Not exact matches

There are also too many supporting characters who get too little screen time on their own making it hard to care about any of the protagonists.

The characters have enough depth that you do not get too serious yet you do care about them.

I feel the characters straying too far from the realm of believability for me to care about them.

All of my characters feel real for me and I deeply care — probably too much — about doing right by them, and giving them a voice.

The film opens on the island of Themyscira, a paradise island created by the god Zeus and hidden from the real world by a protective shield, and the film stays there for a while as we follow Diana from curious little girl to fully trained warrior princess but once Steve Trevor's fighter plane crashes there and Diana realises there is a war being fought in world she does not know of that is not too far away then we swiftly get brought into London in 1918 and this shift from fantasy into a «real world» scenario gives the film a greater sense of depth, and when combined with characters that you actually care about then Wonder Woman is head and shoulders above all of the other DCEU movies on the strength of that alone.

A film packed with laughs, but also with characters you genuinely care about, too, and Hurwitz and Schlossberg know it.

The problem is that the characters are far too simplistic for us to care about,...

I spend too much time asking questions about the story to care about the characters or the ideas the film is trying to convey.

This film excels in all of these areas, making the audience care about what happens to each character, whether it be the investigating couple, Lorraine and Ed Warren (Vera Farmiga and Patrick Wilson respectively), the tortured owners of the house Roger and Carolyn Perron (Ron Livingston and Lili Taylor), or their kids (too many to count).

There's a clever bit of character building that occurs in the verbal sparring matches between M and C, too — we see M's sense of honor and order and C's inability to care about people either as individuals or collectively.

Far too many horror movies are overly concerned with «Cool Kills» and not concerned enough with presenting characters worth caring about.

While Helgeland's script is too superficial to make us care about any of these characters as fully as he (and we!)

When what is left unexplored leaves us wondering why we should care about the characters, as in Jersey Boys and Think Like a Man Too, then we have films that may entertain at fleeting intervals, but which cease to resonate beyond the time spent watching them.

Although the title character made his big - screen bow in Captain America: Civil War, Coogler and co-writer Joe Robert Cole manage to establish a whole new cast in record time while making you care about them too.

This may be inevitable in the case of Clooney's character — it is, after all, difficult to care too deeply about the isolation of a man who does not care too deeply about it himself — but it extends to the rest of the film as well: the girl who has her heart broken, the workers whose lives are abruptly shattered.

There are too many characters to even attempt to care about.

Clearly, Ejiofor's performance makes this movie work, because with most other actors, the exploitative nature of the character of Lola would have been too silly to ever believe or care about.

As far as the «getting away» goes, I'll admit to being a bit less impressed: clocking in at nearly two hours long, Logan Lucky limps to the finish line, dragging out the finale for an artificially happy ending that takes altogether too much time tying up loose ends of characters we simply do not care about.

It's a problem the series continues to have, where the too - precious dialogue grasps the audience's hand to point and tell us how we should feel about certain characters or couples, rather than giving us a reason to care in the first place.

Leitch does a more than adequate job, I mean it's not like this is The Crow: City of Angels or anything, but it feels like he was too busy choreographing balls - out action sequences to make us care about the characters caught in the middle of all that manufactured mayhem.

I have no interest in or patience with stories whose plot or characters I do not care about, or those that display bad writing or poor editing (FAR too many, even from trad publishing houses).

Just another too ambiguously gendered Japanese character that I'm supposed to care about (looking at you Vaan) who can't seem to get that pesky strand of hair out of his face.