Sentences with phrase «cared about the characters in»

If your kids care about these characters in any way, it will be a tough movie for them to watch, but good luck talking them out of it!

There's a certain paint - by - numbers approach that makes «Infinity War» feel like the latest model off the assembly line, especially for casual moviegoers who don't really know or care about the characters in the first place.

Should I care about the characters in GTA on a more personal level?

Not exact matches

«Going into this process, I expected tough questions about how to best care for our veterans, but I did not expect to have to dignify baseless and anonymous attacks on my character and integrity,» Jackson said in a statement.

Unlike the recent string of TV shows made into movies, like the «21 Jump Street» franchise, Peña said the intention with «CHiPs» is to be more serious in the hopes to make the audience care and be concerned about what the characters are going through.

This show is like a poor man's Lost, in that it has characters I care about trapped in a mystery I barely understand (so help me if you start bashing Lost).

But we need to note that the images and metaphors that were used in the modern revival of concern for pastoral care, with which I am in deep sympathy, have only recently become concerned about shepherding, and for a time were quite different in character.

From clueless bosses to wacky neighbors, One Day at a Time hits refresh on your usual sitcom character tropes by bringing a distinctive familiarity as the cast uses their synergy to deliver their scripts and convince audiences that they do in fact care about one another and the journey they're all on together.

A good example: I've been playing a videogame of late with a combination Greek / fantasy pantheon in which the player - character is a very faithful servant of a particular goddess, knows other gods exist (because killing them / beating them up is the main plot of the game), and winds up with an ally who can clearly see that the gods exist but only cares about following himself — so there's a mix there of misotheism with a few of the gods (they are there, but they're evil), faithful worship (serving a good goddess), and nay theism («You gods are selfish jerks, I'm going my own way!»).

Frances and Derek Baars were never taught to believe in characters like the Easter Bunny or Santa Claus, so they didn't teach the 3 - and 4 - year - old in their care about them either.

but, im ok with this vardy transfer... it shows us many things: 1) wenger is changing, something some of us have been demanding for a long time; 2) it shows that wenger is taking risks: think about it, he is buying a men for a not cheap price, knowing he could not getting anything after, with a future sell i mean... this is an act that shows wengers intentions to win something, the buy is not motivated by any financial or economic reason but only for a «get the f epl once again» reason... this is an act that shows us hungry, even if we fail, we could said we try... first ever, we really try; 3) finally but very important... vardy is the kind of player we need... he is a warrior, a fighter... he has character... look at how he celebrate his goals... full of energy... he, like alexis, can motivate the team when the things are not going in our way (something wenger cant do because of his age and because he has never been an active coach on the pitch)... the vardy transfer, if it finish well, is a demostration of a change, and a good one... lets take care of winning things and do nt look the economic side for once... vardy is a bit old, but we can give a chance to welbeck after maybe, or akpom... u are not thinking about the future when we talk about ibra... guys: u complain when wenger do nt spend or because he is always looking for the bargain when u are the guys who has to pay the very expensive tickets... u complain when wenger buy the always for the future guy... like morata... stop to complain for everything and be consequent with yourself... i would love auba, but it is not going to happen... lukaku is awesome but the asking price is stupid... lets try with vardy, give us the throphy..

In the process of you «caring» about a rape victim, you simply can't attack someone's character for defending his boss.

She is the second of four characters in the natural baby care book about the Ten Building Blocks of Organic Baby Ccare book about the Ten Building Blocks of Organic Baby CareCare.

«In adolescence, these (character) strengths are mostly developed in relationships with caring adults,» Tough explained to me in an email about what ordinary citizens can do to helIn adolescence, these (character) strengths are mostly developed in relationships with caring adults,» Tough explained to me in an email about what ordinary citizens can do to helin relationships with caring adults,» Tough explained to me in an email about what ordinary citizens can do to helin an email about what ordinary citizens can do to help.

Questions in the off - topic portion of the Q&A included the role of Mayor de Blasio's wife, Chirlane McCray, and her having City staff, Senate Republican leader Dean Skelos» criticism of de Blasio's involvement in recent senate elections, whether de Blasio supports a tax on grocery bags, an update on the recent change in NYPD practice on marijuana possession, why the average person should care about conditions on Rikers Island (an on - topic question, but posed during this off - topic portion of the press conference), whether de Blasio is troubled by Al Sharpton's tax troubles, what the expected executive action President Obama on immigration will mean for the City, an update on the City's municipal ID program, preparations for a rally being organized by Al Sharpton upon the completion of the Ferguson grand jury, a possible mail - in response for marijuana summonses and whether mayor supports regulating costumed characters in Times Square.

There was a way in which bridal culture was so over the top, so stacked with glittering objects that it felt like a kind of hysterical drag, the relief of stepping out of myself and into a character who only had to care about being pretty.

Instead of bothering with problems of characters in this not so deep and not so ambitious game, you should go and talk to real people you care about.

And although Howard and Goldsman waste absolutely no time in thrusting the viewer into the action, the almost complete lack of character development makes it virtually impossible to actually care about Robert and Sophie's quest.

I suppose the big draw for me is that you actually care about these characters (other than the character of Paul, who is but window dressing in AW) and what they are going through.

Having all just finished college, each is deciding on what path to take in life, and its Jim who has chosen the most shocking path for the group of friends as he has chosen to ask his girlfriend Michelle, the infamous flutist of the first two films (the wonderful Alyson Hannigan, which, ya know, she is so good in it, we did nt need the other girl characters, which is sad to say, but eh, this was always about the guys so who cares?).

I didn't care about any of the characters and to compare this to Tarantino like dialogue maybe the biggest joke in this movie.

There are a few beguiling moments in Holy Motors, particularly a martial - arts sequence and an erotic dance while Mr. Oscar is dressed in a motion - capture body suit, but the road between those moments is so strewn with stalled ideas that audiences who care about character and plot are liable to take the exit to a movie that makes sense.

It is possible to make the audience care about an utterly loathsome character if we understand their motivations - for instance, Gene Hackman's character in Unforgiven.

If irresponsibility and a lack of trust or deep caring between anyone is the grounds for good humor, then Bojack Horseman does it infinitely better (The difference is that in a cartoon show about vacuous Hollywood types there are characters who feel like subjects who can care rather than just targets for cynical jokes).

While the Walking Dead is a bunch of characters (who nobody cares whether they live or die) sitting around talking about their feelings and who should be in charge for 8 episodes (with an occasional zombie forced in, for no apparent reason), Z Nation actually shows a full world view (with more than Walking Dead ’s

In 2002, Garth was cast in her own series, playing big sister to Amanda Bynes in the WB series What I Like About You, which found Garth's character caring for the teenager in their parents» absencIn 2002, Garth was cast in her own series, playing big sister to Amanda Bynes in the WB series What I Like About You, which found Garth's character caring for the teenager in their parents» absencin her own series, playing big sister to Amanda Bynes in the WB series What I Like About You, which found Garth's character caring for the teenager in their parents» absencin the WB series What I Like About You, which found Garth's character caring for the teenager in their parents» absencin their parents» absence.

I don't feel the danger or care about the characters enough in this installment though.

Maybe it is the acting job that is being done or maybe the creators cares much more about this character at this point and it shows — in any case, even he is not enough to warrant more than two episodes of trail for me.

Now I'm sure the characters that don't appear here in this film very much are most likely going to appear in the 3rd film more, but as of right now, we don't get to know these characters very well to care about a lot of them.

I don't normally notice, or care about, such trivialities, but this was one of the most plotless movies I've seen in a long while, filled with wooden acting performances (Urban seemed to be on auto - pilot, and Clancy Brown as the lead Viking looks to have had his usual menace stifled by the uncomfortable head gear) and underdeveloped characters.

Another performance that deserved great attention and a nomination was Naomi Watts in «King Kong,» in which the actress went far beyond what anyone expected of her, fleshing out a character that we came to care about.

Though subsequent efforts have shown great care to stay both true to the original script and culturally accessible to American viewers, this one makes the poor choice of casting 21 - year - old Van Der Beek (just beginning his «Dawson's Creek» run) as a character who sounds about 11 in the original Japanese presentation.

The director manages to make us care about the characters featured, and we have a constant want for them to win — which is all that matters in a film of this kind.

She is pretty much naked her entire storyline, which works well in the comics and is fun for this movie, but I'm not sure she made for the most captivating character to care about.

Gayle's disarming turn makes us instantly care about her character's fate, making her a fully realised character beyond the cliché her role might have been, and her climactic scenes in the film are extraordinarily powerful.

Jarecki's inability to transform the two central characters into figures worth rooting for and caring about proves disastrous, and there's consequently never a point at which the viewer is able to work up even an ounce of interest in their ongoing exploits.

She ends up coming across a gruff marine general (Billy Bob Thornton) who secretly respects her, a rival reporter (Margot Robbie) who shows her the ropes in Kabul, a Scud - stud - like Scottish correspondent (Martin Freeman) with whom she shares a nose for danger and a bed, an Afghan official (Alfred Molina) who might be the most ill - conceived character I have seen in a film in a long, long time, and, most memorably, an Afghan concierge (Christopher Abbott) who, in his understated and devout way, may care more about her than any of them.

Yes, in the first movie we realized why Deadpool is a character worth caring about.

I might have felt sad about what director Howard Deutch and screenwriter George Gallo have done to the characters from The Whole Nine Yards if I cared about them in the first place.

He's a character who puts in a lot of effort to make it appear that he doesn't care about anything.

But in Deadpool 2, there is another character that is worth caring about — the same character Deadpool teases during the first movie's post-credit scene, about him being in the sequel — his name is Cable.

The film opens on the island of Themyscira, a paradise island created by the god Zeus and hidden from the real world by a protective shield, and the film stays there for a while as we follow Diana from curious little girl to fully trained warrior princess but once Steve Trevor's fighter plane crashes there and Diana realises there is a war being fought in world she does not know of that is not too far away then we swiftly get brought into London in 1918 and this shift from fantasy into a «real world» scenario gives the film a greater sense of depth, and when combined with characters that you actually care about then Wonder Woman is head and shoulders above all of the other DCEU movies on the strength of that alone.

You don't particularly care about any of the characters, everyone makes predictable decisions, no central figure is ever in true peril, and it pushes its PG - 13 rating by giving minor players some memorably gruesome ends.

But for those of us who only care about boxing when there's a compelling character with a story to be told in a motion picture, we have a new TV spot for Antoine Fuqua's forthcoming boxing drama Southpaw starring Jake Gyllenhaal.

We don't care about her character, and when it's time for her to play the damsel - in - distress role, one hopes Parker will actually have the stones to kill her off.

It's a bit histrionic and pretentious and in the end I didn't really care about the characters.

The Player (Robert Altman, 1992) Robert Altman's films are all epic in the interplay between characters, but he's adept enough at the small moments to make you care about every little twist and turn.

In those films, there were no characters worth rooting for or caring about.

His female counterpart is even better, and while it's always nice to see Ricci go topless for a role, the underrated actress actually makes you care about her character; much in the same way that Terrence Howard did with his pimp in «Hustle & Flow.»

As for Day, who worked with first - time feature director Richie Keen on the TV series It's Always Sunny in Philadelphia, it's not that his performance was weak, but rather that I just didn't care about his character at all (despite the fact that he was given an overdue pregnant wife and young daughter as justification for why it was critical that he keep his job over others who had been let go in a massive, nonsensical layoff).