August's
career behind the camera seemed to be reaching a high point, and in 1987, he crafted the film that many consider to be his masterpiece, Pelle the Conqueror.
He's far less adept, at least at this stage in
his career behind the camera, at developing and sustaining tension throughout the narrative.
Interestingly, both the male leads have since gone on to productive
careers behind the camera.
We finished up by talking about a short film Levitt - Gordon made and narrated based on a French poem by Jacques Prevert, an effort that helped launch the next phase of Levitt - Gordon's
career behind the camera with Johnson as mentor.
Until now, he's deserved nearly as much credit for
his career behind the camera as in front of it.
Director Peter Chelsom has had an interestingly feel good
career behind the camera.
Uncertainty and transition, the exploration of fumbling emotions and ungrounded anxieties, can now be seen as the key interests of Braff's
career behind the camera.
Tucci has also had an extensive
career behind the camera.
Not exact matches
Maybe that's why the Australian actress» return to her
career - making, Oscar - nominated role doesn't seem quite the event Working Title would like it to be, even with Geoffrey Rush reprising his performance as spymaster Walsingham and India's Shekhar Kapur back
behind the
camera.
Gone Baby Gone is exactly the sort of
career redemption and rejuvenation that Affleck's
career has long needed, suggesting the former Daredevil may have a longer and better
career ahead of him
behind the
camera.
«Bad Company» is largely a forgotten film, but it marked the beginning of Jeff Bridges» acting a
career and Robert Benton's
behind the
camera.
His
career thus far both in front and
behind the
camera has been diverse to say the least from exploitation flicks shot for almost nothing like the Amateur Porn Star Killer series, to a film more considered and meaningful (and genuinely haunting) like My Name Is «A» By Anonymous, and scoring a lead role in an Albert Pyun one take film called The Interrogation of Cheryl Cooper.
Following a series of ups and downs in the early 2000s, Ben Affleck began to turn his
career around by moving
behind the
camera.
In 1986 he entered the next phase of his
career when he went
behind the
camera, directing Gene Simmons and Ozzy Osbourne in the horror - comedy «Trick or Treat.»
Nightcrawler is aided immeasurably by the best performance of Jake Gyllenhaal's
career, but Gilroy's dark, creepy approach to unseemly but enormously relevant material proves his mettle
behind the
camera.
However, when Affleck jumped
behind the
camera to direct Gone Baby Gone ten years later, he proved that his future
behind the
camera just might eclipse his acting
career.
One of the most discerning and revered actors in Hollywood, her public persona radiates with soft - spoken, good - humoured charm — and yet what stands out most prominently from her eclectic film
career is the robust gallery of visceral, vinegary and headstrong characters who are unendingly encouraged to change their ways by those
behind and in front of the
camera.
As co-creator and executive producer of Empire, Danny Strong's
behind - the -
camera career has gone from seriously successful to stratospheric.
It's a minor touch that pays instant dividends, and it prefaces an entire
career of in -
camera and editing tricks that hide satire and character
behind flash.
Following up the one - two punch of «Gone Baby Gone» and «The Town» won't be an easy feat, but Affleck's proven himself to be an assured craftsman
behind the
camera with both outings, so a period - set mission movie with political stakes and filmmaking itself as part of the plot seems like a sound enough, intriguing enough next step for his directorial
career.
While the NBC series would only have a season, the cast has gone on to have talented and successful
careers both in front and
behind the
camera.
Ruby should also give a little
career boost to Dano, who hasn't picked a clear winner since landing There Will Be Blood, and a big bump to Kazan, who had until this been limited to supporting roles and nothing
behind the
camera on films like Revolutionary Road and It's Complicated.
New York, NY, Monday, December 21, 15 — This winter, the French Institute Alliance Française (FIAF), New York's premiere French cultural center, presents Lhomme
Behind the
Camera, a new CinéSalon series honoring Pierre Lhomme, the pioneering cinematographer whose beautiful camerawork helped shape the
careers of iconic directors including Chris Marker, Jean - Pierre Melville, and James Ivory.
A sumptuously mounted gangster film from Ben Affleck,
behind the
camera for the first time since Argo, continues his intriguing offscreen
career.
Soon she set her sights on acting and the pair moved to Los Angeles to purse
careers in Hollywood: Her in front of the
camera, him
behind.
So instead of watching how newfound fame affects relationships, the crumbling of
careers, or the
behind the scenes workings of a team, the same old story rears its ugly head, this time wrapped in fancy
camera shots that mask the shortcomings of the film.
Though his good looks and charming personality eventually led the Boston native to pursue a
career in front of the
camera, Ben has always been more successful
behind it.
In this first image the main characteristics at the core of Woodman's short
career are clearly visible, her focus on the relationship with her body as both the object of the gaze and the acting subject
behind the
camera.
From her first Untitled Film Stills and throughout her sensational
career, Cindy Sherman has always assumed a multitude of roles in her work, both in front of the
camera — as movie star, aristocrat or clown — and
behind it — as photographer, stylist, and art director.