Sentences with phrase «career painting landscapes»

Riley began her career painting landscapes in the style of Georges Seurat following early artistic studies that were largely informed by Old Masters painting, Impressionism, and Pointillism which led to a dramatic change in her style.

Not exact matches

Hudson River Cloud Passage, painted later in Fiore's career, follows his artistic explorations and continuing interest in landscape.

By the time Untitled III was featured with three other paintings of the «Untitled series» (I, IV) in the 1981 Whitney Biennial, it was clear that Untitled III was among the most scintillating of the master's tableaux, a «landscape» from a catalytic moment in his by - then five - decade long career.

Visitors can explore Xu Beihong's career from early works including a 1918 landscape painting, drawings and paintings created during his studies in Europe, and several of his well - known and loved horse paintings.

An early photo - painting by Gerhard Richter, Italienische Landschaft (Italian Landscape), 1966, is among the first landscape paintings that the artist created in his career.

Throughout his career, from early striped oil paintings that hint at atmospheric landscapes to his celebrated interference paintings that shimmer and alter in the light, depending on their angle of view, Simpson has maintained a boundless curiosity and desire to expand the limits of his chosen medium.

In compliment to these portraits are a number of paintings of North London landscapes — Camden, Primrose Hill and Mornington Crescent — areas local to the artist's home and studio, which have also served as reoccurring subjects over the course of his career.

Late in his career, as Thiebaud turns to landscape, he lets paint follow the eye across the funny vistas of northern California.

Early in her career, Mitchell was labelled an «Abstract Impressionist,» because her paintings conveyed an «impression» of nature, most specifically landscape.

25, 2016), this long - awaited volume includes images of more than 100 paintings — portraits, landscapes and interiors — from throughout Marshall's 35 - year career and essays by the artist, Elizabeth Alexander, and Helen Molesworth, among others.

This selection of early paintings documents a conceptual shift in the artist's work as the landscape imagery offered by earlier paintings begins to incorporate and is consumed by the symbol - laden abstract compositions that would become a recurring theme throughout his career.

Still explains the «ascending verticality» and «aspirational thrust» of his canvases throughout his career as taking root in his early landscape painting which he described as «records of air and light, yet always inevitably with the rising forms or the vertical necessity of life dominating the horizon... And so was born and became intrinsic this elemental characteristic on my life and my work.»

It includes approximately thirty paintings of northern landscapes Harris did during the 1920s and 1930s while a member of the Group of Seven, encompassing one of the most important periods of his career.

Marsh, who began her career in the early 1970s in Paris and New York, arrived at landscape painting through the prevailing language of minimalist abstraction.

Though he emerged in the New York art world in the 1950s during the heyday of Abstract Expressionism, Katz has been dedicated to figurative painting throughout his career, anticipating Pop art with his bold use of color and stylized renderings of humans, animals, and landscapes.

While he is well - known for works featuring his own social milieu — often depicting parties, portraits of friends and fellow artists, and, perhaps most notably, his wife Ada, who has been his model and muse for decades — the landscape of Maine, which he first encountered as a resident at the prestigious Skowhegan School of Painting and Sculpture in 1949 - 50, has been a central point of reference throughout his career.

Throughout his career, Marshall has consistently sought to correct the under - representation of people of colour in Western culture by creating his own depictions of black figures (both historical and fictional) using the art - historical genres of history painting, portraiture and landscape.

Throughout her career, Tomash has focused on creating paintings and prints of landscapes that echo the topography of the human mind.

With roots in landscape painting as practiced by both members of the Group of Seven and Emily Carr, by the end of his career Jock Macdonald had become one of the pioneers of abstract painting in Canada.

For an artist whose output extends far beyond the fine paintings of World War One and exceeds the parameters of British landscape painting within which his work is usually understood, the recurrence of certain themes and preoccupations — a sense of significant place, and the idea of trees as sentient, mystical beings — creates a satisfying symmetry to his career.

Wilmerding will provide insight into landscape painting in the first part of the 19th century and still lifes in the latter part of the century, and frame the works in the context of the artists» careers.

Starting a family and a career in landscape painting, she decided to remain in Savannah finding inspiration in the beautiful low country wetlands.

Giorgio Morandi, Still Life (Natura morta), 1956 Oil on canvas; 9 7/8 x 13 7/8 inches September 16 — December 14, 2008 This is a comprehensive survey — the first in this country — of the career of Giorgio Morandi, one of the greatest 20th - century masters of still - life and landscape painting in the tradition of Chardin and Cézanne.

A landscape painting trip to Cooper Union's Green Camp in rural New Jersey, brought him to the realization that he could pursue painting, rather than cartooning, as a career.

Known for bridging the Neoclassic tradition of allegory set in nature with Realism and plein air practice, Jean - Baptiste - Camille Corot embarked on his artistic career by studying landscape painting.

Most famous for his pop paintings of supermarket products or cakes and pies, Wayne Thiebaud has dedicated a significant part of his career to landscapes, both natural and urban.

On a trip to Cooper Union's Green Camp in rural New Jersey to paint landscapes, he realized that he could actually become a painter, and make a career of it.

The paintings from different periods of Frankenthaler's career that are on view in the elegant Tadao Ando - designed pavilion at the Clark were chosen because they illustrate her enduring engagement with landscape.

Confronted with his «black paintings», for instance, it's strange to consider that his career began in St Ives in the 1950s, where he developed his skills alongside Trevor Bell and Peter Lanyon, painters whose abstractions were more obviously rooted in the Cornish landscape.

Fully illustrated, the cloth - covered book includes images of more than 100 paintings — portraits, landscapes, interiors, and comics — from throughout Marshall's 35 - year career, paired with contributions from curators Ian Alteveer, Helen Molesworth, and Dieter Roelstraete, as well as Elizabeth Alexander, among others.

Landscapes were also to be a recurring theme in Richter's Photo Paintings of the «80s, but it was another series of photo - paintings from the following year that was to prove to be his most significant body of work of the decade, and indeed, one of the most important of Richter'Paintings of the «80s, but it was another series of photo - paintings from the following year that was to prove to be his most significant body of work of the decade, and indeed, one of the most important of Richter'paintings from the following year that was to prove to be his most significant body of work of the decade, and indeed, one of the most important of Richter's career.

Organized in collaboration with London's Tate Britain and the Metropolitan Museum of New York, the exhibition celebrates the artist's 80th birthday, retracing his entire career through more than 160 works (paintings, photographs, engravings, video installations, drawings and printed works), including his most iconic paintings — swimming pools, double portraits and monumental landscapes — and some of his most recent creations.

It illuminates the artist's wide - ranging representations of the state throughout his career, from early lush, Post-Impressionist mountain landscapes to glass paintings done at the Ogunquit art colony to canvases painted from memory while abroad to late, roughly rendered images of the rugged coastline, magisterial Mount Katahdin, and hardy people.

On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad apps.

Although he maintained that his work remained landscaped - based, however tenuously, for the rest of his career it was dominated by dramatic colour fields painting.

However, for Hofmann, the possibilities of painting always encompassed divergent approaches; the geometric and the curvilinear, the thickly impasted and the thinned surface were all concurrently viable throughout his career, although there were periods when one set of problems seemed to take precedence over another, such as in his 1941 - 1943 landscape studies.

This exhibition shows the artist's approach to this subject over different phases in his career, and spans from the 1980s to his latest paintings of monumental landscape.

In the course of his long career, Édouard Vuillard produced hundreds of paintings depicting life in Paris through impressions of people in landscapes or interiors.

Although best known for his portraits, Katz has painted landscapes both inside the studio and out - of - doors since the beginning of his career.

Freestyle presents landscapes, figurative and abstract paintings from James» entire career that reveals a complex picturesque language.

Jennifer Guidi (b. 1972, Los Angeles) began her artistic career with realistic paintings influenced by the southern California landscape.

Gottlieb created «Burst» and «Imaginary Landscape» type paintings for the remainder of his career but, unlike some of his colleagues, he did not limit himself to one or two images.Discussion of Gottlieb's art is usually limited to mentions of «Bursts» or «Imaginary Landscapes», which detracts from the broad range of ideas this artist examined.

Throughout his career, Turner revolutionised the idea of landscape painting.

It includes landscape paintings, flower studies and abstract works, her major areas of interest throughout her remarkable career.

TP Flanagan spent the majority of his painting career in Ireland, but his landscapes have received wide attention and his work has been recognised both in Ireland and abroad.

After his first experience painting en plein air with Claude Monet and Pierre - Auguste Renoir in 1863 near the forests at Fontainebleau, Sisley fell in love with landscape painting, devoting himself to capturing the varying effects of atmosphere, mood, season, and light for the rest of his career.

Although he was to paint several portraits - sometimes with success when he was intimately concerned with the sitter, as is shown by the portrait of his fiancee Maria Bicknell (1816; Tate Gallery, London)- his main concern for the whole of his career was with the painting of the English landscape.

traces the continual and deliberate evolution in the artist's work from his early to late career and reveals Gottlieb's constant willingness to reevaluate his paintings throughout his lifetime.The eleven works on view, created between 1948 and 1972, focus on three specific series: the Pictographs, the Imaginary Landscapes and the Burst paintings.As Lilly Wei writes, «All three serve as deeply meaningful touchstones, sometimes serious in intent, other times playful, to which he returned to time and again, in one formulation or another, all his life.»

French artist Pierre Molinier (1900 — 1976) began his career by painting landscapes, but his work turned towards a fetishistic eroticism early on.

The installation will include a selection of sculpture in steel, painted and unpainted, spanning the artist's career to date and highlighting principal aspects of his long career: engagement with form in space, dialogue between sculpture and architecture, and creation of new, abstract analogies for the human figure and landscape.