Not exact matches
It's a very moving indie drama that, as the directorial debut of screenwriter Oren Moverman, could be the start of a very great
career for him as something
other than a writer.You should definitely give this
film a watch.
Director Claire Denis is choosing a more diverse range of
film projects
than any
other time in her
career - and it's best exemplified by Let the Sunshine in, a romcom that subverts genre expectations on the hunt for true love.
His success with «Alias» ultimately launched his
career, and now, ten years later, here he is approaching A-list status, starring in a fine - looking action
film, sharing the screen with none
other than, in the words of Ricky Gervais, «the greatest screen - actor to have ever lived» — Robert De Niro.
Other than the screenplay for Return Of The Jedi, after those
films he focused on his own
career as a writer / director.
The list of icons making appearances was truly unprecedented: Superman soars twice — once in the «return» and the
other as Ben Affleck; Crockett and Tubbs exude cool; Ethan Hunt falls short; Captain Jack Sparrow sets the stage for the finale; Jack Black sometimes wears stretchy pants; Huey Long is resurrected and somehow over-played by Sean Penn; the mass appeal of the DaVinci Code novel fizzled onscreen; Robert Altman's amazing
career ended with an excellent adaptation of a radio series starring Garrison Keillor's made for radio face; Johnny Depp tried to untrack his
career with The Libertine; Nicolas Cage was front and center in the disastrous remake of The Wicker Man, but if the preview is any indication, his sleep - walk was merely a tune - up for this year's Ghost Rider; Woody Allen (with Scarlett Johansson as his muse) re-emerged with his best comedy since Crimes and Misdemeanors; amazingly, Jen and Vince's real life break - up was more entertaining
than the
film version; and while on - set hook - ups seem to the norm, how could the dreadful You, Me and Dupree have been an aphrodisiac for Kate and Owen?
«Scott Weinberg has had a profound impact on the psyche of my
career more
than any
other film critics out there,» says James Wan, director Saw and The Conjuring, in his exclusive introduction.
Other classic or
career - defining works from the past 50 years punctuate the exhibition, from Rodney Graham's breakout, time - bending cinematic short, Vexation Island (1997), to a trio of Marina Abramović
films — Freeing the Mind, Freeing the Body, Freeing the Voice (1975)-- in which the expectation of a human's potential is also tested, albeit in stark physical and mental terms, rather
than through Graham's comic flourish.