It removes all gravity from the situation as if you want me to
care about a character you need to build the relationship, in Resident Evil 6 they say «you're supposed to care about this bit...» and you have no other reason to care.
Not exact matches
But we
need to note that the images and metaphors that were used in the modern revival of concern for pastoral
care, with which I am in deep sympathy, have only recently become concerned
about shepherding, and for a time were quite different in
character.
but, im ok with this vardy transfer... it shows us many things: 1) wenger is changing, something some of us have been demanding for a long time; 2) it shows that wenger is taking risks: think
about it, he is buying a men for a not cheap price, knowing he could not getting anything after, with a future sell i mean... this is an act that shows wengers intentions to win something, the buy is not motivated by any financial or economic reason but only for a «get the f epl once again» reason... this is an act that shows us hungry, even if we fail, we could said we try... first ever, we really try; 3) finally but very important... vardy is the kind of player we
need... he is a warrior, a fighter... he has
character... look at how he celebrate his goals... full of energy... he, like alexis, can motivate the team when the things are not going in our way (something wenger cant do because of his age and because he has never been an active coach on the pitch)... the vardy transfer, if it finish well, is a demostration of a change, and a good one... lets take
care of winning things and do nt look the economic side for once... vardy is a bit old, but we can give a chance to welbeck after maybe, or akpom... u are not thinking
about the future when we talk
about ibra... guys: u complain when wenger do nt spend or because he is always looking for the bargain when u are the guys who has to pay the very expensive tickets... u complain when wenger buy the always for the future guy... like morata... stop to complain for everything and be consequent with yourself... i would love auba, but it is not going to happen... lukaku is awesome but the asking price is stupid... lets try with vardy, give us the throphy..
When you have a combination of self regarding players, who play only for themselves and patently
care nothing at all
about the club that pays their grotesque wages, along with a totally weak and «avoid conflict with powerful
characters at all cost» manager, the lack of will to do what
needs doing is frightening.
Having all just finished college, each is deciding on what path to take in life, and its Jim who has chosen the most shocking path for the group of friends as he has chosen to ask his girlfriend Michelle, the infamous flutist of the first two films (the wonderful Alyson Hannigan, which, ya know, she is so good in it, we did nt
need the other girl
characters, which is sad to say, but eh, this was always
about the guys so who
cares?).
To get a really good and entertaining film, you
need: 1)
characters you
care about 2) a plot that is more than twenty words when boiled down 3) stunning action (on which Transformers delivers 4) believability and credibility And all Transformers has is eye candy.
Predators is well paced with a good build up and the right degree of
character development you
need to
care about the fate of the human
characters.
As it stands the constant
need to be offbeat distances us from the
characters and events, to the point where we can never really get into the story, not really finding the proper foothold to
care about the case against Mrs. Harris one way or another, or to feel the profundity the murder so desperately
needs to properly keep us on the edge.
To
care about the
characters, they
need to be believable.
James Mangold for
caring about all the right things in his work and blessing us with Logan and Copland, Refn for Drive alone, Stallone for giving us Rocky and THE «Just keep going» monologue that everyone in the arts
needs when they have that inevitable bad day, Joe Carnahan for being able to blend heart stopping action with
character drama and Phil Joanou for making my favorite film of all time with State of Grace (1990)(I'd love a Cinephilia and Beyond piece on it someday...)
Despite very solid work by Wolfe to capture the fear of a girl who has no idea what's going on (as well as to be truly scary when she
needs to be), the
characters in «The Conjuring 2» don't resonate, so we don't
care as much
about what happens to them.
But in order for the film to be compelling the audience
needs a reason to
care about what's happening to the
character, which is the key missing in Kill Your Friends, a pitch black comedy based on the book of the same name by author John Niven.
In case we
needed another reminder that Hollywood does not
care about minority
characters or actors, yesterday brought the news that Paramount Pictures and Dreamworks Pictures thought it would be a cool idea to cast Scarlett Johansson as the famous Japanese heroine Major in the film adaptation of Japanese writer / illustrator Masamune Shirow's Kodansha Comics manga comic series, GHOST IN THE SHELL.
Chastain is superb as the title
character, simultaneously vulnerable and strong, a woman who
cares passionately
about any creature who
needs protection.
There
needs to be a main
character I
care about.
Both the physical and mental states of the protagonist are reflected in the actual gameplay — the player
needs to be taking
care about their
character's health, but also their level of sanity, because exploring mysterious ruins with unknown, dark forces residing in - there, can drive the protagonist insane.
They're evocative enough and inhabited by
characters I
care enough
about that I don't necessarily
need to earn experience points when I buy clothes, or when I drive on the wrong side of the street, or when I chain together consecutive punches.
A video game
needs to have an excellent storyline with well - crafted
characters to
care about.
Perhaps a distant cousin to Sound Shapes; it may look fairly basic, but if you've ever wondered how a game could make you
care about characters that are represented fairly simply (via shapes), but have an intriguing level of depth to them backed up with strong writing, great sound design, and personality out the ears, you
need to check out Thomas Was Alone.
Steven Benmor @SteveBenmor I don't
need 140
characters; only 30: I really
care about the legal profession.