It fills a gap in two decades of exhibitions of contemporary Caribbean art that did not explicitly address
Carnival as an artistic practice nor conceptualize distinct and historical forms of Caribbean art.
EN MAS» is one of the first publications to give serious scholarly attention to contemporary art works considering carnival in the 21st century, filling a gap in two decades of exhibitions of contemporary Caribbean art that did not explicitly address
carnival as an artistic practice.
Not exact matches
Marlon Griffith (1976, Port of Spain, Trinidad and Tobago) started his
artistic practice as a
Carnival designer — a «mas» man,»
as Trinidadians would call him.
Marlon Griffith began his
artistic practice as a
Carnival designer — a «mas» man,»
as Trinidadians would call him.