The
hidden affirmations of life in «Wheel of Fortune» (1977 - 78), the attribution of individualized beauty and assertiveness in «Marilyn: Golden Girl» (1978), and the whimsical Pop - angst of «Invocation» (1982)-- all included in the current exhibition curated by Garth Greenan at Gary Snyder Project Space —
carry an exactitude, bravura, immanence, and eccentricity unlike anything painted in the
history of Modernism.