Not exact matches
A comprehensive examination of the source material that
lead to these
paintings of members of the terrorist group Red Army Faction has also been
carried out.
«The political issues that Wayne raises in his
paintings: questions of conspiracy, how power is brokered, and how the masses are
lead, resonate in a powerful way within the context of New Orleans, but also
carry implications unto the global scene.»
Carried out in a palette of diametrically contrasting
lead white and grey, the October cycle of
paintings suspend their images in thick, velvety oil
paint.
At the time of the
painting's acquisition, the unsigned work
carried the title of In the Woods and was believed to be by the hand of Asher B. Durand, a
leading figure of the first generation of the Hudson River school painters in the mid-19th century.