Things like royalty value for digital books, the ala
carte subrights menu, rights reversions, and what agents and publishers are offering that could be troublesome.
Not exact matches
The last thing I'd like to talk about is the value of «a la
carte»
subrights (ie foreign rights, audio, print vs digital).
The industry is heading toward an evaluation of worth and contract terms and
subrights values should be reexamined in an a la
carte manner, and not just thrown in because that's the way it's always been done.
Today's publishing world is more a la
carte when it comes to
subrights, or it should be.