Sentences with phrase «cartoon figures on»

It's funny that a cartoon figure on a postage stamp — which most kids rarely see anymore — is posing such a threat.

Not exact matches

Also, the original post was a cartoon envisioning the words / concepts represented by the Jesus figure, against the background of the Syrian refugees ---- what are your thoughts on the irony, applicability, and / or actions advocated by the Followers of Jesus (past tense) with the Followers of Jesus (present tense).

So while I can remember admiring Flint enough to write his name on a radiator and lament the unusual disappearance of the file card that came with his action figure, I couldn't tell you anything regarding the universe or connect my young appreciation of the cartoon to any predilection whatsoever for the military or action entertainment.

And there isn't much for Toulouse - Lautrec to do: as played by John Leguizamo, he is a cartoon figure, hardly more real than Eric Morecambe's impression of Jose Ferrer: kneeling on his shoes to get the right height.

Where I made room to display original clay figures that I envisioned the students creating, she brought in plastic cartoon characters, and lined them on the shelves.

Notice how Kaito blends wildly realistic characters with obvious cartoon figures - usually an artist would offer some variation on how «real» characters look for emotional or comedic effect, but this one leaves them be, as if to emphasize the motley mix of personality types the hero must deal with.

Watched the movies and cartoons, had the action figures, listened to my cassettes of the soundtracks, played the David Crane version on my Apple IIc, then Atari 2600, the NES, the Sega Master System.

It was a terrain where snippets of faces or figures taken from an ad, a cartoon, or a news photo, or that might be recognizable on their own — Alice, say, from Alice in Wonderland, or a figure from Goya, or Hopalong Cassidy — were magically interwoven with, or painted over, patches of fabric or abstract markings.

On the mezzanine level are 87 watercolors: cartoon images of voluptuous women cheerfully engaging in all kinds of sexual activities often involving runty, priapic male figures and sometimes priests.

People have seen traces of the human figure in Pollock's last work, and they have seen it as a betrayal, much as de Kooning's women before him or the merger of abstraction and cartoon agonies in Philip Guston later on seemed one as well.

In these works, political paraphernalia commingles with cartoons, corporate logos, and art - about - art verging on the appropriationist: references to Bruce Nauman and Ed Ruscha appear alongside paraphrases of Philip Guston's well - known drawings of Nixon and large - scale versions of figures by Jean Dubuffet.

This exhibition focuses on Lichtenstein's diverse treatment of the human figure in works that proceed from his iconic cartoon paintings from the»60s.

The Cleveland Museum of Art's latest acquisitions include a Virgin and Child, a rare 13th - century wooden sculpture from the Mosan region of Europe; a Standing Female Figure, a clay figure representative of the Classic Veracruz period on Mexico's Gulf Coast; and Just the two of us, one of contemporary artist Julia Wachtel's first paintings to employ carFigure, a clay figure representative of the Classic Veracruz period on Mexico's Gulf Coast; and Just the two of us, one of contemporary artist Julia Wachtel's first paintings to employ carfigure representative of the Classic Veracruz period on Mexico's Gulf Coast; and Just the two of us, one of contemporary artist Julia Wachtel's first paintings to employ cartoons.

Historical and contemporary works of art, videos, machines, archaeological artefacts and iconic objects, like the giant inflatable cartoon figure of Felix the Cat — the first image ever transmitted on TV — inhabit an «enchanted landscape» created in Nottingham Contemporary's galleries, where objects seem to be communicating with each other and with us.

The figures are cartoon - like, sword - carrying «rectangles from hell,» as the artist describes in a recent interview on the Marfa Public Radio Station.

For the past month, Brazilian street art duo Os Gêmeos have been transforming six 70 - foot - tall silos on Vancouver's Granville Island into their signature colorful, straight - faced cartoon figures, for a giant piece titled, well, Giants.

On canvas, his imagery runs toward exhausted modernism's obvious tropes (a figure in a field that is in itself a mechanical cartoon character).

In one instance, the figures have been painted on fabric printed with multicolored cartoon ghosts, which seem to waver and vibrate as the viewer moves from one side of the canvas to the other.

Incorporating political images and discomforting cartoon figures, she pre-figured «reality» and celebrity culture's impact on representation as a potential form of critical and emotional dissent.

Baldessari, who, as Apollo Magazine first pointed out, voiced his own Simpsons avatar, joins a formidable list of arts and culture figures who've appeared on the beloved primetime cartoon, including Frank Gehry, Shepard Fairey, and Jasper Johns.

While the shapes and figures, as in his previous video works, are drawn from cartoons and Japanese anime, Laric's subject matter has grown to also include animations based on live footage.

Although my work doesn't look on the surface much like his, I think he taught me about using iconic signifiers and figures that I could project myself into for emotion and as an avatar in paint (like Scott McCloud describes in his amazing book, Understanding Comics, that we do as comic readers), and create figurative narrative allegories that hopefully resonate deeper than most political cartoons and relate to Goya and other art historical uses of politics and allegory as much as the imagery could relate to underground comics and contemporary worlds.

Lichtenstein's early works during the 1960s were comments on American Abstract Expressionist paintings by artists such as Jackson Pollock but it was his later brightly coloured prints inspired by popular cartoon imagery and comic strips, incorporating figures such as Mickey Mouse and Donald Duck, which became characteristic of his oeuvre.

Historical and contemporary works of art, videos, machines, archaeological artefacts and iconic objects, like the giant inflatable cartoon figure of Felix the Cat — the first image ever transmitted on TV — inhabit an «enchanted landscape» created in the Pavilion's galleries, where objects seem to be communicating with each other and with us.

In other works such as The Spiral, a cartoon figure draws himself and the sheet of paper on which he appears — and the sheet on which it appears, and so on.

A silicone - and - wax oil puddle by Virgile Ittah and Kai Yoda becomes a lonely island, a familiar childhood cartoon slits and sketches across the picture plane until it is barely recognizable in a piece by Antoine Donzeaud, «[a] memory is cast in a foggy figure on the brink of evaporation» in Henry Chapman series of abstract paintings.

Made on canvas stretched over wood panels, each painting in KAW's new series of shaped paintings takes on the silhouette of a familiar figure from animated cartoons and comic strips.

While cartoons and cultural ephemera still provide her with subject matter, the works on display at Lisson Gallery speak more of Pensato's ongoing experimentation with technique, as well as the positioning and fragmentation of figures.

Even though the opt - in screens do state that granting permission will «continuously upload info» about contacts and call and text history, it is arguable that many users don't really understand what that means and that instead of saying «this lets friends find each other on Facebook and helps us create a better experience for everyone» (a message sweetened with a saccharine cartoon of a figure texting a little heart), Facebook should really be giving more details about what exactly will be recorded and why.