Sentences with phrase «cartoon on contemporary art»

ace London is to present Everything falls faster than an anvil, a group exhibition that explores the influence of the cartoon on contemporary art.

Curated by CHEWDAY»S 6 - 10 Lexington Street 9 May to 18 June 2014 Pace London is delighted to present Everything falls faster than an anvil, a group exhibition that explores the influence of the cartoon on contemporary art.

Not exact matches

I first saw this aged about 18 in Venice knowing little about contemporary art, nothing about Robert Gober, and took it as a sort of cartoon howl on the nightmarish endlessness of painting.

The Influence of Cartoons in Contemporary Art, which was on view at the Wexner Center's temporary Belmont Building Galleries in 2004.

The Cleveland Museum of Art's latest acquisitions include a Virgin and Child, a rare 13th - century wooden sculpture from the Mosan region of Europe; a Standing Female Figure, a clay figure representative of the Classic Veracruz period on Mexico's Gulf Coast; and Just the two of us, one of contemporary artist Julia Wachtel's first paintings to employ cartoons.

Historical and contemporary works of art, videos, machines, archaeological artefacts and iconic objects, like the giant inflatable cartoon figure of Felix the Cat — the first image ever transmitted on TV — inhabit an «enchanted landscape» created in Nottingham Contemporary's galleries, where objects seem to be communicating with each other contemporary works of art, videos, machines, archaeological artefacts and iconic objects, like the giant inflatable cartoon figure of Felix the Cat — the first image ever transmitted on TV — inhabit an «enchanted landscape» created in Nottingham Contemporary's galleries, where objects seem to be communicating with each other Contemporary's galleries, where objects seem to be communicating with each other and with us.

Although my work doesn't look on the surface much like his, I think he taught me about using iconic signifiers and figures that I could project myself into for emotion and as an avatar in paint (like Scott McCloud describes in his amazing book, Understanding Comics, that we do as comic readers), and create figurative narrative allegories that hopefully resonate deeper than most political cartoons and relate to Goya and other art historical uses of politics and allegory as much as the imagery could relate to underground comics and contemporary worlds.

The Influence of Cartoons in Contemporary Art (2003); the acclaimed Double Consciousness: Black Conceptual Art Since 1970 (2005); Black Light / White Noise: Sound and Light in Contemporary Art (2007); Cinema Remixed and Reloaded: Black Women Artists and the Moving Image with Dr. Andrea Barnwell Brownlee (2009); Hand + Made: The Performative Impulse in Art and Craft (2010); a major retrospective on Benjamin Patterson, Born in the State of Flux / us, as well as the survey Donald Moffett: The Extravagant Vein (2011).

Historical and contemporary works of art, videos, machines, archaeological artefacts and iconic objects, like the giant inflatable cartoon figure of Felix the Cat — the first image ever transmitted on TV — inhabit an «enchanted landscape» created in the Pavilion's galleries, where objects seem to be communicating with each other and with us.

«Single - Cel Creatures: Cartoons and their Influence on the Contemporary Arts,» Katonah Museum of Art, Katonah, NY