Sentences with phrase «cartoon show which»

Not exact matches

In another cartoon» which appeared in the Minneapolis Star - Tribune» the Roman collar is shown floating above a metal chastity belt.

The feeling tone which is sometimes communicated is like the mood of a cartoon showing a tired, bedraggled couple on a vacation.

There are numerous instances of coarse language by Luther, his Catholic opponents and the pamphleteers of the day, not to mention the inflammatory woodcuts (the cartoons of the period) which, for example, showed a seven - headed Luther.

@Brigitte: I agree, the issue for me is first, face veils — which was my point from the beginning, and David's post shows face veil but then he talks about the burkini incident inspiring the inaccurate cartoon.

There are TONS of movies and shows which focus on REAL things and learning, not cartoons, and fighting, and reinforcing gender roles.

A cartoon by Matt in the Telegraph on July 2nd (which would work for almost any day) showed two students, one of them saying «I'm studying politics.

Using specially created cartoons, which show two characters («Timmy the Turtle» and «Billy the Bird»), interacting in various ways, the project sets out to measure (using an Implicit Attitude Test (IAT) as well as economic games), how children aged from four to fourteen perceive others» sharing.

Labour has drawn up a special campaigning slogan, «Let down by the Lib Dems», which is illustrated with a cartoon showing a deflating car tyre.

And the cartoon in Swiss newspaper Neue Zürcher Zeitung which showed the hapless May as a boxer slumped on the ropes after punching herself out.

But perhaps even more brutal was the former chancellor's enjoyment of a Gerald Scarfe cartoon in the Sunday Times which he said showed «poor old Mrs May and Jeremy Corbyn relieving himself on her».

Developmental psychologist Lotte Thomsen of the University of Copenhagen and her collaborators showed infants cartoon movies in which two different - size blocks, each having an eye and a mouth, bounced toward each other starting from opposite sides of a platform.

To test the idea, the team showed 24 bonobos another set of animated videos in which one cartoon character repeatedly prevents another one from claiming a coveted spot.

After tasting each vegetable, the children were shown three cartoon faces and asked to pick which one best showed how they felt.

Root cartoon with a cell file colored to depict the MZ (green) with NMZ cells, the EZ (yellow) with NEZ cells, and the DZ (blue), which extends more cells upwards (not shown).

The show will highlight a 13 - meter - wide painting of cartoon characters parody which is shown for the first time in Asia, and an unseen five - meter totem sculpture.

The multiplayer does suffer from some camera issues as well but the visuals are really some great cartoon style visuals that are mostly shown through the great environments, which I must say, impressed me quite a bit.

One of the problems with the film, which held true in the 1980s, when the G.I. Joe franchise entertained kids through TV cartoon shows and comic books, is that there are too many characters vying for too little screen time.

Kloster employs a unique crafts - styled 2D animation which blends color backgrounds with black and white characters, reminiscent of the show «Angela Anaconda» for those who remember the late - 90s Nickelodeon cartoon.

Which is to say, it's self - conscious by default, and is always reminding you either blatantly or slightly less blatantly of other movies or shows or cartoons that you've seen.

The setting shown in both the trailer and the gameplay footage appears reminiscent of the Sonic the Hedgehog Saturday morning cartoon from the 90s, in which Dr. Eggman (then known as Dr. Robotnik) had successfully conquered the planet, and Sonic was a freedom fighter.

By contrast, young children's viewing of noneducational programming — cartoons or general - audience shows — has a negative effect on their school readiness, according to the study, which was released last week.

However, the Epic's uniquely immersive UI, which looks like a cartoon show, makes it worth considering.

The slides also reveal some early UI designs for what would become Android 3.0 Honeycomb, as shown above; the widgets and iconography are much more cartoon - like than the final design, which would eventually form the basis of the «Holo» theme used in Android 4.0.

This is a great cartoon showing a typical stress response of a dog in a park — which is unfortunately a familiar sight.

Anyone who has ever been owned by a dog will be hooked by these cartoons in which witty canines with attitude show what life and humans look like through beagle eyes.

Good news: cartoons and videogames go together like chocolate and rainbows, which is why publisher D3Publisher and developer WayForward are making two videogames off of these shows to hit gaming consoles this autumn, in Europe, the U.S., and Australasia.

This features a lot of animated content, including the entirety of the incredibly cheesy (but - oh - so - fun) Saturday morning cartoon show from 1995, Street Fighter II: The Animated Movie (in my opinion, featuring some of the best fight scenes choreographed for any film, live - action or animated), Street Fighter IV: The Ties That Bind, and the Super Street Fighter IV Original Video Animation, aka the «Juri anime,» which is being released in English for the first time ever.

And that's not even mentioning some of the other locations shown in the Prequels, such as Mygeeto and Felucia, or any of the other cool locations from the popular Clone Wars cartoon (which is set in the same era).

Visually, characters do look rather rough, although the game still has a pleasant cartoon look, which, while nowhere near perfect, does manage to capture the animation of the show.

The multiplayer does suffer from some camera issues as well but the visuals are really some great cartoon style visuals that are mostly shown through the great environments, which I must say, impressed me quite a bit.

As I didn't mention all too much in my announcement piece, the game takes place in mind of a child during the 50's, surrounded by 50's American culture and media, which would include cartoons, radio shows, film, you name it.

The trailer not only shows us some new footage, but also includes a bonus little cartoon which is an enjoyable watch for any Scooby Doo fan.

Which was kind of fitting, as he also watched those first episodes of the cartoon show with me when I would rent them.

This particular game is entirely themed around the new Sonic Boom cartoon, which means the world and the entire cast in this game all come from the TV show.

The initial premise is Hugh Macleod's cartoon on the company hierarchy, which often elicits a chuckle when I show it to others.

Works in the show range from Benjamin Franklin's seminal Join, or Die (1754) political cartoon to Jin Joo Chae's The Sweet Taste of Capitalism with Communist Cream: The Choco Pie - ization of North Korea, in which the artist screenprinted «Choco - pie» in chocolate (using a more familiar brand's typography) over a North Korean daily (the treat has achieved the status of currency in that country).

Also seen the same day, down the block from Pace Gallery, in the show at Lennon - Weinberg Gallery, «H.C. Westermann: The Human Condition, Selected Works, 1961 - 1973,» some early drawings by H.C Westermann (1922 - 1981), done (as I overheard the gallerist explaining) when the artist was in the hospital being treated for testicular cancer — which he survived: his wife had brought him some crayons and paper, and he worked on a group of small drawings, some in the artist's characteristic graphic, cartoon - related style, some in a more abstract and less over-determined mode — after he recovered, these were packed away and never shown until now.

In 1978, the Whitney Museum of American Art opened New Image Painting, a show intended to historicize a thread of abstract expression — explored most notably by Philip Guston — which used an imaginative play of simple signs or cartoons augmented by the expressive power of paint.

In my recent interview with Brian O'Doherty, we talked about the success of the Reinhardt show at the David Zwirner gallery, which would never have happened before — I mean showing all aspects of his work, the severe black abstractions, the political cartoons, the slide lectures, all at once.

«The 2007 Lab Grant residency at Dieu DonneÌ show culminated in an exhibition entitled Schroeder Practices, which referred to the stack of blocks in a Peanuts cartoon and the characters» juvenile seriousness.

The show will explore the entire scope of the artist's career, including early cartoons and drawings; his macabre, emotionally - charged paintings of the early 1960s; his epic rock and postcard paintings of the late 1960s and early 1970s; his «bloody head» series of mutilated figures from the late 1970s through the present; and his social commentary paintings targeting corporate America, which include his narrative tableaux that combine painting with woodworking, found materials, and thick mounds of modeling paste, seamlessly blended into the painted surface to create a remarkable illusion of depth.

As he prepared the show, however, Marshall decided that «multiple fronts were needed to set forth a black aesthetic» and the exhibition then expanded into the museum's two main second floor galleries with paintings, sculpture, photographs, videos, installations, drawings and excerpts from the artist's cartoon series RYTHM MASTR, which originally began as a newspaper comic strip at the 1999 Carnegie International exhibition.

Over the course of nearly two decades (1931 — 49), Levy exhibited contemporary photography and works by Surrealists, Cubists, Social Realists, and Neo-Romanticists, such as British artists Paul Nash and Henry Moore; he also screened experimental films and showed posters, cartoons, and original watercolours by Walt Disney, which would have been characterized as «low» art forms.

At Zwirner, Robert Storr's Ad Reinhardt show, which included 13 of his black paintings, witty cartoons and travel photographs, was the revelation of the year, neck and neck with John Elderfield's late Willem de Kooning stunner at Gagosian.

Toward the middle of the show is Thompson's «St. George and the Dragon,» a big reprise of Tintoretto's treatment in the National Gallery, London, which turns the image into an abbreviated, still scary cartoon, a Color Field painting gone wildly Classical.

Of special note are two concurrent exhibitions, one by the Romanian artist Geta Brătescu, which in its way shows a variant methodology for combining classicism with cartooning, deploying humor and a stylized visual wit; and another showing never - before seen latter - day works on paper by the iconic Louise Bourgeois.

Basically he is now selling Stormhoek's wine in Texas through promotion (conversation) which shows his famous cartoons on the bottles and through both his website as well as his promotional work he sells Art prints of the cartoons, and selling his book on Marketing.

The talented artist Hugh MacLeod was hired by Intel to create some of his inspiring cartoons at the CES Show in January and he leveraged the phrase «The processor is an expression of human potential,» which succinctly and sincerely captures the essence of the magic of technology.

I have a large collection of those rings which I've named Munimulas (aluminum spelled backwards) in honor of the 1957 Hanna - Barbera TV cartoon show (its first) starring Ruff and Reddy.

It was on a thread called «Miracles and Strip Bark Standardization» which had a cartoon showing scientists at a blackboard with a step in the calculation saying «and then a miracle occurs».