Similarly, the two vividly colored paintings from the 1990s at Cheim & Read (both called «
Trees» and dated 1990 - 91) as well as the churning «
Cypresses» from 1975 (which, like 1964's «First Cypress,» employs chrome green and black) concentrate more on their own making than on outside indicators, as slashing brushstrokes coagulate into groupings of unstable forms while
carving out deep recesses of space.