Sentences with phrase «cast by other artists»

Not of the shadows cast by other artists, but of his own.

Not exact matches

Foreground, Cedrick Tamasala's «How My Grandfather Survived» (2015), along with other sculptures created by Congolese artists and cast in chocolate, at the SculptureCenter in Queens.

The two works by Isamu Noguchi, the best known of the Asian - American artists here, are from the 60s, one a signature stone shape, in this case red travertine, and the other in cast bronze, both smaller works that respond to the pictorial images around them.

Strategies of Non-Intention: John Cage & artists he collected / Gering / 14 E 63 (new location) / thru 8/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Distilled: The Small Painting Show / Jacobson / 17 E 71 / thru 7/31 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Helen Frankenthaler and David Smith / Starr / 5 E 73 / thru 8/8 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 8/22 (extended) Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 7/11 (extended) Jeff Koons / Whitney Museum / Madison @ 75 / thru 10/19 Opening 6/27 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Ed Rusha thru 7/11; Marcel Duchamp thru 8/8 Opening 6/26 / Gagosian / 980 Madison @ 77th Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 James Lee Byars / Werner / 4 E 77 / thru 8/30 Peter Davies / Roitfeld / 5a E 78 / thru 8/10 Eddie Martinez / Half / 43 East 78 / thru 7/15 Nancy Graves / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 6/27 Jean Dubuffet; Miquel Barcelo / Acquavella / 18 E 79 / thru 9/19 Opening 6/30 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Luke Diiorio / Blumenthal / 1045 Madison @ 80 / thru 7/2 Lucas Samaras thru 9/1; Dan Graham with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Sophie Calle / Cooper + Perrotin @ The Episcopal Church of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29 If You Build It / No Longer Empty / 115 & St. Nicholas Ave. / thru 8/10 Opening 6/25 (7 - 9 PM) BROOKLYN Parallel Shift / NARS Foundation / 201 46th Street — floor 4, Sunset Park / thru 6/20 Itness: MaDora Frey; Nicola Ginzel; Heide Hatry; Fawn Krieger; Seren Morey / Trestle / 168 7th, Gowanus / thru 7/2 Myles Bennett, Jay Gaskill, Cat Glennon, Enrico Gomez, Eliot Markell, Esther Ruiz and Jeanne Tremel / Ground Floor / 343 5th / thru 6 /?

As the title suggests, the exhibition casts a wide net, capturing everything from cultural artifacts (feminist literature, earthenware) to graphic design (exhibition posters, bakery business cards), to unique artists» works influenced by graphic novels, Girl Scout badges, stock photography, and other bric - a-brac.

The new critics elevated their protégés by casting other artists as «followers» [11] or ignoring those who did not serve their promotional goal.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Degas modeled Little Dancer Aged Fourteen out of colored wax in 1880, but it wasn't until 1922 when the Little Dancer and the other sculptures found in the artist's studio were cast posthumously by the Hébrard foundry at the request of the artist's nieces and nephew.

The new critics elevated their protégés by casting other artists as «followers» or ignoring those who did not serve their promotional goal.

Several years later Giacometti agreed to cast three bronzes from the plaster, of which the other two were acquired by the artist's dealer Aimé Maeght and dealer Heinz Berggruen — who donated the plaster original to the Centre Georges Pompidou in 1983.

Other works include the cast silver wall sculpture Net II (1999) by Lynda Benglis that resembles a mass of tangled intestines; a new pen and ink drawing by Don Colley; Kiki Smith's Ginzer, an etching made from a post-mortem tracing of the artist's beloved cat; Mel Chin's seemingly innocuous sculpture The Elementary Object (1993) which is in fact a «pipe» bomb encased in steel (with padlock and key); and Joyce Treiman's small - scale watercolor depicting a decomposing skull adorned in Roman headgear.

In other pieces, artists evoke the history of the shadow theater, as in a video animation by South African artist William Kentridge, and in the shape - shifting shadow cast by French artist Christian Boltanski's revolving doll, recalling imagery from the carnival as well as figurines used to celebrate the Mexican Day of the Dead.

Comprised of resin casts of the artist's foot and one of her breasts, the two disembodied parts connect to each other by means of a woman's stocking (one of Szapocznikow's own), which is also encased in resin.

But assuming they were produced by him — and not forged pieces, or cast - offs from some other artist living on Captiva Island — did Rauschenberg discard his rights when he threw the negatives away?

He adopted a performative approach to sculpture by casting his bronzes in public in a theatrical mise - en - scène, and he invented unique exhibition strategies by installing his work alongside those of other artists.

Other artists haven't fared as well, their works either compromised by the space (Rachel Whiteread's Embankment, stacks of cast cardboard boxes that lacked the emotional punch a smaller space would have provided) or flawed by choosing to square up to its epic scale.

Other sides of the artist will be on view in two New York shows as well: a display of his sculptures ominously cast in shadow at Venus Over Manhattan and a group show of contemporary artists influenced by his jewelry at Salon 94.

Selected with artist Aaron Angell, these include artworks by Gillian Lowdnes, Richard Slee and other contemporaries of the hand - built movement, which saw the potter's wheel cast aside.

These include the much beloved fountains in Ghirardelli Square (1968) and outside the Grand Hyatt San Francisco (1973), the latter of which comprises hundreds of clay images molded by local schoolchildren, friends, and other artists cast in bronze.