Sentences with phrase «cast by suffering»

She explores how the long shadow cast by suffering touches all aspects of Christian life and doctrine.

Not exact matches

The man who has the attitude of mind which is rooted in eternity is neither deceived by the illusive glamours of this world nor unduly cast down by the unexplained suffering and the unsolved problems which confront him on all sides.

Now the man who has the attitude of mind which is rooted in eternity is neither deceived by the illusive glamours of this world nor unduly cast down by the unexplained suffering and the unsolved problems which confront him on all sides.

By willing to suffer all you are committed to the Good, having changed your garments — yes, as when the dead rise up and cast off their grave clothes, so you have cast off the mantle of your misery.

This solidarity with the bullied, if you will, casts some light on Joyce's work to follow --- a different reason for him to take up the story of Odysseus, who «suffered much upon the sea» while being hounded by a relentlessly abusive Poseidon.

It is such conscious «choice» that Thomas seems to believe is the only effective Christian vocation — consciously taking hold with one's eyes the cast - out landscape that numbs through its repetition and unarticulated contours, and resting there with it until the spot of suffered color brushes by.

Pete Rose yet suffers as much from the dark shadows cast by 1919 as from his own modern sins.

Former President Mahama suffered the worst election defeat of a sitting president in Ghana's democracy, where he recorded 44.40 percent of valid votes cast, losing to the New Patriotic Party's Nana Akufo - Addo, who was endorsed by 53.85 percent of the electorate.

Adapted from the 2013 novel of the same name by former CIA operative Jason Matthews, Sparrow casts Lawrence as Dominika Egorova, an accomplished Russian ballet dancer who suffers a painful, career - derailing injury in her introductory scene.

Despite a capable cast and attractive Baton Rouge, La., locales photographed by Bobby Bukowski, The Ledge suffers from a seriously flawed script that's just too implausible to be taken seriously.

It suffers from being too easy and spending too much time clearing up its predecessor's flaws, but it's balanced by fast - paced combat and an entertaining cast.

The cast, including team captain Fox and long - suffering agent Pollak, exhibits sportsmanship by fighting gamely with this worn - out material to produce some amusing moments.

As card - carrying members of the Cuarón fan club («Y Tu Mama Tambien» was a blistering revitalization of his career; «Prisoner of Azkaban «was the best Harry Potter film by a country mile; and «Children of Men» is one of the finest films of its decade), we've been following the tortuous progress of «Gravity» for what feels like forever, as Cuarón had a bitch of a time financing this 3D - shot, effects - driven film, and suffered several casting knock backs as A-listers signed on and then off the project (Robert Downey Jr., Angelina Jolie, among others).

The two glittering stars are joined by Jimmy Stewart in an Oscar - winning role as a reporter smitten with the heiress, Ruth Hussey as his long - suffering photographer, and a strong supporting cast.

Unfortunately, despite decent acting jobs by the principal cast, the director's decision to inject so much distracting personal drama into the production means the film suffers from an absence of the cinematic momentum necessary to generate the sort of palpable tension which made Black Book a hit.

The directing by Tony Kaye (Detachment, Lake of Fire) is stylishly effective, and the cast of supporting actors chip in what they can, but the script by David McKenna (Get Carter, SWAT) suffers from too many clichés and overdrawn pitfalls that could have otherwise left the film successfully compelling.

While his previous effort featured a mesmerizing performance by Gary Oldman as Beethoven, this drama about famed 19th century Italian violinist Niccolo Paganini suffers from the casting of David Garrett in the lead role.

Saul Dibb, working with a script by Simon Reade, gracefully translates the optimism and excruciating suffering portrayed in «Journey's End» to the screen, enlisting a cast of fine actors to embody varying permutations of trauma, denial and the shaded fundamentals of brute survival.

Angered by this, the Chief cast a curse on the valley — it would suffer from fire, flood, and famine.

It suffers from being too easy and spending too much time clearing up its predecessor's flaws, but it's balanced by fast - paced combat and an entertaining cast.

Anybody with an education in the sciences can tell when a credentialed charlatan is violating scientific method, «cherry - picking» data, manipulating computer simulations (climate models) to «draw the curve, then plot the points,» concealing his raw observational data sets from properly skeptical examiners, corrupting academic peer review (both to suppress the publication of colleagues» studies casting doubt upon the reviewing officers» pet hypotheses and to ensure that the submissions of «The Team» do not suffer impediments to publication), and concerting all these violations of professional ethical standards by way of back - room confabs and some of the most incredibly stupid e-mails this side of Enron's «Smartest Guys in the Room.»