The geometric works in Slavin's Intersection series are constructed from translucent colored materials and designed (and sited) to
cast shadow images that change with the movement of the sun.
Not exact matches
The scientists were even able to see «intriguing»
shadows cast by clouds of gas and dust in two of the
images.
Although such
images would not have greater resolution than existing shots, new angles could yet
cast different
shadows that help reveal the lander, adds Stephan Ulamec, Philae lander manager at the German Aerospace Center, near Cologne.
While the
images are still murky, we can see what are probably
shadows from the planet's rings being
cast onto its surface as Cassini rockets through at more than 100, 000 kilometres an hour.
Saturn's rings
cast shadows on the planet's cloud tops, providing a perfect backdrop for the brilliant sphere of the moon Enceladus in this
image taken by NASA's Cassini probe.
The
image in question lifted my heart to take it in: Jesse James, the outlaw, approaching a rise of wooden debris, awaiting an oncoming train as the engine light
casts his
shadow in the center of the frame.
Appearing only in the first of three vignettes, Ali is tasked with creating a complex and compelling father figure who
casts a
shadow over the rest of film, inspiring our young protagonist to gradually mould himself in his
image.
Shadow walls — where suspended panels with cutout
images cast shadows as the sun shines through the cutouts — teach students about the earth's rotation and seasonal cycles as
shadows cast by the sun shift positions and lengths.
Unfortunately, for many baby boomers, the picture perfect
image of retirement is clouded with burdening financial troubles that
cast a
shadow on the years ahead.
Many of these features also fail to
cast shadows at lower qualities, which in some scenes can greatly diminish
image quality.
By interacting with the photographed
shadows in the
image, the real
cast shadows of the salient frame create a coalescence of figurative and real spaces, activating the symbolic tension between materiality and immateriality.
There are very beautiful moments in the work, when the materials dictate their own nature and play a part in creating the
image: when the paints become mottled and pooled, when the pastels layer upon each other in an unexpected way, when the tyvek is cut so much to become a lacy scrim as it falls to the ground, like
shadows cast from a tree.
Some of these beautiful
images were taken in Milan, Budapest, Genève, Madrid and Barcelona, often on bright sunny days when interesting
shadows cast themselves over the city's architecture.
Constructed with layers of cut plain paper, the miniature relief
images become visible when light
casts shadows across the surface, demarcating and defining space to complete the work.»
Although the technique is the same throughout, the finished panels invoke
images of evenings
cast in
shadows, bright sunsets or early morning sunrises, and hazy, mid-summer days.
In this case, transparency takes on multiple meanings; the translucency of layered photographic
images; the honesty of hand drawn lines, woven fabric or hand - shaped clay; the
shadows cast by metal rings.
Beginning with a dramatic, portrait - like photograph of two hands forming the shape of a duck — which interestingly does not include the
cast shadow silhouette — the artist, over a series of works, gradually empties out any perceived conceptual or symbolic content from the
image to create a fluidic but flattened abstract space.
The
images in these drawings were inspired by
shadows the artist saw
cast on the pages of a book he was reading while riding on a bus.
Traveled to New Orleans Museum of Art; Museum of Contemporary Art San Diego, La Jolla, CA; and Blanton Museum of Art, The University of Texas at Austin; Phoenix Museum of Art Darren Almond, Katharina Fritsch, Martin Honert, Gary Hume, Paul Sietsema, Rebecca Warren, Terry Winters, Matthew Marks Gallery, Los Angeles The Shock of the News, National Gallery of Art, Washington D.C. 2011 All of This and Nothing, Hammer Museum, Los Angeles (catalogue) Drawn from Photography, The Drawing Center, New York (catalogue) 2010 Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles A Selection of Works From MOCA's Permanent Collection, Museum of Contemporary Art, Los Angeles Hauntology, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley The Artist's Museum, Museum of Contemporary Art, Los Angeles The More Things Change, San Francisco Museum of Modern Art 2009 Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles Second Nature: The Valentine - Adelson Collection at the Hammer Museum, Hammer Museum, Los Angeles 2008 Progress, Whitney Museum of American Art, New York Life on Mars: 55th Carnegie International, Carnegie Museum of Art, Pittsburgh (catalogue) Inside Architecture: Selections from the Permanent Collection, Museum of Contemporary Art at the Pacific Design Center, Los Angeles (catalogue) When things
cast no
shadow: 5th Berlin Biennial for Contemporary Art, Berlin (catalogue) 2007 From Close to Home: Recent Acquisitions of Los Angeles Art, Museum of Contemporary Art, Los Angeles USA: American Video Art at the Beginning of the 3rd Millennium, Second Moscow Biennale (catalogue) Live / Work: Performance into Drawing, The Museum of Modern Art, New York Radio Daniele, broadcast by Citta del Capo Radio Metropolitana, in collaboration with Museo d'Arte Moderna di Bologna, Italy 2006 Uncanny Nature, Australian Centre for Contemporary Art, Victoria, Australia (catalogue) Le Mouvement des
Images, Centre Pompidou, Paris (catalogue) 2005 Recent Acquisitions, Museum of Contemporary Art, Los Angeles Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles (catalogue) Uncertain States of America, Astrup Fearnley Museum of Modern Art, Oslo.
... The roving mind of God
casts its
shadow in our minds, And like children tracing the
shadows of trees on the ground, We mistake this
image made of
shadows, This dimensional flattening of truth, For the Truth.
The distortions around the dendrites on the MRI
images act like «
shadows» that can be used to visualize the dendrites that
cast the
shadow.