Watch Gervasi and some of
the cast talk about the film and how Hitchcock's brilliance may have -LSB-...]
About The Neon Demon — This is basically a throwaway feature on the Blu - ray, which consists of
the cast talking about the film.
Not exact matches
He
talks about casting and characters, the flick's tone and connections to the comics, sets and shooting in Pinewood Studios, music, pressures and his physical state at the time, and reactions to the
film.
During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick
talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally
cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the
film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.
Orci
talks about casting Harrison Ford and shooting the
film in sequence to match Ender's and Asa's growth.
While on the set of X-Men: Apocalypse last year we
talked to many of the
cast members
about what is new and different for their roles in this
film.
You'd think nobody would want to go near her (Blunt
talks more
about this at the
film's press conference) yet one passenger, anonymously described on the
cast list as Man in Suit (Darren Goldstein), does attempt to help her.
He
talks about filming in English rather than his native Greek,
casting Alicia Silverstone in the movie and why he enjoys working with Colin Farrell — so much so that they're trying to get a third project green lit.
During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham
talked about wanting to make a movie celebrating women and friendship, the biggest challenges in getting this
film going, having her voice heard, as a female filmmaker, what she most enjoyed
about playing Honey, putting together this
cast, funny moments on set, what she enjoyed
about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.
No Escape — This was very cool; the
cast and crew
talk about the aesthetic of the
film (the way it's largely swallowed in darkness) and director Fede Alvarez gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in black and white.
Talk about ambitious: For his second
film, following 2011's gut - wrenching murder story Snowtown, Aussie director Justin Kurzel has rounded up a stunning
cast and gone straight for the most notoriously tough play on Shakespeare's résumé.
Besides that, it's actually a pretty sweet video of some of the
cast talking about their memories of the original animated
film as well as their impressions of the live - action version.
With writer / director Spencer Susser's Hesher getting released this weekend, I recently got to sit down with the
cast and Susser to
talk about the
film.
The featurette is a reminder that The Force Awakens has at least one major sequence (on Jakku)
filmed with IMAX cameras, and the entire
cast talks about how the format enhances the experience.
The
film already has plenty of early buzz because we've been
talking about it since Reynolds was
cast last year.
It consists of interviews with the
cast talking about their characters and the drawings that pop up throughout the
film.
Martin
talks about the
cast he found, and the extreme appreciation he had for those who helped with this
film.
It's been quite a ride for the
cast, and here they
talk about filming up in Calgary, watching Jacob fighting storms, playing with goats and riding a horse.
Gerwig
talked about how Lady Bird evolved into what it is now, whether she ever considered acting in the
film, that she's not Lady Bird, putting together such a terrific
cast, and whether acting or directing is her priority.
Director Tom Hooper and star Alicia Vikander of The Danish Girl — a biopic
about Lili Elbe, one of the first people to undergo gender reassignment surgery —
talk to Benjamin Lee
about the rise of transgender stories, the controversy over
casting cis - gender actor Eddie Redmayne in the lead role and whether they're nervous
about how the trans community will receive the
film
He
talked about how the amazing
cast came together (Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Pena, Jon Bernthal), how Sony got involved, telling a story that takes place over a very long day, why they decided to shoot on
film, getting to use a real Tiger tank, and so much more.
When we did manage to stay on topic, they
talked about the great
cast, their memories of National Lampoon, how Emmy Rossum got
cast at the last minute, Mr. Robot, memorable moments from
filming, what it was like for McHale to play Chevy Chase after working with him on Community, the way they like to work on set, and so much more.
He
talks about how this
film is a fairytale and how he loves the little girl he
cast and how honest she is in her complete inability to be anything other than herself (and, damnably, how much he let her ad lib her dialogue and thus alter his
film).
Today we've got a brief interview with Stein himself, who sat down to
talk with me
about that amazing
cast, the
film's gorgeous look, and what Roger Rabbit has to do with any of this.
During the interview, Woodley
talked about if she was nervous to take on her first big Hollywood movie, why the police were called to the building where the
cast was staying when they were
filming in Chicago, if she was nervous doing the stunts, the sequel Insurgent, and more.
It's more of a shock than the Ranger situation since Proyas had gathered his crew and started building a
cast that included Bradley Cooper (who
talked to us
about the
film last week), Benjamin Walker, Diego Boneta and Camilla Belle ready for a shoot set to start next month in Australia.
Director Cary Fukunaga
talks about the difficult
casting process, working with first - time actors, and why humanizing villains was essential for his
film «Beasts of No Nation,» starring Idris Elba and Abraham Attah.
During our wide - ranging conversation he
talked about making his feature debut (he previously helmed the miniseries Top of the Lake), the challenge of
casting a child actor, balancing fact and fiction, how he collaborates with his cinematographer, what he learned from test screenings,
filming in India, and more.
Director Sean McNamara, the
cast, and Bethany Hamilton
talk about the
film's journey to be made on location in Hawaii with the Hamilton family's participation.
We are thrilled to welcome
Casting Director Laura Rosenthal to lead a Screen Talk about the work of a casting director when taking a film from script to
Casting Director Laura Rosenthal to lead a Screen
Talk about the work of a
casting director when taking a film from script to
casting director when taking a
film from script to screen.
As Joel and Ethan Coen discuss why they wanted to set their
film in 1950s Hollywood, the all - star
cast talks about working with this talented duo.
Weekend — Andrew Haigh's the 2011
film of two young gay men who meet, have sex and
talk — got all the acclaim a few years back,
casting a long shadow over Tom Shkolnik's underseen 2012 movie
about a struggling stand - up comic (Edward Hogg) torn between his female roommate (Elisa Lasowski) and the boyfriend he met on the night bus (Nathan Stewart - Jarrett).
A practical effect], or the fight sequences where we actually see Batman beat down hordes of the ungodly with surprising ease — and savagery; while we could
talk about superb performances [Christian Bale, Aaron Eckhart, Gary Oldman and the rest
cast are all in top form] or debate the questions raised by the
film for hours, and / or the
film's achievement purely on an entertainment level, what makes it a masterpiece is that it is all of these things and more.
It follows the director as she travels to Colorado to hold a
casting call for a fake
film about the case,
talking to applicants
about their own experiences with abuse, crime, and death, as well as their theories on the case.
He wrote the
film, which marks his directorial debut, based in Mapes» book, and while the specifics of what happened, how television news became less
about fact, and more
about perception, I was interested in
talking about my admiration for the way he neatly folded so many facts into the
film without it feeling like dull exposition, avoiding the obvious tropes of good guys and bad guys, Cate Blanchett's spontaneity, and the pleasures and perils of
casting one icon (Robert Redford) as another icon (Dan Rather).
With the anticipated release of director John Carney's (Begin Again, Once) new
film Sing Street finally upon us this weekend [read our review here], Flickering Myth's Scott J. Davis sat down with the director and his young
cast this week to
talk about the
film and everything 80's.
It is very interesting and features the screenwriters
talking about their approach to adapting the
film and the
cast talking about what it was like to do a performance where they had to sync up their performance to the pre-existing animation.
Casting director Jane Jenkins and Ron Howard
talk about the actors in the
film with «
Casting The Missing» (16 minutes).
In it, the
cast and crew
talk about the movie as if it's a great revolution in the history of horror
films, which isn't even a little true.
Q: Can you
talk about the inclusion of the Honey Boo
cast in the
film?
The
cast of The LEGO Ninjago Movie visited Good Morning America to
talk about the upcoming
film.
At the
film's recent press day, McCarthy, Falcone, Sarandon, Gary Cole, Mark Duplass, Nat Faxon, Sarah Baker and Kathy Bates
talked about how the project first emerged, what sparked the idea for the story, how growing up in Illinois informed McCarthy and Falcone's comedy, what the stellar
cast brought to the movie, their characters and how improv colored them, working with a first - time director, Sarandon's new look, the convincing couple dynamic between Bates and Sandra Oh's characters, Sarandon's selfie with Geena Davis that went viral, and the possibility of a «Thelma & Louise» sequel.
The
cast of Solo: A Star Wars Story, director Ron Howard and the Kasdans
talk about the
film, characters and more This past week, we got a chance to check out the press conference for the upcoming
film Solo: A Star Wars Story.
Or, as I asked him, based on his Comic Con presentation, is this the sort of movie a lot of devotees of»70s genre
film always
talks about wanting to make, where you've got a pulpy story, but a
cast that's really devoted to it?
The word last week in Cannes was that Tilda Swinton is perfectly
cast in We Need to
Talk About Kevin, Lynne Ramsay's
film of Lionel Shriver's novel that is one of the favourites to win the Palme d'Or.
At the
film's recent press day, Tatum, Bomer, Manganiello, Nash, Rodriguez, Stephen «tWitch» Boss, Jada Pinkett Smith, Amber Heard, Andie MacDowell, Donald Glover, Jacobs and Carolin
talked about their favorite moment from the shoot, how the first
film inspired the sequel, the decision to
cast Pinkett - Smith in a role originally written for a guy, why the male camaraderie was so important to the
film, how they fit all the dance routines into the movie, the amazing finale with 900 extras, what they've learned
about what women want, and why this is a great date movie.
Sorkin and Chastain sat down with TheWrap to
talk about the
film, with stops along the way to
talk about Harvey Weinstein, Gilbert and Sullivan and who Sorkin really wanted to
cast in the lead role.
At the
film's recent press day, Pettyfer
talked about his favorite romantic movies that inspired him, what it was like working with Wilde, getting to know one another,
filming their romantic scenes together and striking the right romantic tone, what he learned from veteran actors Greenwood and Patrick, why he enjoyed bonding with the multicultural
cast, his favorite songs from the movie's soundtrack, what he remembers
about his first love, his advice for guys dealing with parents, and his special plans with his mom for Valentine's Day.
At a recent roundtable interview, Anderson and production designer Adam Stockhausen
talked about how the project first came together, what inspired the story, the influence of Viennese writer Stefan Zweig's work on the multi-layered storytelling approach, their collaboration on the vision for the movie, how they created this rich, lush cinematic world and brought the audience into it, how Anderson cultivated a communal atmosphere on set and made available a large selection of books and
films to the
cast during production, Stockhausen's favorite day of shooting, and the challenge of using different aspect ratios.
So you were
talking about this kind of karmic circle where it comes back around — where now «Hoop Dreams,» a
film Ebert helped make successful, he was someone that shined a light on these less - well - known
films that had weaker marketing budgets or so forth, drew people's attention to Errol Morris, who you saw on screen, really helped launch the careers of some of these people by shining that light on them... and you were saying how from your experience as a critic and all that, you say in your own words, you yourself feel the same desire, that your job is to
cast that light.