Sentences with phrase «casting bronzes from»

Rodin was intensely relaxed about making money, whether from portrait busts or tabletop erotica, and he sensibly left his museum the artistic property rights to his works, enabling it to finance itself by casting bronzes from his original plasters.

John Newman, Three colors bend and reach, 2010, cast bronze from found wood, extruded copper, aluminum armature wire, galvanized steel wire, epoxy paste, and acrylic paint, 42 x 33 x 14».

Also in the Square, Montana's Deborah Butterfield continues her decades - long exploration of found - object horses, some in wrinkled metal and others cast bronze from driftwood, at the Greg Kucera Gallery, 212 Third Ave. S.

A very fine Mid-Century cast bronze from Nigeria arranged with a specially designed lamp construction.

Not exact matches

Suspended from dainty silver wire, they're tipped with two hollowed charms cast in white bronze and gold - tone brass for a two - tone effect.

They're molded from vintage glass and cast in yellow bronze.

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Ones that stuck in my mind included Roman mosaics (floors of ancient villas have been uncovered with barely a piece missing), the beautiful Winged Victory bronze, (cast in the first century but only rediscovered in the 19th so well had the locals hidden it from the Hungarian Lombard invaders) and a mediaeval cross covered not just with hundreds of semi-precious stones but with little cameos and miniature portraits too to give it a human dimension as well as a religious one.

The sculpture depicts the arch, made from cast bronze, standing in a sea of blue surrounded by trees and sea grasses with waves crashing over rock formations.

Dance Boldly Through the Storm will feature a set of bonded bronze skulls that have been cast from a mould made from a real 12 - month - old human skull.

Out of the blue 2014 cast and polished bronze from wooden burl, extruded aluminum, cast acqua resin, wood, wood putty, papier mâché, foam, Japanese paper, aluminum screening, acrylic paint, chalk 25 3/4 x 40 1/2 x 12 inches

In cooperation with The Nancy Graves Foundation, Texas Gallery will exhibit a selected group of paintings and cast bronze sculptures from the 1980s from September 8 through October 29, 2011.

In 1952 Marlborough presented a complete collection of bronzes by Edgar Degas: the famous Degas Little Dancer Aged Fourteen 1880 - 1, cast c. 1922 was sold from that exhibition to the Tate Gallery.

For the past decade, she has been making bronze work, cast from «stray, downed pieces of wood.»

The two works by Isamu Noguchi, the best known of the Asian - American artists here, are from the 60s, one a signature stone shape, in this case red travertine, and the other in cast bronze, both smaller works that respond to the pictorial images around them.

Speaking perhaps to a strengthening economy, bronze anchored installations across the board, from Peter Marino's cast bronze boxes, to a Georg Baselitz sculpture, to rocks cast to simulate ash.

He has also used sculpture to question «things the mind already knows», as he has put it, casting torches, lightbulbs, ale cans and objects from his studio in bronze, wittily reformulating everyday objects as precious works of art.

Throughout her long career, Butterfield has been assembling large and small - scale horses from found objects — specifically different kinds of wood, which are then cast in bronze to create freestanding sculptures, each with a unique structure and personality.

Pieces such as Allyson Vieira's Construction (Rampart)(2012) respond to the local vegetation and ecology of the area with her pyramid of bronze cast paper cups that fill with rain or fallen leaves from the garden bed above.

Cast in bronze from molds of actual tulips, the languid arches of the sculptures form a sort of poetics of failure.

They are not the most obvious things from which to cast bronze chess pieces — mummified small animals such as toads and squirrels lovingly collected from a Gloucestershire farm — but they do look surprisingly appropriate.

At the centre of Medium Median is a twenty - first century astrolabe: iPhones suspended as a slowly rotating mobile, each showing star charts picked up from GPS satellite while emitting a robotic reading from the Book of Genesis; this is accompanied by three giant bronze casts of fossilised bones, their biomorphic shapes echoed in a background projection of an asteroid as seen by an infrared camera.

In the video, Goldsmith talks about the «Please do not touch» sign placed at the foot of the cast bronze sculpture «Homme qui marche» (Walking Man)(1960) by Italian Swiss artist Alberto Giacometti (1901 - 1966) from the Louisiana Museum of Modern Art's collection.

While the earlier forms were created from accessible materials and objects, generally coated in gesso to create hauntingly white forms, the new sculptures are cast bronze with a white patina creating a very similar effect.

Some of these works were cast in metal, including Eat Meat, a large pile of oozing bronze and Wing, a cantilevered aluminum piece that effortlessly flies from the wall.

Previously in the same collection for 50 years, the bronze is from an edition of four and was cast by Susse Fondeur, Paris, in 1961.

The figures in the new series have got down from their pedestals and turned into grotesque giants cast in one of the most tradition - laden materials in art history — bronze.

«Paramyth» contains more than a dozen sculptures from 1934 to 1967, in such lasting materials as cast bronze and limestone.

The exhibition will survey 20 works from this period in a wide range of media: from early neon - lit wall vitrines, to delicately balanced compositions of welded steel, to slim clay totems cast in bronze.

This career survey includes selections from her wax paintings, latex \ «pours \», folded and fanned metal works, ceramics, and recent cast bronze and urethane pieces.

Some of these works were cast in metal, including Eat Meat, a large pile of oozing bronze and Wing, a cantilevered aluminum piece that effortlessly flys from the wall.

The face - like objects are cast from refuse (usually cardboard boxes and toilet paper tubes festooned with rips and flaps) yet become heroic statuary once translated into bronze and paint.

From 1986 to 1998, Pavia spent the summers studying the classical techniques in stone carving and bronze casting in Pietrasanta, Italy, a center for sculpture in Europe.

Inspired by a recent visit to Hong Kong, Turk created a Styrofoam box sculpture especially for this exhibition, adding to his infamous trompe l'oeil sculpture series in which he casts a substantial bronze sculpture from a seemingly ephemeral object and then paints it to further obfuscate the true materiality of the piece.

The series of bronze works are made from wooden African sculptures that the artist collected, dipped in wax, and transmogrified with piercing bullets and then subsequently cast in bronze and accompanied by a video recording their «ballistic» sculpting.

Now her wish has been fulfilled; Crystal Bridges has acquired one of six bronze casts made from the original Tate commission, along with another sculpture, Quarantania (1947 — 53), and two paintings, Connecticutiana (1944 — 45), and Untitled (1947).

Endless (2013), made from books cast in bronze and resin, emerges from the centerpiece of the Museum's lawn, the Ballard Fountain.

Focusing on the Museum's collection of modèles, the first and only set of bronzes cast from the artist's original wax and clay statuettes, Taking Shape considers the affinities among sculpting, painting and drawing in Degas's oeuvre.

Most European bronze sculptures are cast in multiples from a wax or plaster original.

Working alternatively between bronze and a lighter translucent resin, Havel's column of books cast from Sotheby auction catalogues, books on art history and sculpture, and those inherited from his parents create endless columns of personal memory, obtained knowledge, and private pleasures.

Of the nearly 150 models retrieved from Degas's studio, 74 of the best - preserved examples were cast in bronze and editioned, making public and permanent these transient exercises in form.

This exhibition explores the improvisational nature of Degas's artistic practice through the Norton Simon's collection of modèles, the first and only set of bronzes cast from the original wax and plaster statuettes.

Sherrie Levine, a recent addition to Zwirner, sold her female nude series of 18 postcards from 2010, as well as a cast bronze sculpture shaped like a beach ball from 2015.

Other pieces, like «Untitled (05 - 07),» which is suspended from the ceiling just above «Untitled (Ren Screen),» were created by Rezac over a decade before Address, but still give the impression that Rezac had the idiosyncrasies of the Ren's space in mind: «Untitled (05 - 07)» is an inscrutable arrangement of cast bronze cones, cylinders, and planes.

By bringing together the Museum's entire collection of modèles, the first and only set of bronzes cast from the artist's original wax and plaster statuettes, and related pastels, drawings and paintings, Taking Shape offers viewers the opportunity to study Degas's artistic process across media.

Lehmann Maupin Gallery have the honour of presenting a solo show by English artist Tracey Emin, entitled I Fell in Love, the show will debut the artists bronze sculpture The Heart Has Its Reasons while the Sean Kelly Gallery will feature works from esteemed British sculptor Antony Gormley, famed for his giant Angel of the North sculpture located in Gateshead, UK and his Another Place work that saw the sculptor place 100 cast iron figures facing out to sea on Crosby Beach near Liverpool in the UK.

Pencil sketches from 1997 proposed public monuments, while steles of bundled silk and bronze from roughly 2007 pay tribute to Malcolm X — as do bolder and larger monuments woven and cast for a second show three years later, in 2017.

In addition to Benglis's extraordinary poured latex pieces from the 1960s and 1970s, drawing on themes from her childhood and her Greek roots, the exhibition includes early bronze casts, wax reliefs, and videos, revealing the creative universe of an artist who has radically reinvented the language of contemporary sculpture.

Frederic Remington's nine bronze action - filled sculptures of horses and their riders - eight lifetime casts - on view from Nov. 8, 2012, through June 2, 2013, to celebrate museum's 30th anniversary; seldom - seen bronzes from the finest private collections to be paired with his paintings to demonstrate how he created action in two - dimensional versus three - dimensional artworks.

Initially handcrafted to scale by the artist from ephemeral materials, such as cork, Styrofoam, air - dried clay, and plastic, the sculptures were then cast in bronze.