Leckey's interests might have shifted throughout the last decade — from an obsession with pop culture, subculture and the figure of the dandy in earlier films such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture
face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts
icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the
Cat, Gilbert & George, Homer Simpson and Titanic (1997).
4:57 p.m. Updated Craig Packer, a University of Minnesota biologist whose specialty is Africa's lions, read my posts on the tiger as an imperiled wild
cat and Apple marketing
icon and e-mailed a reminder of the troubles
facing the world's other uber - charismatic feline predator.