Sentences with phrase «catalog accompanying the shows»

Not exact matches

INDISPENSABLE BOOKS arrived, among them «Working Conditions: The Writings of Hans Haacke» (M.I.T. Press); «Civic Radar,» by Lynn Hershman Leeson, accompanying her retrospective at ZKM / Center for Art and Media in Karlsruhe, Germany; and «Postwar: Art Between the Pacific and the Atlantic, 1945 - 1965,» the catalog for a world - embracing global show at the Haus der Kunst, Munich.

Banff: The Banff Centre and Vancouver: Setup, Issue 3.5, Summer 2013 D'Agostino, Paul, «The New Brutalists: Not So Brutal,» The L Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. 92 - 94

The Broad MSU will be providing copies for purchase of Andrew Sendor, the exhibition catalog from Delicates shown at Sperone Westwater in 2015, with an accompanying essay written by the late Broad MSU FoundingDirector, Michael Rush.

«Until the late 1970s, offers of exhibitons were few and far between,» writes Frances Morris in the opening essay to the catalog that accompanies the show.

This catalog accompanies Shahzia Sikander's first solo show in the UK.

The exhibition's catalog and accompanying texts go to great lengths in describing the show, instead, as «a broad overview of a groundbreaking aspect of contemporary art practice» — «a recognizable cultural phenomenon... that also addressed universal aspects of the human condition.»

The show will be accompanied by a catalog that includes a major reconsideration of Wood by Barbara Haskell, an extensive narrative chronology, and a range of scholarly essays.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

The accompanying exhibition catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery of Art and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of Art.

I first heard about the piece when I was working at the Renaissance Society, where we had shown the Model for Pavilion / Sculpture for Argonne (1978 - 81) in his solo exhibition Selected Works in 1981 and had published an accompanying catalog.

More recently, catalogs accompanied important exhibitions at Mnuchin Gallery in New York («David Hammons: Five Decades»), a career survey billed as the first of its kind in 25 years, and the George Economou Collection in Athens («David Hammons: Give Me a Moment»), the artist's first major show in Greece, and first survey in Europe.

In an essay written for the catalog that accompanies this show, Alison Ferris, curator at the Kohler Arts Center, who has followed and studied Anne's work for many years, comments that the recent paintings display «the physical and emotional consequences of menopause for middle - aged women.»

A digital catalog will accompany the show.

The show is accompanied by a 44 - page catalog with an essay by Peter Frank and an interview between Kent Williams and Lia Newman.

Unfortunately it hints at the turgid catalog that accompanies the show.

Chanzit surveyed the work of more than 100 women painters to identify the 12 featured (a catalog that accompanies the show includes 28 more).

PIXELATED will be accompanied by a catalog in the tradition of the Botanic Gardens» other major solo exhibitions such as this year «s Alexander Calder, and previous shows by Deborah Butterfield, Dale Chihuly and Henry Moore.

He redresses the absence of nonwhite faces in museum masterpieces, «using the power of images to remedy the historical invisibility of black men and women,» as Eugenie Tsai, the curator of the Brooklyn Museum show, observes in the accompanying catalog.

The show, entitled «Strangers» was accompanied by a museum catalog.

Neal's own painting and catalog essay will accompany the upcoming exhibition, The Nature Lab at LABspace in Hillsdale, NY and he will have a solo show at the Oresman Gallery, Smith College, Northampton, MA in December 2018.

The exhibition, on view from May 14th through July 2nd, is accompanied by a 48 page catalog, to find out more about the show visit driscollbabcock.com

This has been a fabulous and well - earned decade for Heilmann: solo shows in New York, Antwerp, London, Zurich and elsewhere; featured - artist status at Basel Miami via Hauser and Wirth; simultaneous covers on Art in America and Art Forum last year; this beautifully installed solo at the New Museum, which originated at the Orange Country Museum of Art, and a gorgeous accompanying catalog; a juicy feature in the New York Times.

Last year, catalogs accompanied important exhibitions at Mnuchin Gallery in New York («David Hammons: Five Decades»), a career survey billed as the first of its kind in 25 years, and the George Economou Collection in Athens («David Hammons: Give Me a Moment»), the artist's first major show in Greece, and first survey in Europe.

Goodrich also writes the accompanying catalog and delivers a series of lecture in conjunction with this show.

Stephen Westfall, in a catalog essay that accompanied a recent show of Feldman's in New York, noted that the artist's Brooklyn studio lies close to the elevated portion of the F Train, near the Gowanus Canal, which, if you know the place, speaks volumes about some of the choices she's made.

The show will be accompanied by a fully illustrated catalog published in collaboration with Skira.

The traveling exhibition was on view at the Perez Art Museum, Miami (PAMM), earlier this year and an exhibition catalog was published to accompany the show.

This multimedia show was curated by Maura Reilly, founding curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, and is accompanied by a small color catalog.

A full color catalog with essay by Mary M. Tinti, Ph.D. (Curator, Fitchburg Art Museum) accompanies the show.

The show's curator, Lauren Haynes, has put together a smart collection of essays in an accompanying catalog that describe the historical relevance of these two magazines as organs of black speech, thought, and community.

The exhibition is accompanied by a catalog with an essay from the guest curator, Mark Rosenthal, and interviews with 13 artists featured in the show.

The show was launched in March 2014, accompanied by a 580 - page catalog of her work published jointly by Mathaf and Skira.

This catalog accompanied a major exhibition that celebrated nearly 100 years of the Corcoran Gallery of Art biennial of contemporary American painting, examining those works the institution acquired from these shows.

Accompanying a show of the same name held at the gallery from September - October 2015, this catalog focuses on the work Robert Natkin produced in the 1950s in Chicago before moving to New York in 1959.

The show will be accompanied by a catalog published by Prestel, with contributions by Julia Bryan Wilson, Petra Giloy - Hirtz, Virginia Raguin and Ulrich Wilmes.

A catalog will be published to accompany the show.