Sentences with phrase «catalog essay titled»
In her catalog essay titled The Advantages of Obscurity Women Abstract Expressionists in San Francisco, Susan Landauer points out that after 1950, when Clyfford Still left San Francisco for New York, «[The California School of Fine Arts] entered an era of unparalleled opportunity, in which women were not just participants, but became leaders of artistic activity.»
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That's the title of the catalog essay by one of this Biennial's three outside curators, Stuart Comer of the Museum of Modern Art.
The exhibition will have a companion catalog titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by writer Denise Frazier, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, Deborah Willis and Joan Mitchell Center Program Associate Tara Foster.
* The exhibition is accompanied by a fully illustrated catalog with an essay by Mark Rosenthal, titled Reflecting on the Coordinates of Wayne Thiebaud's Art (quote from p. 7).
The Hayward Gallery also produced an accompanying catalog titled Blind Light that includes an essay by Anthony Vidler, the Dean of the School of Architecture at Cooper Union in New York.
It also titles a catalog essay «Size Does Matter.»
That the show has political significance and speaks to the experience of African - Americans is clear from the inclusion of an essay titled «Speaking Truth,» in the catalog by Anita Hill, whose testimony about sexual harassment during Clarence Thomas» confirmation hearings to the U.S. Supreme Court made her a target of public wrath.
A fully illustrated catalog with an essay titled Elizabeth Osborne: Art as Experience by author and curator Judith Stein will accompany the exhibition.
The gallery produced a catalog for the show without the de rigueur leaden essay, or such basics as painting titles, dates, or even descriptions... just beautiful paintings.
A catalog was produced on the occasion of the exhibition, titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by Joan Mitchell Center Director Gia Hamilton, curator Deborah Willis, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, writer Denise Frazier, and Joan Mitchell Center Program Associate Tara Foster.
The catalog includes an essay by former senior editor of Art in America, Raphael Rubinstein, titled New Models, Strange Tools.
An excellent essay from the exhibition catalog by Kenneth E. Silver, «Afterlife, The Important and Sometimes Embarrassing Links Between Occultism and the Development of Abstract Art, ca. 1909 - 13,» takes its title from the 1979 Rosalind Krauss quote «now we find it indescribably embarrassing to mention art and spirit in the same sentence.»
The exhibition catalog features an essay by Mark A. Cheetham, a professor of art history at the University of Toronto titled «Glacial Urgency: The Time of Diane Burko's Paintings in the Cryosphere».