Sentences with phrase «catalog essays»
His position at P.S. 1, he says, is comparable to that of a curator - at - large, and leaves him time to write catalog essays, curate for private galleries — he has done shows for Mary Boone, Barbara Gladstone and others — and supplement his museum income by doing consulting on strategy for luxury brands like Calvin Klein and Adam Kimmel.
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He writes regularly for the Brooklyn Rail and has written for Art in America since the late»70s as well as writing many catalog essays for various museums.
Strangely, the catalog essays ignore the importance of drawing to Davis's repetitions, but the paintings with recycled motifs, which he likened to his beloved jazz musicians» fluid improvisations on familiar tunes, illustrate the point.
He has also written extensively for The Brooklyn Rail, ArtNet, and numerous catalog essays.
She has been an Artist - in - Residence at the Sanskriti Foundation in Delhi, India, Her work has been reviewed in the New York Times, Art Forum, Art in America, Arts, Sculpture Magazine, Zettel, Art and Antiquities, Review Magazine, the Village Voice, New York Magazine, New Yorker, Other Voices, National Public Radio, Yale University Radio, and KDVS - Davis and has been the subject of catalog essays for the exhibitions Case Discussions by Kristin Koster, Multiplying the Variations by Raphael Rubinstein, Emergence and Structure by Jonah Lehrer.
He has written articles for Mousse, October, and Artforum, and catalog essays for John Baldessari, Taryn Simon, and others.
Moyer has written reviews for Art in America, Artforum, the Brooklyn Rail and catalog essays on Louise Fishman and Nancy Grossman.
The catalog essays dwell excessively on Ms. Thomas's revisions of French painting, and to a certain extent they are justified.
Her writing has been included in FiberArts magazine, ArtInvestor, The Present Group, and numerous catalog essays.
A critical voice in the AJC, national publications and the blogosphere as well as at Art Papers, he has curated exhibitions and written countless catalog essays for local artists, often gratis, and spent so much time mentoring and encouraging them that one dubbed him the art community's parish priest.
Among his noteable monographs, catalog essays, and critical reviews are those on the artists James Lee Byars, Carolee Schneemann, Julian Schnabel, Les Levine, Pat Steir, Antoni Tapies, Sigmar Polke, Dennis Oppenheim, Kara Walker, Nancy Spero, Thornton Dial, Leon Golub, Richard Tuttle, Agnes Martin, Joseph Beuys, Paul McCarthy, William Anastasi and many others.
Sachs teaches art history and has written for Art in America, Arts, American Ceramics, Burlington Magazine, Metalsmith, The New Art Examiner, and numerous catalog essays.
Art writer and curator Klaus Kertess has previously published monographs on Brice Marden and Joan Mitchell and recently written catalog essays on Lari Pittman, Chris Ofili, and Willem de Kooning, as well as contributing essays to books on John Chamberlain and Matthew Ritchie.
He has written about art throughout his career including monographs and catalog essays for many artists and exhibitions including Jean - Michel Basquiat (several,) John Baldessari, Beat Culture and the New America 1950 - 1965 (Whitney Museum,) The Warhol Look (Bullfinch,) Unseen Warhol (Rizzoli), Richard Prince (Whitney Museum 1992 and Guggenheim Museum 2007,) Christopher Wool (Taschen), Jeremy Blake, Keith Sonnier, Georg Herold, Tom Sachs, Jane Dickson, Stephen Ellis, James Nares, Alix Lambert, Roxanne Lowit, Mati Klarwein, Patrick Demarchelier, Edo Bertoglio, Ron Galella, Sante D'Orazio, Ricky Powell, Les Rogers, Jerry Schatzberg, Toland Grinnell and Jessica Craig - Martin.
While catalog essays for such exhibitions presumably intend to describe the work and objectively promote the roster of artists, the expectations given to a reviewer are more likely about selecting works based on experiential criteria and identifying how these works may or may not relate to the stated purpose of the exhibition.
A regular contributor to Afterall, Artforum, and Mousse, she has also written numerous catalog essays, recently on Joachim Koester, Piotr Uklanski, and Sung Hwan Kim.
I have been writing about art throughout my career and I have written monographs and catalog essays for many artists and exhibitions including: Jean - Michel Basquiat (several,) John Baldessari, Beat Culture and the New America 1950 - 1965 (Whitney Museum,) The Warhol Look (Bullfinch,) Unseen Warhol (Rizzoli), Richard Prince (Whitney Museum 1992 and Guggenheim Museum 2007,) Christopher Wool (Taschen), Jeremy Blake, Keith Sonnier, Georg Herold, Tom Sachs, Jane Dickson, Stephen Ellis, James Nares, Alix Lambert, Roxanne Lowit, Mati Klarwein, Patrick Demarchelier, Edo Bertoglio, Ron Galella, Sante D'Orazio, Ricky Powell, Les Rogers, Jerry Schatzberg, Toland Grinnell and Jessica Craig - Martin.
Publications include monographs, exhibition catalog essays, and contributions to «Art Galleries International: Post-War to Post-Millennium» and «Unfinished Memories: 30 Years of Exit Art» (forthcoming).
His résumé lists awards, international exhibitions, catalog essays and art criticism, and positions on editorial boards of magazines like Flash Art.
He contributes regularly to art magazines such as Parkett, Texte zur Kunst, Artforum, and Art Papers, and he has published many catalog essays on contemporary art.
Her award - winning scholarly writing has appeared in the Journal of Visual Anthropology, Framework, MERIP, and as book chapters and catalog essays.
With catalog essays by Mr. Seldis,... and Dr. Peter Selz,... [Los Angeles county museum of art, December 5, 1967 to January 14, 1968; Instituto nacional de bellas artes, Mexico, February 15 to March 15, 1968; University of Arizona, Tucson, April 15 to May 16, 1968; University of California, Berkeley, June 17 to July 29, 1968... etc..]
The writing component for a gallery director, catalog essays, press releases, whatever, was very much promotional; having to become a well - behaved servant in an institution suddenly made me nervous that I'd lose the capacity to be critical.
As a contributing art editor at Dazed & Confused and contributing editor at Berlin - based Sleek, she has contributed writing on contemporary art for the past five years to magazines including Harpers Bazaar Art Arabia, Frieze online, LEAP and Thisistomorrow and various catalog essays and artist's texts.
But he is also an astute writer who has engaged with a wide variety of artists in the form of reviews, catalog essays and interviews.
His writings include three books, numerous exhibition catalog essays, and articles for such publications as Artforum, Art in America, and Art Bulletin.
He has published numerous essays on modern and contemporary art, including catalog essays for exhibitions organized by the Whitney Museum of American Art, Carnegie Museum of Art, Japan Society, Fundacion Juan March, Arthur M. Sackler Gallery, and Vitra Design Museum.
As a writer, he has written catalog essays for artists such as Joseph Beuys, Neo Rauch, Richard Mosse, Lisa Yuskavage and Philip Guston; additionally, his work has appeared in The Art Newspaper, The New Yorker, Departures, The Irish Examiner, The Paris Review, The Huffington Post, Newsweek and the Village Voice.
He has written numerous exhibition catalog essays and articles in such publications as Art Journal, Artforum, Parkett, and Art Bulletin.
The author of numerous reviews and catalog essays, Nickas is a regular contributor to Artforum and Vice.
Publications include monographs, exhibition catalog essays, and contributions to Unfinished Memories: 30 Years of Exit Art (Steidl, 2016) and Art Galleries International: Post-War to Post-Millennium (Dumont Literatur / Kunst Verlag, 2009).
Fyfe's writings have appeared in Artforum, Art in America, Artnet.com, Gay City News, Artcritical.com, Art On Paper, and BOMB, s well as numerous catalog essays.
Curated by Juri Koll, with Catalog Essays by Peter Frank, Shana Nys Dambrot, and John Seed.
Juxtaposing installation photographs, catalog essays, and contemporary press accounts, this book documents and analyzes twenty - five exhibitions from 1962 through 2002: Dylaby, New Realists, Primary Structures, Arte Povera + Azioni Povere, January 5 - 31, 1969, When Attitudes Become Form, 557,087, Information, Sonsbeek 71, Documenta 5, The Bulldozer Exhibition, The Times Square Show, A New Spirit in Painting, Les Immatériaux, Chambres d'Amis, Second Havana Biennial, Freeze, China / Avant - Garde, Magiciens de la Terre, Places with a Past, 1993 Whitney Biennial, Traffic, Cities on the Move, 24th Sao Paulo Biennial, and Documenta 11.
He is an active critic, a member of AICA / USA and has written numerous catalog essays and articles for a wide variety of international publications.
Or that a search through the catalog essays failed to turn up even a fleeting mention of either word.
Sadly, the catalog essays associate Ms. Genzken only with established names like Joseph Beuys, Gerhard Richter (to whom she was married in the 1970s and»80s), Eva Hesse, Dan Graham and a few others.
Catalog essays include a main essay written by April Kingsley, a study on midwest Abstract Expressionism by John Corbett and Jim Dempsey and a case study on artist Melville Price by Tom McCormick.
A widely published writer on contemporary art with a focus on issues of sexuality and representation, Kate is the author of numerous articles and museum catalog essays as well as three books.
As Glenn Adamson writes in the catalog essay accompanying the exhibition, «We hear a lot these days about the decline of American manufacture.
That's the title of the catalog essay by one of this Biennial's three outside curators, Stuart Comer of the Museum of Modern Art.
(Crimp had already edited him out of the story, by omitting him from an influential article based on his catalog essay for «Pictures.»)
In a catalog essay describing the broader social, cultural and political context of early - 20th - century New York, the historian Max Page sees the Armory Show as emblematic of a distinctively modern process of «creative destruction» in which the new must always obliterate the old.
(A fascinating catalog essay, by Lisa Saltzman, mentions World War II cryptography and the effort to decipher clay tablets at Knossos as possible influences.)
2004 Michael Archer, «Next to Nothing,» catalog essay for Real World, Modern Art Oxford, UK Johanna Burton, «The «Urmaterial» Urge,» Parkett, No. 70, (illus) Johanna Burton, «Such Uneventful Events: The Work of Wade Guyton,» catalog essay for Formalismus.
It's Whitney Biennial Season Again», The New York Times, March 7, 2004 (illus) Suzanne Cotter, «Soul Delay,» catalog essay for Real World, Modern Art Oxford, UK Manami Fujimori, «Artforum Sees and Talks: Art in the early 2000's, (interview with Tim Griffin)» Bijutsu Techo (BT), July 2004, (illus) Blake Gopnik, «Whitney Highlights,» Washington Post, March 14, 2004, (illus) Eleanor Heartney, «The Well - Tempered Biennial,» Art in America, June / July 2004 Bruce Hainley, «Notes on Renewed Appropriationisms, «Artforum, May, 2004 (illus) Michael Kimmelman, «Touching All Bases at the Biennial,» The New York Times, March 12, 2004 (illus) «Out of the Past: Tim Griffin talks with Whitney Biennial Curators,» Artforum, January 2004, p 57 (illus) Walter Robinson, «Building Codes,» Artnet Magazine, January 2004, (illus) Debra Singer, «The Way Things Never Were: The Way Things Never Were and the Unpredictable Past», catalog essay for Whitney Biennial, Whitney Museum, NY
Mary Cassatt is cited in Griselda Pollock's catalog essay, «The Touch and the Gaze, or Impressionism for Thinking People,» p. 156.
In his exhibition catalog essay, *
(Weber catalog essay) Such a highly pragmatic system was sometimes used by the great Henri Rousseau himself.
117 2014 — The Figure: Painting, Drawing and Sculpture — Contemporary Perspectives, Skira Rizzoli 2014 — Visual Intelligence, Catalog Essay, Accesso Galleria Pietrasanta 2014 — Review: David Humphrey, ARTPULSE, NO. 21, Vol 5, 2014 2014 — MFA Catalog Intro, New York Academy of Art 2013 — Living and Sustaining a Creative Life: Essays by 40 Working Artists, Intellect Books, p. 152-156 2013 — Urbanfuse Berlin, Catalog Essay, Janine Bean Gallery 2013 — From Beijing, Catalog Intro, New York Academy of Art 2013 — Wildscapes, Mario Davalos, Book Prologue 2006 — Low, Dishonest Times, In Conversation, Laurence Hegarty, Cynthia Broan Gallery 2006 — Uprising, Catalog Essay, LMCC / Parsons The New School For Design 2005 — Primed, Catalog Essay, Parsons The New School 2005 — Stories, Amy Bennett, Catalog Essay, Linda Warren Gallery 2003 — The Burbs, Catalog Essay, DFN Gallery 2003 — Articulation and Iconography, Bryan LeBoeuf, Catalog Essay, FishTank Gallery 2003 — Ceramics Art and Perception, Referencing, Susan Budge, Issue 53 2003 — Reconstruction, Space Invaders, Catalog Essay, FishTank Gallery 2001 — Manchildren, Mark Mennin, Catalog Essay, Howard Yezerski Gallery 1987 - 88 — Flash Art Magazine, NY Staff Critic, Two Exhibition Reviews Monthly 1986 — Flash Art Magazine, Published Interview with Ross Bleckner