Sentences with phrase «catalogue accompanies the work»

Not exact matches

Alice Neel: Painted Truths Originating at the Museum of Fine Arts, Houston until 13 June, this extraordinary survey of Alice Neel's work will be on view at the Whitechapel Gallery in London 8 July to 19 September 2010, and will continue on to Moderna Museet, Malmö, Sweden, 9 October 2010 to 2 January 2011 Alice Neel: Painted Truths is accompanied by a fully illustrated catalogue of the same title published by the MFAH and distributed by Yale University Press.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

An accompanying monographic catalogue was published in 2018 by David Zwirner Books, including new scholarship on Asawa's groundbreaking body of work by art historian Tiffany Bell, as well as an essay by Robert Storr, and an illustrated chronology.

A major catalogue will accompany the exhibition with extensive images and new essays on Thomas's important work and influential legacy.

In an illuminating interview with Barbara Takenaga, which is included in the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent work:

«It as been our passion and profession, my wife and I, to create an exhibition of American Abstraction in Europe since 1986,» Otto Hübner writes in the foreword for the catalogue accompanying the exhibition, «For years I have wanted to crate a museum exhibition with the works by Sam Francis, Adolph Gottlieb, Hans Hofmann, Charles Pollock, Richard Pousette - Dart, David Smith and Jack Tworkov.

The accompanying catalogue, Wayne Thiebaud, Draftsman, features 63 plates of works in the exhibition and 20 sketchbook pages.

The gallery further organized an exhibition of the artist's early work in 2004 - 2005, and, more recently, a show in 2014 that focused on work from the 1990s, which was accompanied by a catalogue published by David Zwirner Books, with essays by Eva Badura - Triska, Veit Loers, and Bernhard Riff.

Accompanying the exhibition is a clothbound catalogue featuring an interview by artist Matt Connors and full - color reproductions of over sixty works.

The exhibition will be accompanied by a catalogue raisonné of the artist's graphic works.

nine seventeen is accompanied by a catalogue which features texts by Dr. Peter Miller, whose shared enthusiasm for Meppayil's work brought the exhibition to the American Academy in Rome; historian and critic, Deepak Ananth, a specialist on Meppayil's work and its relationship to Indian art history; and Harvard professor and Art Historian Dr. Benjamin H.D. Buchloh, whose original essay stations Prabhavathi's work amongst the greats.

The exhibition was accompanied by an ambitious catalogue containing six original graphical works and extensive artwork documentation and artist statements.

The Baltimore Museum of Art, the presenter of the U.S. Pavilion at the 2017 Venice Biennale along with the Rose Art Museum at Brandeis University, today announced the publication of Tomorrow Is Another Day, the official catalogue accompanying the exhibition of the same name featuring new work by Mark Bradford for the U.S. Pavilion.

Margit Rowell, chief curator of drawings at MoMA and organizer of Works on Paper, declares in the accompanying catalogue that Mr. Polke's art «regenerate [s] the language and meaning of Western artistic experience.»

Lévy Gorvy will also present an exhibition of Agnetti's work in New York in summer 2017, accompanied by an illustrated catalogue featuring new scholarships well as the artist's writings.

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.

In 2007 - 08, he acted as the curator and organiser of an exhibition celebrating painting at Chelsea, called `... Same As It Ever Was» which contained the work of some fifty artists, occupied three galleries and was accompanied by a catalogue with texts by Matthew Collings, David Ryan and Clyde Hopkins.

In 2015, Als co-curated, with Anthony Elms, at the ICA Philadelphia, a retrospective of Christopher Knowles» work and organised Desdemona for Celia by Hilton, an exhibition of work by Celia Paul, at the Metropolitan Opera's Gallery Met, in New York (an accompanying catalogue was published by Victoria Miro).

In 2011 the Halsey Institute of Contemporary Art in South Carolina organized a solo survey of Wayne's work, curated by Mark Sloan and accompanied by a catalogue.

The current exhibition of Herrera's work at the Whitney Museum, entitled «Lines of Sight,» with a beautiful accompanying catalogue by Dana Miller, endeavors to rectify the art world's long - term neglect: it focuses on Herrera's work from 1948 - 1978, from her earliest abstracts through the various stages of her artistic evolution.

Combine the piece's insensitive siting with the oddly quiet way in which the Menil acquired the work — without the fanfare that accompanied such accessions as its Maurizio Cattelan sculpture or the marketing blitz that led up to the «wedding» — as well as Kamps's professed surprise at a controversy he had cited in the No Zoning catalogue, then top all that off with the Menil's refusal to present a public discussion of an artwork whose meaning was supposed to be shaped «by the ensuing debate,» and you're looking at a colossal screw - up by a rightly revered institution.

From there The Archive Project grew, and 1996 the exhibition, and accompanying catalogue, «Arts» Communities / AIDS» Communities: Realizing the Archive Project» was exhibited at the Boston Center for the Arts, with work by over 120 artist members, one of the first exhibitions to showcase work created by artists with HIV.

In his newest and most evocative work — exhibited first at the Deutsche Guggenheim Berlin and in this accompanying catalogue — an ordered sequence of allegorical fresco - like images immerse the viewer in a total aesthetic, sensory and philosophical experience.

In 2009 Kunsthalle Zürich held a retrospective exhibition of his work that was accompanied by a catalogue published by JRP Ringier.

The accompanying catalogue for Sculpture in the Age of Donatello3 contains essays that point to stylistic advances that these artists, all in their 20s when they began work on the cathedral, achieved, sparking what we call the Italian Renaissance.

Accompanying the exhibition, this richly illustrated hardback exhibition catalogue is signed by the artist and collates the American artist's most iconic paintings, sculptures and collages to thoroughly document decades of ground - breaking work from Jasper Johns.

Accompanying a major exhibition at The Metropolitan Museum of Art in New York and Rijksmuseum, Amsterdam, this revelatory two - volume catalogue raisonné (one volume comprised of plates and the other of critical texts) is the most substantial work on the artist ever published, and the first in English since 1978.

This catalogue accompanies the Solomon R. Guggenheim Museum exhibition Art of Another Kind: International Abstraction and the Guggenheim, 1949 — 1960, which especially highlights works that entered into the collection during the tenure of then - director James Johnson Sweeney.

As Minturn explains in his essay accompanying the exhibition catalogue, «When composing the book [on Ossorio], Dubuffet had many of the works he was writing about right in front of him, some of which had been executed just hours before... Dubuffet makes it clear that his study is not art history written from afar (in time or space), rather, it is art writing «on the spot,» and as such, much closer to journalistic reportage.

will be accompanied by a fully - illustrated catalogue that features original texts from renowned scholars and contemporary artists, all considering what compels artists to draw through close study of specific works in the exhibition.

The retrospective, which focused on Chicago's works on paper, traveled to seven additional museums across the United States from 1999 to 2002 and was accompanied by a catalogue.

The museum has organized and circulated many major traveling exhibitions accompanied by scholarly publications either in catalogue or book form, for example The Sculpture of Nancy Graves: A Catalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the Presencatalogue or book form, for example The Sculpture of Nancy Graves: A Catalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the PresenCatalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the Present (1988).

Motley died in 1981, and ten years later, his work was celebrated in the traveling exhibition The Art of Archibald J. Motley, Jr. organized by the Chicago Historical Society and accompanied by a catalogue.

This catalogue accompanied the inaugural exhibition at Matthew Marks Gallery, in spring 1991, and reproduces work by Carl Andre, Frank Auerbach, Louise Bourgeois, Richmond Burton, John Chamberlain, Francesco Clemente, Lucian Freud, Philip Guston, Gary Hume, Jasper Johns, Ellsworth Kelly, Brice Marden, Jackson Pollock, Ad Reinhardt, Gerhard Richter, Robert Ryman, Julian Schnabel, Richard Serra, David Smith, Myron Stout, Cy Twombly, Andy Warhol, Lawrence Weiner, and Terry Winters.

The accompanying catalogue, the Museum's first in a digital format, provides a visually rich experience of some 260 rarely - seen works, revealing the centrality of drawing within Still's life - long creative process.

Similarly, Eric de Chassey, in the catalogue that accompanies the exhibition «Alex Katz: Small Paintings,» begins his essay by informing us that «Alex Katz is one of very few artists working today capable of creating works that can be reconciled with the world, without seeming anachronistic.»

Accompanying the first survey of Christopher Williams's work in the UK, this illuminating and unusual volume is equal parts artist's book and exhibition catalogue.

The exhibition is accompanied by an intimate catalogue that includes works in the exhibition, visual references, dialogue between the artist and multiple individuals, and an introduction by the artist.

MOCA GA supports artists by granting a major stipend to create new work; by presenting a solo exhibition of the new work; by producing an accompanying exhibition catalogue; and by providing a paid studio apprentices over the course of one year.

In this exhibition and the accompanying catalogue, the British Museum shows itself at its best; the clear presentation of the prints, the precision of scholarship, the insightful text by Coppell, but also in the deft addition of specific works from the museum's collection to further animate readings of the prints.

Denise Markonish is the curator at MASS MoCA where her exhibitions include: Jim Shaw; Entertaining Doubts, Lee Boroson: Plastic Fantastic, Teresita Fernandez: As Above So Below, Mark Dion: The Octagon Room, Tom Philips and Johnny Carrera: Life's Work; Oh, Canada the largest survey of contemporary Canadian art (accompanied by a 400 - page catalogue co-published with MIT Press); Sanford Biggers: The Cartographer's Conundrum, Michael Oatman: all utopias fell; Stephen Vitiello: All Those Vanished Engines, Nari Ward: Sub Mirage Lignum (catalogue); Petah Coyne: Everything That Rises Must Converge (catalogue: Yale University Press), Inigo Manglano - Ovalle: Gravity is a force to be reckoned with (catalogue: D.A.P); These Days: Elegies for Modern Times and Badlands: New Horizons in Landscape (catalogue: MIT Press.

The first survey of the artist's work, Jennifer Steinkamp is organized by the San Jose Museum of Art and accompanied by a major catalogue published by Prestel Verlag.

CATALOGUE The fully illustrated hardcover catalogue that accompanies the show is the most comprehensive treatment of Bradford's work to date, and features essays by Christopher Bedford, Robert Storr, Richard Shiff, Katy Siegel, and Hilton Als, as well as two interviews with the artist by Carol S. Eliel and HamzCATALOGUE The fully illustrated hardcover catalogue that accompanies the show is the most comprehensive treatment of Bradford's work to date, and features essays by Christopher Bedford, Robert Storr, Richard Shiff, Katy Siegel, and Hilton Als, as well as two interviews with the artist by Carol S. Eliel and Hamzcatalogue that accompanies the show is the most comprehensive treatment of Bradford's work to date, and features essays by Christopher Bedford, Robert Storr, Richard Shiff, Katy Siegel, and Hilton Als, as well as two interviews with the artist by Carol S. Eliel and Hamza Walker.

The exhibition will be accompanied by a fully illustrated two - volume publication: a catalogue with an introduction by the three curators, and an essay by Briony Fer, and a subject index, a second volume in the form of a glossary that is devoted to important ideas in Horn's practice or that relate to individual works.

A fully illustrated catalogue will accompany the exhibition, with essays by Albright - Knox Chief Curator Douglas Dreishpoon and Head of Research Resources Susana Tejada, texts on each of the works by Curator of Education Mariann W. Smith, and a timeline of the Gallery's 150 - year history by Curator for the Collection Holly E. Hughes.

An extensive catalogue will accompany the exhibition, chronicling the history of Krushenick's work through images, scholarly essays, and excerpts from interviews with the artist.

This exhibition, accompanied by a scholarly catalogue with essays by experts in the field, represents a major step in bringing Lewis's work into the art historical conversation alongside his peers, for example well - known abstract painters Willem de Kooning and Ad Reinhardt.

Newman appears again in Twice Hammered (2011), where one finds the reproduction of Diao's earlier Barnett Newman: The Paintings (1990; for which Diao presents all of Newman's paintings at small scale and reduced to the shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary Art sale.

This spare but powerful oeuvre (along with related paintings and works on paper) is being shown in full for the first time, with an accompanying catalogue by Malcolm Daniel, Eugenia Parry, and Theodore Reff.

A month later, as he wrote in the catalogue accompanying the 1966 Guggenheim exhibition, «two paintings Uneven and Ambling and The Rich Fruit of Error were done with others in the same new vein in which the style of L'Hourloupe is affirmed and the theme of the Parisian street is completely eliminated» (J. Dubuffet, quoted in «Twenty Third Period of My Works» July 1962 to June 1965, exh.