One imagines David Diao's not - quite retrospective at Postmasters, the gallery's last in its Chelsea space, being accompanied by
a catalogue essay titled «Painting: The Task of Melancholy».
Not exact matches
A fully illustrated
catalogue will be published to accompany the exhibition with an
essay written by Walead Beshty
titled «The Ritual of Everyday Life: On the Migrating Objects of Jay DeFeo».
A
catalogue has been published to accompany the exhibtion;
titled Peter Saul it includes an interview with the artist and contributing
essays from Martina Weinhart and Richard Schiff.
A fully illustrated
catalogue featuring an
essay by Kirstin Hübner
titled Paths of American Abstraction: The Pioneer Spirit of the Twentieth - Century American Avant - Garde, accompanies the exhibition.
Art critic, Midori Matsui has contributed her
essay titled «The Presence of Things, the Position of People: The Interdependence of Mind and Matter in Kishio Suga's Artistic Practice» to this exhibition
catalogue.
Newtonland: Orbits, Ellipses and other Planes of Activity will be accompanied by an illustrated
catalogue published by Poor Farm Press
titled MOBILES, including
essays by Nicholas Frank, Michelle Grabner and Brad Killam.
A fully illustrated
catalogue will be published to accompany the exhibition with an
essay written by Beshty
titled «The Ritual of Everyday Life: On the Migrating Objects of Jay DeFeo».
A grotesque neologism, the
title of «Dereconstruction,» Matthew Higgs's recent curatorial effort for Gladstone Gallery, was — according to the
catalogue essay — both «a hybrid term, one that conflates notions of «construction,» «reconstruction,» «deconstruction,» and «destruction,»» and a reference to «The New Reconstructions,» Pace Gallery's 1979 exhibition of work by Lucas Samaras.
The 2017 Whitney Biennial, the first to be organized during the run - up to a presidential election, makes its concerns explicit in the
title of co-curator Mia Locks's
catalogue essay «Being with Other People.»
Underscoring the evocative
title of the
catalogue's
essay, «Do REAL Men Paint Flowers?
An illustrated
catalogue of the same
title accompanies Chaotic Harmony, co-published by The Museum of Fine Arts, Houston, and the Santa Barbara Museum of Art and distributed by Yale University Press, The
catalogue presents one of the first overviews of the artists, subjects, and themes in contemporary Korean photography, with scholarly
essays by Tucker and Sinsheimer; a chronology of post-World War II developments by noted photographer and curator Bohnchang Koo; an exhibition checklist; and brief biographies of the artists, compiled by MFAH photography curatorial assistant Natalie Zelt.
Karli Wurzelbacher, in her
catalogue essay, writes: «the expedient placement of a vase on an open book conjures a happy sense of disorder appropriate to the whimsy evoked by the
title.
Julian contributed to the
catalogue, the artist's first monograph, with an
essay titled «The Fact of Blackness.»
Patricia Watts, ecoartspace founder and west coast curator was recently invited to write a short
essay for a gallery exhibition
catalogue titled Monsantra published by TNG Gallery in Calgary featuring the work of Canadian artist Wendy DesChene and American artist Jeff Schmuki.
British British Sculpture Sculpture is the
title of the
essay by curator (and recently appointed director of Tate Britain) Penelope Curtis that opens the
catalogue.
Ortiz - Torres
titled his
catalogue essay «Does L.A. Stand for Los Angeles or Latin America?