Sentences with phrase «catalogue featuring images»

Jennifer Coates All U Can Eat is a 94 page full - color exhibition catalogue featuring images by Jennifer Coates and text by Scott Indrisek, David Humphrey and Jennifer Coates.

A catalogue featuring images of the unique exhibition installation will be available at a later date.

Not exact matches

Image and scripture intertwine beautifully in one of the exhibit's gems, the Botticelli «Madonna of the Book» featured on the catalogue cover and the posters.

-- Behind the Scenes at SEGA added to the SEGA Book Catalogue — The infra red control pad II entry in the Mega Drive hardware section has received updates with all new images and scans of the box and contents — The Dreamcast Scart Cable has been added to the SEGA hardware section — Issue 11 of DC - UK, issue 29 of Nintendo: The Official Magazine, issue 100 of Playstation 2: Official Magazine UK, Issue 17 of SEGA Magazine and issue 1 of SEGA Zone have been added to the magazines section — The Data Discs vinyl release of the Panzer Dragoon soundtrack has been added to the Music section — The Data Discs vinyl release of The Revenge of Shinobi soundtrack has been added to the Music section — The Sonic Boom: Fire & Ice review now features cover artwork, instruction sheet and cartridge scans — The Hatsune Miku: Project Diva X review now features cover artwork, instruction sheet and cartridge scans — The 8th generation of SEGA releases has been updated to include every SEGA release from this generation — You can now navigate our old front page news posts easier by using our new Archive section

Along with over 60 pages of images, the catalogue features texts by the artist and our curator, Katherine Harvath.

L: Catalogue image from 1977, featuring the work by Gloria Kisch -LRB-»69 Fine Arts) R: Catalogue image from 2017 featuring work by current MFA student Deb Adams - Welles, responding to Kisch's work with a floor installation.

Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)

To accompany the exhibition, Pace will publish a catalogue featuring a new text by the artist in addition to an app, available on iOS, with all of the images in the exhibition.

A cloth bound catalogue accompanies the exhibition and features duotone reproductions of the images.

This special Limited Edition version of the catalogue features a cover showing a gold leaf debossed image of the work Patrick More (2013), taken from her new series of bronze NUDs.

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

Images of accepted work may be used for promotional purposes and be featured in an exhibition catalogue.

An image of the work has been chosen to feature as the cover image for the catalogue that will accompany the exhibition.

To accompany the exhibition, Pace will publish a catalogue featuring a new text by the artist in addition to an app, available on iOS, with all of the images in the exhibition.Download the app here.

Tillmans's own image rarely appears here (while the gallery permits photography, the exhibition leaflet specifies «no selfie - sticks»), but the gregariousness of the curating — which features a rare videowork, a live programme, ephemera from the artist's Berlin - based project space, juvenilia like a foray into garment design and an inexplicable gong sculpture — reveals the artist in a surprising number of dimensions; he even codesigned the catalogue.

The inspiration for the series is linked to Crumb's avid collecting of vintage underground paraphernalia including records, flipbooks, and specifically, Art & Beauty, a catalogue published during the 1920s and 1930s featuring semi-erotic images of life models for art lovers and aspiring painters — an early example of a top - shelf magazine.

Featuring a unique, coil - bound design reminiscent of stock photo catalogues and a flexidisc recording by the artist Jack Goldstein, this highly collectible book ultimately reflects on contemporary art's own complicit function as an expanding industrial image economy.

My images from «Middle Class Utopia» are featured on the billboards and catalogues for Travelling, the annual film festival of Rennes, France.

Catalogue includes images from all of the artists in the exhibition, and features 46 colour reproductions and 18 monochrome reproductions.

Join Lismore Castle Arts curator Paul McAree for a tour of the exhibition and the launch of our Anthony McCall catalogue, which features texts by Ed Halter and Maxa Zoller, with install images of the exhibition at Lismore.

Catalogue features an introductory essay by Eddie Chambers, and seven double pages of collaged images, photographs, biographical texts etc. on / by each of the artists.

Designed by Jeff Khonsary and Courtenay Webber of The Future, the catalogue features video documentation of the courtroom drama, over one hundred installation images, and provocative essays by Scott Watson, Costas Douzinas, Anselm Franke, curator and writer based in Brussels and Berlin, Sharon Kahanoff, Vancouver - based filmmaker, artist and writer, and artist Judy Radul.

This slim, beautifully produced, bright yellow linen - bound exhibition catalogue with tipped - on cover image features some of the most strangely arresting male nudes on canvas today.

Conceived as a retrospective, this exhibition of the artist's earlier and more recent works is accompanied by a bilingual (Portuguese / English) catalogue featuring more than one hundred images and excerpts from several essays and interviews with Anthony McCall from the last decade — all unpublished in Portuguese — as well as an -LSB-...]

The iconic Retroactive II, a Rauschenberg silkscreen that features a prominent image of John F. Kennedy alongside an image of an astronaut, a weather gauge, a Polaroid of a glass of water the artist took, and several other images, seems to be held in particular esteem by the Tate, since it was used on all of its advertising materials, including the catalogue cover.

The exhibition will be accompanied later in the summer by a fully illustrated catalogue, featuring install images of the exhibition at Lismore.

The exhibition will be accompanied later in the summer by a fully illustrated catalogue, featuring installation images of the exhibition at Lismore.

FEATURES INCLUDE: - In - depth exhibition audio guides - Interviews with artists and curators - Videos and images of works on view - Exhibition catalogue texts - Tools for planning your visit - Interfaces with social networking sites and email

Running until September 28, the exhibition features «installation, image production, office design, events and a catalogue» from Tim Ivison, Julia Tcharfas, George Moustakas and Rachel Pimm.

The museum's in - depth exhibition catalogue features over 300 images, and includes essays by the Michener's chief curator Kristen M. Jensen, fashion and textile historian Nancy Diehl, independent curator Thomas Mellins, and curatoratorial fellow Kelsey Halliday Johnson that illuminate how Sheeler's work reinterpreted and shifted contemporary trends in architecture and fashion, and highlight the role of Condé Nast in shaping the era's culture.

Inspired by the recent political and economic upheavals in America and abroad, this selection juxtaposes new photographs that take the long view of the world's current condition with prescient works from the 1980s and 1990s that remain startlingly relevant today... PRESS RELEASE Trevor Paglen exhibition at Vienna Secession reviewed in Frieze, May 2011 PDF New Exhibition Catalogue from Secession available Images of the Black World with essay by Brian Holmes Trevor Paglen featured in Art Review Future Greats, March 2011 PDF Shannon Ebner upcoming solo project at the Hammer Museum in collaboration with LAX Art Los Angeles, CA July 2011

The catalogue features a selection of images from the artist's archive work Digestive System (1998 - ongoing) alongside his recent works.

Marianne Boesky Gallery will be producing a catalogue on the occasion of the exhibition, which will feature full color images of the new works featured in the exhibition and an introductory essay by arts writer Allie Biswas.

2017 - WOWxWOW Interview 2017 - Lifemaster.ru Interview (Russian / English) 2017 - Artspective Interview 2016 - Winter Skin Rose Magazine interview 2016 - BloPop Magazine featured artist & interview 2015 - Bleaq Art Blog featured atist 2015 - Juxtapoz Magazine image feature Group exhibition «Little Big» 2015 - Hi - Fructose Magazine image feature Redd Walitzki's curated group exhibition «Verdant» 2014 - RUHR REVUE, Issue 2/2014 2013 - A.R.C. 2012/2013 Salon Catalogue

This fully illustrated catalogue accompanying Charlesworth's first major survey in New York features series such as Stills (1980), a group of 14 large - scale works rephotographed from press images that depict people falling or jumping off buildings; Modern History (1977 - 79), which pioneered photographic appropriation; the alluring Objects of Desire (1983 - 88) and Renaissance Paintings (1991), which continued Charlesworth's trenchant approach to mining the language of photography; Doubleworld (1995), which probes the fetishism of vision in pre-modernist art and marks Charlesworth's transition to a more active role behind the camera; and her final series, Available Light (2012).