Sentences with phrase «catalogue featuring works»

The front cover of the catalogue featured a work by Bridget Riley, bringing her international recognition.

18th Street Art Center's 2010 catalogue features the work of emerging and prominent local and international artists and curators, whom we have worked with; art exhibitions that have revolutionized the meaning of socially engaging public art; our ground - braking events that have attracted over 3,000 visitors to the 18th Street complex within the last year, and much more!

18th Street Art Center's 2010 catalogue features the work of emerging and prominent local and international artists and curators, whom we have worked with; art exhibitions that have revolutionized the meaning of socially engaging public art; our ground - braking events that have attracted over 3,000 visitors to the 18th Street Arts Center within the last year, and much more!

This catalogue features works from throughout his career, including rare early mobiles and unique sculptures, some which have never previously been exhibited.

Exhibition curated by: Meg Linton, Director of Ben Maltz Gallery Exhibition dates: May 14 - July 30, 2005 Essay by: Meg Linton Description: The exhibition and catalogue feature work spanning Robert Williams» career from 1985 - 2004.

The catalogue features works and bios for each artist and essays on their work by three writers: Risa Puleo, Charles M. Schultz, and Cameron Shaw.

A Greek / English catalogue featuring the work of the six nominated artists and supplemented with essays is published by the DESTE Foundation to accompany each DESTE Prize exhibition.

This catalogue features work from Max Becher and Andrea Robbins and German Indians series.

«We are also excited about our 2018 exhibition season when we will mount an important show with a major catalogue featuring the work of early 20th century French ceramists, advancing our gallery's past efforts in exhibiting the work of such masters as Georges Hoentschel, Edmond Lachenal and Clement Massier,» he adds.

This catalogue features the work of renowned photographer Suzanne Opton.

Not exact matches

It works as an antiquated adventure movie, but within Spielberg's own back catalogue, it exists as part of a surreal, self - referential double feature with 2008's Indiana Jones and the Kingdom of the Crystal Skull.

In the midst of an ongoing catalogue raisonné project to comprise 5,000 works, MoMA will now feature a selection of 220 of them in its second - floor atrium and in its third - floor exhibition spaces.

This catalogue features the Atheneum's extensive collection of works by the Hudson River School artists.

«Vehicles of Fascination,» AICA - USA board member Barry Schwabsky's essay on Los Angeles artist Mark Grotjahn, is featured in a 2013 Aspen Art Museum catalogue covering the first survey of the artist's work from the 1990s to the present.

Published to coincide with «Roger Brown: The American Landscape» at DC Moore Gallery in 2008, this catalogue features high - quality reproductions of Brown's work, along with the essay «Message and Murmurs from the (Broken) Heartland,» by Robert Storr.

This catalogue is published in conjunction with the exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artists.

The accompanying catalogue, Wayne Thiebaud, Draftsman, features 63 plates of works in the exhibition and 20 sketchbook pages.

Accompanying the exhibition is a clothbound catalogue featuring an interview by artist Matt Connors and full - color reproductions of over sixty works.

Books, exhibition catalogues, instructional DVDs are cherished resources for new painters seeking guidance and support for their own work as well as insight into the work of the featured artist.

nine seventeen is accompanied by a catalogue which features texts by Dr. Peter Miller, whose shared enthusiasm for Meppayil's work brought the exhibition to the American Academy in Rome; historian and critic, Deepak Ananth, a specialist on Meppayil's work and its relationship to Indian art history; and Harvard professor and Art Historian Dr. Benjamin H.D. Buchloh, whose original essay stations Prabhavathi's work amongst the greats.

The Baltimore Museum of Art, the presenter of the U.S. Pavilion at the 2017 Venice Biennale along with the Rose Art Museum at Brandeis University, today announced the publication of Tomorrow Is Another Day, the official catalogue accompanying the exhibition of the same name featuring new work by Mark Bradford for the U.S. Pavilion.

A fully illustrated catalogue features texts by Byers, Claire Bishop, Lynne Cooke, and Ingrid Schaffner, as well as a historical compendium of influential 20th - century artworks and exhibitions that provide important precedent to the works in the exhibition.

The catalogue features a new essay written by artist and critic Joe Fyfe, as well as a selection of works from the exhibition.

Lévy Gorvy will also present an exhibition of Agnetti's work in New York in summer 2017, accompanied by an illustrated catalogue featuring new scholarships well as the artist's writings.

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.

The Online Catalogue is a comprehensive resource on the artists and works in the EAI collection, and also features extensive materials on exhibiting, collecting and preserving media art: www.eai.org

The show features paintings and works on paper by the artist from 1981 to present; the fully illustrated catalogue features an essay by the art historian Richard Shiff and biographical notes compiled by Robert Kudielka.

A glance at three recent works by Kate Davis (b. 1977) from a numbered series Disgrace appear to have pencil scrawls on pages of an art catalogue featuring nude studies of the female figure.

The exhibition featured approximately 70 prints, drawings and related sculptures from throughout Puryear's nearly 40 - year career, including many works never shown before outside the artist's studio.1 Together with its substantial catalogue, it illuminated the complex and intimate relationship between Puryear's two - and three - dimensional thinking, and the persistence with which he continually revisits and reworks forms, in some cases, over the course of decades.2

L: Catalogue image from 1977, featuring the work by Gloria Kisch -LRB-»69 Fine Arts) R: Catalogue image from 2017 featuring work by current MFA student Deb Adams - Welles, responding to Kisch's work with a floor installation.

will be accompanied by a fully - illustrated catalogue that features original texts from renowned scholars and contemporary artists, all considering what compels artists to draw through close study of specific works in the exhibition.

Featuring works by a world - class roster of artists including Francis Alÿs, Fiona Banner, Lynda Benglis, Louise Bourgeois, Tracey Emin, Alex Katz, Sarah Lucas, Mike Nelson, Cindy Sherman, John Stezaker and Wolfgang Tillmans, this fully illustrated catalogue also includes essays by Glenn Adamson, Frances Borzello, Nicholas Cullinan and Amelia Jones, as well as a selection of quotes by influential writers and theorists as chosen by some of the artists included.

All accepted works, to be featured in the exhibition at the Mighty Tieton Warehouse beginning August 11, are published in a fully illustrated, hand bound exhibition catalogue made right here at Paper Hammer Studio!

The catalogue features new short essays on each of the exhibited works, an interview between the artist and Iwona Blazwick and a reprint of a short story by National Book Award for Fiction winner Andrea Barrett.

In conjunction with the 2016 New York exhibition, Lévy Gorvy published a catalogue featuring a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture.

Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)

The exhibition catalogue features several new works by the young Swiss artist, which illustrate the post-modern approaches of time - space compression in coexistence with the historicity and perception of our environment.

Featuring works from the Guggenheim Panza Collection, augmented with loans from several German collections, the exhibition and catalogue trace the theatrical elements in Nauman's oeuvre, as well as his manipulation of the performer - spectator roles.

CATALOGUE The fully illustrated hardcover catalogue that accompanies the show is the most comprehensive treatment of Bradford's work to date, and features essays by Christopher Bedford, Robert Storr, Richard Shiff, Katy Siegel, and Hilton Als, as well as two interviews with the artist by Carol S. Eliel and HamzCATALOGUE The fully illustrated hardcover catalogue that accompanies the show is the most comprehensive treatment of Bradford's work to date, and features essays by Christopher Bedford, Robert Storr, Richard Shiff, Katy Siegel, and Hilton Als, as well as two interviews with the artist by Carol S. Eliel and Hamzcatalogue that accompanies the show is the most comprehensive treatment of Bradford's work to date, and features essays by Christopher Bedford, Robert Storr, Richard Shiff, Katy Siegel, and Hilton Als, as well as two interviews with the artist by Carol S. Eliel and Hamza Walker.

This fully illustrated catalogue constitutes the first survey of his work from the late 1990s to the present and features essays by the art critic Barry Schwabsky and Aspen Art Museum Director Heidi Zuckerman Jacobson.

In 2012, Blind Spot Books (New York) will publish a catalogue featuring Barth's work from this exhibition.

«ReThink INK» is, in a sense, a pendant to the 2001 exhibition and catalogue, Proof in Print: A Community of Printmaking Studios by Sinclair Hitchings, featuring work from the 1980 - 84 Cambridge based Artist's Proof Cooperative, out of which grew Mixit, Hand Press Workshop in Somerville, as well as Artist Proof Studio in Johannesburg, South Africa.

The catalogue [96 pages, hardcover, fully - illustrated] features an essay by Debra Bricker Balken, an independent curator and noted writer who works on subjects relating to American modernism and contemporary art.

In conjunction with the exhibition, the galleries will publish a catalogue featuring a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture.

The exhibition is accompanied by an in - depth catalogue featuring full - page color reproductions of all works in the exhibition as well as a detailed chronology, historical photos, reprints of key texts by Jean Dubuffet and Franz Schulze, and new essays by the exhibition curators and Dennis Adrian, Jon Bird, Thomas Dyja, Mark Pascale, and Arlene Shechet.

This special Limited Edition version of the catalogue features a cover showing a gold leaf debossed image of the work Patrick More (2013), taken from her new series of bronze NUDs.

In conjunction with Sought Poems, Convolution has released its fourth issue as an accompanying catalogue, featuring work by Etel Adnan, Chris Alexander, Harry Burke, Natalie Czech, Craig Dworkin, Kristen Gallagher, Robert Grenier, Diana Hamilton, Forsyth Harmon, Karl Holmqvist, Juliana Huxtable, Josef Kaplan, Shiv Kotecha, Sophia Le Fraga, Astrid Lorange, Holly Melgard, Nick Montfort, Kim Rosenfield, Aram Saroyan, Jacolby Satterwhite, Kit Schluter, Jason Simon, Carlos Soto Román, Joey Yearous - Algozin, Steve Zultanski, and We Have Photoshop.

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

This fully illustrated catalogue was published to accompany the exhibition, Alexander Calder: MULTUM IN PARVO and features archival material, installation photography, and original sketches by Santiago Calatrava that reveal the architectural process in response to Calder's ideas and work.

Accounts of the show tend to focus on how Hammons revisited the gallery on multiple occasions to contribute additional framed materials and reposition those artworks already included, and on how his last - minute changes to the show's installation meant the works featured in the catalogue did not match up with the works on view, as if the real story was about Hammons and his enigmatic ways.