Sentences with phrase «catalogue of retrospective exhibition»

Lit: Ronald Alley, «Patrick Heron: the development of a painter», in Studio International, CLXXIV, July — August 1967, pp. 18 — 25; Alan Bowness, «On Patrick Heron's Striped Paintings», in catalogue of retrospective exhibition, Museum of Modern Art, Oxford, May - June 1968.

Eighth reply in artist's interview with Bryan Robertson in catalogue of retrospective exhibition, Whitechapel Gallery, May 1966.

Not exact matches

And though it was published in a couple of catalogues, Rauschenberg didn't loan it to his 1976 or his 1998 retrospective, and he declined its inclusion in curator Paul Schimmel's exhaustive Combines exhibition of 2005.

«Statement,» in Frank Stella — The Retrospective: Works 1958 — 2012, exhibition catalogue (Wolfsburg, Germany: Kunstmuseum Wolfsburg, 2012) 2011 «Franz Erhard Walther: Close Encounters of Three Kinds,» Flash Art, n. 276 (Jan 2011).

Judd oversaw the publication of the Catalogue Raisonné of Paintings, Objects and Wood - Blocks 1960 - 1974, co-edited by Dudley Del Balso, Brydon Smith, and Roberta Smith, on the occasion of his retrospective exhibition at the National Gallery of Canada, Ottawa, in 1975.

Originally published in 2010 on the occasion of Against the Wall, Dumas's first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted to coincide with the artist's 2014 — 2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.

Purchase the new hardcover reissue of Barkley Hendricks: Birth of the Cool, the exhibition catalogue published by the Nasher Museum on the occasion of the artist's 2008 painting retrospective.

In 2015, Als co-curated, with Anthony Elms, at the ICA Philadelphia, a retrospective of Christopher Knowles» work and organised Desdemona for Celia by Hilton, an exhibition of work by Celia Paul, at the Metropolitan Opera's Gallery Met, in New York (an accompanying catalogue was published by Victoria Miro).

James Rondeau and Sheena Wagstaff, Roy Lichtenstein: A Retrospective, exhibition catalogue (Chicago: Art Institute of Chicago, 2012), 81 — 82, 87.

A separate catalogue in the language of each country, all published ast «No. 8»; Robert Goldwater, Bryan Robertson, Peter Selz, Mark Rothko, A Retrospective Exhibition of Paintings, 1945 - 1960, London: Whitechapel Art Gallery, 1961, no. 23 (not shown); Robert Goldwater, Peter Selz, and Emilio Villa (in Dutch and French), Mark Rothko, Amsterdam, Stedelijk Museum, 1961, no. 23; Peter Selz, Mark Rothko, Palais des Beaux - Arts, Brussels, 1962, no. 23; Roberth Goldwater and Peter Selz, Mark Rothko, Kunsthalle, Basel, 1962, no. 23; Palma Bucarelli, Mark Rothko, Galleria Nazionale d'Arte Moderna, Roma, 1962 (not shown); Peter Selz, Mark Rothko, Musee de'Art Monderne de la Ville de Paris, Paris, 1963, no. 19.

In 2009 Kunsthalle Zürich held a retrospective exhibition of his work that was accompanied by a catalogue published by JRP Ringier.

This thick luxurious ZKM catalogue of Lynn Hershman Leeson's work, produced after her retrospective exhibition, is the most complete to date on the artist, achieving a long - overdue public acknowledgement of her work.

The exhibition, organised by the sculptor David MacIlwaine and consisting of 31 works, was described on the catalogue cover as «A Major Retrospective».

In 1998, the Whitney Museum of American Art organized a major traveling retrospective exhibition, featuring over one hundred of Thompson's paintings with an accompanying catalogue by Thelma Golden.

«Someone once referred to the figure I did in the Northern Lights painting as a pimp,» wrote Hendricks in his exhibition catalogue essay for «Birth of the Cool,» his first career retrospective, which took place at the Nasher Museum of Art in 2008.

Ahead of Frank Auerbach's major retrospective at Tate Britain, we're giving you the chance to win one of five exhibition catalogues.

The exhibition catalogue (a copy is to be found in Judd's library) includes a text originally published for the Arp retrospective at the National Museum of Modern Art (1962) in Paris.

In 1972 at the age of 27, he was the youngest artist ever to be offered a retrospective at The Tate, to which he responded with King for a Day a one - day exhibition which consisted of a catalogue listing 1000 proposals for sculpture, he has gone on to have numerous one man exhibitions at major museums including The ICA, Whitechapel and MOMA Oxford.

Housed in the same private collection for almost 20 years, Dustheads was included in the seminal exhibition of the artist's work organized by the Fondation Beyeler, Basel in 2010 (and which later travelled to the Musée d'art moderne de la ville de Paris) and is widely referenced in the artist's monographs, including the cover of the catalogue to the 2006 Basquiat retrospective organized by the Fondazione La Triennale di Milano.

Published on the occasion of the artist's retrospective at the Solomon R. Guggenheim Museum, New York, organized by Katherine Brinson, Associate Curator, and supported by the Andy Warhol Foundation for the Visual Arts, this exhibition catalogue presents a rich selection of paintings, photographs and works on paper, forming the most comprehensive examination of Wool's career to date.

The first catalogues the exhibition, while the second provides a retrospective of the artist's work to date.

ALEX ISRAEL — There's a Caro sculpture on the cover of your retrospective catalogue, and again on the cover of a catalogue for a group exhibition you curated in 2006.

Since joining the museum in 2009, she has curated numerous exhibitions, including the retrospective Bertrand Goldberg: Architecture of Invention (2011 — 12), which was accompanied by a scholarly catalogue.

Originally published in 2010 on the occasion of Dumas» first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted in 2014 to coincide with the artist's European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel traveling through 2015.

Brandt had researched, curated, and written the exhibition catalogue for the first major museum retrospective of the work of the Chinese - American photographer and conceptual artist who gained a following in the 1980s as an «ambiguous ambassador» in a signature Mao suit.

Scores of scholars, curators, and critics have published copiously illustrated books and exhibition catalogues devoted to retrospective looks at the French artist's five - decade - long career, as well as his use of color, textiles, and ornament, his portraits and still lifes, his penchant for making two versions of the same subject from time to time, his visits to Morocco, the Nice period of the 1920s, his late cutouts, the chapel in Vence, France, and even his collectors.

The keen retrospective eye of the curators has thrown up a rewarding mix of the mainstream and the obscure, and it is worth the ticket price solely for the video of German opera singer Klaus Nomi performing Lightning Strikes in an over shoulder - padded, shiny tuxedo.Highlights include the subversive designs of the Italian collectives Studio Alchymia and Memphis; graphics by Peter Saville and Neville Brody; the original presentation drawing for Philip Johnson's AT&T building (1978); paintings by Robert Rauschenberg and Andy Warhol; Jeff Koons» stainless steel bust of Louis XIV (1986); performance costumes, including David Byrne's big suit from the documentary Stop Making Sense (1984); excerpts from films such as Derek Jarman's The Last of England (1987); and music videos featuring Laurie Anderson, Grace Jones and New Order.Catalogue offerSave # 8 on the exhibition catalogue with your National Art Pass.

Even in the catalogue for last year's comprehensive retrospective at the Whitney Museum, an exhibition that took a wrecking ball to the myths surrounding DeFeo's career, every single one of the essays uses this word to describe her.

Author and scholar Paul Sternberger reviews Jay DeFeo: A Retrospective, the exhibition catalogue published in conjunction with the Whitney Museum of American Art's recent retrospective of tRetrospective, the exhibition catalogue published in conjunction with the Whitney Museum of American Art's recent retrospective of tretrospective of the same name.

Catalogue produced to accompany this major retrospective touring exhibition of painting by Tam Joseph.

Thomas Eakins: a retrospective exhibition [held at the] National Gallery of Art [Washington, October 8 through November 12, 1961], the Art Institute of Chicago [December 1, 1961 through January 7, 1962], Philadelphia Museum of Art [February 1 through March 18, 1962: catalogue with introd.

, Philip Guston: Retrospective, exhibition catalogue, Modern Art Museum of Fort Worth, Texas 2006.

More recent exhibitions have included retrospectives in Sweden, Japan, Korea and Spain and, most recently the exhibition Funney / Strange, which opened at the Brooklyn Museum of Art in 2006 with a catalogue published by Yale University, making its final stop at the Wexner Center for the Arts, Columbus in the fall of 2007.

This exhibition coincides with a retrospective of 150 paintings on paper from 1961 to the present at the Museum Haus Lange, Krefeld Germany (traveling to the Kunsthalle Nurnberg with Catalogue).

The Galerie Hopkins exhibition history illustrates a deliberate play on contrasts, and included a Berthe Morisot retrospective in 1987 (the gallery published a new edition of the Morisot catalogue raisonné of paintings in 1997), as well as shows of works by Fernando Botero in 2001 and 2004, bronzes by Jedd Novatt in 2001, sculptor Baltasar Lobo in 2010, and paintings by Josef Albers in 2011.

The Guggenheim Museum in New York, which is organized a touring Richard Prince retrospective, also dates the artist's career from 1980 on its Web site: «Since his first solo exhibition, at Artists Space in New York in 1980...» In this, the Guggenheim is following the lead of the Whitney Museum of American Art, which staged the last retrospective of Prince in 1992 and did not include a single early work by the artist, although a few mid-1970s pieces were mentioned in the catalogue.

He was recently the subject of a large traveling retrospective exhibition organized by the Des Moines Art Center («Borderlandia») and is currently the subject of a career survey organized by Artium in Vitoria, Spain (catalogue to be available).

About the exhibition catalogue: Published on the occasion of the long overdue first retrospective of the Icelandic - born, Santa Fe - based New Media art pioneer, Steina, this monograph is one of the only substantial publications to recognize a female artist's contribution to the field.

The exhibition will be accompanied by the first retrospective catalogue of the artist's work, published by Hatje Cantz and co-produced by Ikon Gallery (Birmingham), S.M.A.K. (Ghent), Museu Serralves (Porto) and Fondazione Galleria Civica (Trento).

Many monographs of Winogrand's work have been published, including The Man in the Crowd: the Uneasy Streets of Garry Winogrand, The Animals, Women are Beautiful, Arrivals and Departures, Winogrand: Figments from the Real World, and Garry Winogrand, a catalogue accompanying the retrospective exhibition.

Ed Moses Vinca, 1989 Acrylic, shellac and asphaltum on canvas Unsigned; Titled and dated in ink on verso 96 x 60 inches Provenance: Illustrated in MOCA Ed Moses: A Retrospective of the Paintings and Drawings 1951 - 1996 catalogue, 1996, plate 43, page 95, exhibition tag on verso; Louver Gallery, New York, NY, tag on verso; L.A. LOUVER Inc., Venice, CA, tag on verso Estimate: $ 40,000 / $ 50,000

Organized by curator Luca Massimo Barbero of the Peggy Guggenheim Collection, Lucio Fontana: Venice / New York catalogues the artist's first exhibition in the U.S. since the Guggenheim's landmark 1977 retrospective.

Established in 2008 as a program of the Menil Collection, the Menil Drawing Institute currently conducts research into modern and contemporary drawing; organizes exhibitions (such as surveys of the drawings of Claes Oldenburg and Tony Smith, and the current Richard Serra Drawing: A Retrospective); and is undertaking the research and publication of the multi-volume catalogue raisonné of the drawings of Jasper Johns.

Conceived as a retrospective, this exhibition of the artist's earlier and more recent works is accompanied by a bilingual (Portuguese / English) catalogue featuring more than one hundred images and excerpts from several essays and interviews with Anthony McCall from the last decade — all unpublished in Portuguese — as well as an -LSB-...]

David McGee: Black Comedies and Night Music Robert Rauschenberg: A Retrospective [catalogue unavailable] Field of Vision: Five Gulf Coast Photographers DeWitt Godfrey: A Sculpture and Two Drawings James Turrell: Spirit and Light Projected Allegories: A Video Series Face of the Gods: Art and Altars of Africa and the African Americas [catalogue unavailable] Liz Ward: The Present of Past Things Abstract Painting, Once Removed: A Fiftieth Anniversary Exhibition Andreas Gursky México Ahora: Punto de Partida / Mexico Now: Point of Departure [catalogue unavailable]

This exhibition and its accompanying catalogue provide a highly comprehensive retrospective of the Arte Povera movement as a historical and aesthetic phenomenon that crossed a wide range of disciplines, including sculpture, installation, drawing, photography, film and performance.

Charles Ray is a catalogue of the artist's work since his retrospective exhibition that opened at the Whitney Museum of American Art in New York in 1998 and traveled to The Museum of Contemporary Art, Los Angeles, and the Museum of Contemporary Art, Chicago.

This paperback edition of Voids serves as a catalogue to the Centre Pompidou's retrospective of empty exhibitions, curated by the dream team of Laurent Le Bon, John Armleder, Mathieu Copeland, Gustav Metzger, Mai - Thu Perret and Clive Phillpot, and featuring Yves Klein, Robert Barry, Art & Language, Stanley Brouwn, Laurie Parsons, Bethan Huws, Robert Irwin, Maria Eichhorn and Roman Ondák; but it also supplies a crucial anthology of texts, with contributions by artists and writers such as Stuart Comer, Brian O'Doherty, Ralph Rugoff, Jon Savage, Sarah Wilson, Peter Downsbrough, Lawrence Weiner, Sherrie Levine, Seth Price, Trisha Donnelly, Wade Guyton and Olivier Mosset, among others.

e are told by Jennifer R. Gross, in the catalogue accompanying this focused exhibition of Jim Nutt's work (even with 70 paintings and drawings it is not a retrospective or a survey), that the artist «has expressed surprise that his unidentified women have been seen as male rather than as the clearly female subjects he intended.

The catalogue released to coincide with Jeff Koons» large - scale exhibition at the Whitney Museum of American Art, New York, Jeff Koons: A Retrospective (2014) is indicative of his practice.