Sentences with phrase «ceiling space of the museum»

The tall ceiling space of the museum in Hannam - dong, Seoul is ideal to showcase Suh's large installations like «Blueprint,» a 14 - meter - long piece.

Not exact matches

«So, just the idea of coming to a museum, big open spaces, dinosaurs or big things hanging from the ceiling, going to different toilets - there can be lots of things that happen in their day that are not part of their normal routine.
The Nevelson piece, Sky Cathedral / Southern Mountain, 1959, which was borrowed from LA MoCA, is installed somewhat differently than these other works, directly on the floor in a portion of the room where the ceiling is lower.It looks consistent with similar Nevelsons I viewed at Pace Gallery or the Jewish Museum in New York during the»80s and»90s, before the advent of the enormity of scale that typifies so many of the new exhibition spaces of today.
Horizontally transecting The Aldrich's Project Space Gallery, Floor / Ceiling creates (depending on one's point of view) either a continuation of the Museum's second floor or a dropped ceiling that lowers the double - height section of the gallery from twenty - four to fourteeCeiling creates (depending on one's point of view) either a continuation of the Museum's second floor or a dropped ceiling that lowers the double - height section of the gallery from twenty - four to fourteeceiling that lowers the double - height section of the gallery from twenty - four to fourteen feet.
As I gaze up into the top third of the painting, I can't help considering the distinctive ceiling of the High Museum, with its evenly spaced circular apertures to the sky.
N. Dash's first solo museum exhibition was staged in the Hammer's distinctive Vault Gallery; with its diminutive, bullet - shaped floor plan and arched ceiling, the chamber is one of the museum's more unusual spaces, and the room's obdurate layout underscored the role of architecture within Dash's incisive painting practice.
You might not notice walls like these as much in a museum because they typically are built close to ceiling height, but Capitain Petzel's space is two stories high with a mezzanine, which meant that I couldn't just hang a painting on one of those walls without it looking like a sculpture.
A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.
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