The tall
ceiling space of the museum in Hannam - dong, Seoul is ideal to showcase Suh's large installations like «Blueprint,» a 14 - meter - long piece.
Not exact matches
«So, just the idea
of coming to a
museum, big open
spaces, dinosaurs or big things hanging from the
ceiling, going to different toilets - there can be lots
of things that happen in their day that are not part
of their normal routine.
The Nevelson piece, Sky Cathedral / Southern Mountain, 1959, which was borrowed from LA MoCA, is installed somewhat differently than these other works, directly on the floor in a portion
of the room where the
ceiling is lower.It looks consistent with similar Nevelsons I viewed at Pace Gallery or the Jewish
Museum in New York during the»80s and»90s, before the advent
of the enormity
of scale that typifies so many
of the new exhibition
spaces of today.
Horizontally transecting The Aldrich's Project
Space Gallery, Floor /
Ceiling creates (depending on one's point of view) either a continuation of the Museum's second floor or a dropped ceiling that lowers the double - height section of the gallery from twenty - four to fourtee
Ceiling creates (depending on one's point
of view) either a continuation
of the
Museum's second floor or a dropped
ceiling that lowers the double - height section of the gallery from twenty - four to fourtee
ceiling that lowers the double - height section
of the gallery from twenty - four to fourteen feet.
As I gaze up into the top third
of the painting, I can't help considering the distinctive
ceiling of the High
Museum, with its evenly
spaced circular apertures to the sky.
N. Dash's first solo
museum exhibition was staged in the Hammer's distinctive Vault Gallery; with its diminutive, bullet - shaped floor plan and arched
ceiling, the chamber is one
of the
museum's more unusual
spaces, and the room's obdurate layout underscored the role
of architecture within Dash's incisive painting practice.
You might not notice walls like these as much in a
museum because they typically are built close to
ceiling height, but Capitain Petzel's
space is two stories high with a mezzanine, which meant that I couldn't just hang a painting on one
of those walls without it looking like a sculpture.
A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the
museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor,
ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition
of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project
space for changing exhibitions; An exhibition
of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the
museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.