Sentences with phrase «celebrated artists like»

Women's History Museum, founded by Amanda McGowan and Mattie Rivkah Barringer in 2014, has a solo show at Gavin Brown this month, a dealer renowned for not only representing internationally celebrated artists like Rirkrit Tiravanija, Laura Owens, Peter Doig, and Joe Bradley, but also for being «perhaps the most imaginative artist - dealer in town,» according to Linda Yablonsky writing for Artforum.
Celebrated artists like Kader Attia, Wangechi Mutu, and Yinka Shonibare MBE explore the themes of paradise, purgatory, and hell with video, photography, printmaking, painting, sculpture, fiber arts, and mixed media installation.

Not exact matches

And it's inconceivable to me that an artist like Hideo would not be allowed to come here and celebrate with his peers and his fellow teammates.»
Now have a variety of themed tours including «Badass Bitches of the Met» that celebrates female art and artists and «Political Scandals,» which is what it sounds like.
Don't get me wrong, I like celebrating and honoring movies and artists, but there are no absolutes.
You don't come here to celebrate music; in fact, for a lot of the film's running time, you might wonder if Chazelle even likes music, spending a good portion of the story questioning whether the extent artists chase after the elusive goal of being «one of the greats» is worth the finishing result.
As Netflix and Amazon draw more filmmakers on a forced march to other platforms, Franco and a host of Hollywood filmmakers use The Disaster Artist to celebrate the way even a movie like The Room can bring people together, in the warm glow of the big screen.
Life is sweet and idyllic in this bright - colored, flower - strewn paradise, as Marianne celebrates her upcoming marriage to the dashing, Gaston - like Roland (Sam Palladio) with an airborne performance of «Can't Help Falling in Love» — the first of some 20 - plus pop - rock chart toppers, by artists ranging from the Doors to Lady Gaga, crudely repurposed here into a soundtrack that's as obvious as it was undoubtedly expensive.
«He's still under an employment contract and it's disappointing, and it's inconceivable to me that an artist like [Kojima] would not be allowed to come here and celebrate with his peers and his fellow teammates such an incredible game as Metal Gear Solid V, but that's the situation we're in,» Keighley said during the event.
It's inconceivable to me that an artist like Hideo Kojima would not be allowed to come here and celebrate with his peers and his fellow teammates.»
What surprised me the most about The Disaster Artist is the fact that the film feels like a love letter to dreamers while celebrating friendship, drive, and passion.
It's to be celebrated when talented, new or underappreciated artists get together and make a special film like Columbus.
He's still under an employment contract and it's disappointing and it's inconceivable to me that an artist like Hideo would not be allowed to come here and celebrate with his peers, and his teammates such an incredible game as Metal Gear Solid V.
Take note olive lovers, Abundance is a festival to celebrate the olive harvest at Montalto Vineyard & Olive Grove (July) and the Main Street Mornington Festival (Oct) celebrates gourmet produce, boutique wineries, artists, musicians, dancers and the like.
Gynaecological instruments superimposed on the surface of the works disrupt traditional Romantic readings and imply a desire for human intervention in the timeless cycles of birth and death... [Kiefer] has been criticised for being theatrical... Yet in this increasingly frightening and unfettered world we need artists like Kiefer... who are prepared to face what is tragic rather than endlessly celebrating what is glib, slick and ephemeral.»
18th Street Arts Center would like to invite our local and extended community as we open up our campus for a festival of interactive performances and artists workshops, celebrating our PST: LA / LA exhibition
Speech is power: the artists in This Wicked Tongue celebrate unabashed expressions of the female voice like the witches, hysterics, and angry feminists who have come before them.
Though it is the artist's figure drawings, like the selection prepared for this exhibition, where we truly celebrate Tworkov's unique, intimate, and nuanced hand and where the artist's conflict between the real and the imagined, the abstract and the representational appears to resolve with some terrific intent.
To extend my visible appreciation of Linchpin, to celebrate my first SXSW event, to mark meeting the author and artist Hugh MacLeod in real life and to celebrate that successful people don't have look like Hollywood stars and convey Steve Jobs» business acumen... that's why I bought this art.
Visitors are treated to works by influential figures like Seth Price, Jill Magid, Cory Arcangel, Lynn Hershman Leeson, Oliver Laric, Sondra Perry, Trevor Paglen, Dara Birnbaum, and many other artists celebrated for revealing the aesthetic potentials of new technological developments.
Even artists from the scene who went on to long and celebrated careers, like Claes Oldenburg, Alex Katz, Lois Dodd and Lucas Samaras, describe having lived through a kind of historical lacuna, one that ended abruptly with the Pop revolution started by artists like Andy Warhol and Roy Lichtenstein.
«There is no better way to celebrate the 50th Anniversary of Anderson Ranch than by recognizing an artist like Carrie Mae Weems, whose work speaks so clearly to the human experience.
«The Influentials» brings together some of New York's most recognized female artists, from celebrated painters like Katherine Bernhardt and Inka Essenhigh to sought - after video and installation artists like Aida Ruilova and Pheobe Washburn.
Take as a kind of alter ego to the bad - faith artist: the celebrated maverick investor, like the stars of «The Big Short,» who take advantage of the system by betting on its breakdown.
The Clark is making good use of its new Tadao Ando - designed gallery to celebrate some of those artists, with an exhibition of abstract modernist paintings by the likes of Jackson Pollock (whose Number 1, 1950 (Lavender Mist) is a highlight), Mark Rothko and Helen Frankenthaler.
Sam Gilliam is an artist who has only recently started to gain the reputation he deserves, among names like Andy Warhol, Jasper Johns and Robert Rauschesnberg who are the most celebrated of this generation (and happen -LRB-?)
Other artists represented include Amedeo Modigliani, well known for his elongated, wistful figures; Georgio de Chirico, the Metaphysical painter of dream - like empty townscapes; and Giorgio Morandi, celebrated for his subdued still lifes.
Generally the more the artists celebrate identity, like Cox's Yo Mamadonna or Smith's video of hip - hop in a park, the less convincing they become.
The print collection offers an overview of a number of epical moments in contemporary American art, and includes compositions by Robert Rauschenberg and Jasper Johns; Pop artists Andy Warhol, Robert Rosenquist, and Roy Lichtenstein; minimalists Frank Stella, Sol LeWitt, and Chuck Close; neo-expressionists Julian Schnabel, Robert Longo, and David Salle; as well as graphics by celebrated figures like Louise Bourgeois, Vija Celmens, Pat Steir, and Richard Serra.
Artists such as Peter Blake and Derek Boshier embraced and commented on American advertising in their work, while designers like Charles and Ray Eames celebrated the potential of mass - production.
Celebrating Rubens's artistic legacy amongst artists widely considered avant - garde like Manet, Cézanne and Picasso, reminds us that avant - gardism relies as much on continuity as it does on rupture.
At Apollo, we also like to celebrate focused exhibitions that enlighten us with the exceptional intelligence of their curation on a smaller scale: «Piero della Francesca in America» at the Frick Collection brought together most of the panels of the Sant» Agostino altarpiece, while the Ashmolean Museum's «Francis Bacon / Henry Moore: Flesh and Bone» tuned into a conversation between two artists that few had previously heard with such clarity.
For his excellent new show at Lehmann Maupin, NYC, Sunset in My Heart (which was celebrated at the opening by turning the gallery into a raucous Japanese summer street festival with a musical performance by the artist dressed as a Japanese schoolgirl gone wrong), Mr. has returned to his expressive and experimental roots as a young artist, incorporating abstract elements like graffiti, and using distressed and sullied canvases to accentuate his colorful anime - themed imagery.
As children of the «60s, the Pictures artists were also exposed to the rise of consumerism that both drove emerging mass media like television and was celebrated in it.
As you sat around the finely crafted gazebo like structure, the viewer shifted their attention to each projection as it screened a different group of LGBT community members, artists, activist, and civic leaders celebrating the queer history of Trinidad Colorado.
Much like an exquisite corpse game, the artists took turns in adding a line to a story and from this story the artists created sensational and exaggerated work which celebrated the farce and lightness that underpins their practice.
Celebrate the opening of Like ships in the night with artist, Caroline Monnet and exhibition curator, Peta Rake.
For Neo-Dada artists like Robert Rauschenberg (1925 - 2008), Jasper Johns (b. 1930), Larry Rivers (1923 - 2002), Richard Stankiewicz (1922 - 83), Lee Bontecou (b. 1931), Claes Oldenburg (b. 1929) and Jim Dine (b. 1935), art should be expansive and inclusive, appropriating non-art materials, embracing ordinary reality and celebrating popular culture.
We've been delighted by the participation of many artists in the flat files over the years and would like to celebrate their involvement.
«John Chamberlain: Masks» at the Gagosian Like the crumpled - car - parts sculptures the American artist is known for, the objects on view here celebrate jagged edges and imperfect lines.
The list is weighty because it includes successful artists from all backgrounds, like Marina Abramovic, who has herself been accused of exploitation more than once — flashpoint artists like Kara Walker, who's been both celebrated and denounced for her nuanced caricatures of slavery — and establishment white guys like Ed Ruscha who paints tasteful ephemeral phrases on gradients.
Artists like Jean - Michel Basquiat, Julian Schnabel and David Salle became superstars, celebrated for their Neo-Expressionist portraits.
V1 Gallery in Denmark celebrates its 10th year with Tonight We Won't Be Bored; a massive show of 100 new works by artists like André, Kenny Scharff, Futura, Faile, Lydia Fong (aka Barry McGee), Barbara Kruger, Shepard Fairey, Steve Powers, Todd James, Andrew Schoultz, Thomas Campbell, Erik Parker, André, Neckface, Eine, Wes Lang, Clayton Brothers, and many others.
The exhibition intends to celebrate these five last years with an anniversary exhibition opening on March 14th that will feature the work of consolidated artists like Aaron De La Cruz, Augustine Kofie, Basik, Bom.k, Boris Delta Tellegen, Carlos Mare, Chazme, Christopher Derek Bruno, Duncan Jago, EKG, Geso, Gilbert1, Jerry Joker Inscoe, Kan, Kema, Kwest, Matt W.Moore, Moneyless, Morik, Nawer, Nelio, Pener, Poesia, Pro176, Remi Rough, Saber, SatOne, Thomas Canto, Tomek, Vesod, and West One.
MoMA recently acquired the score and will be celebrating its achievement on October 12 in «There Will Never Be Silence: Scoring John Cage's 4» 33,»» an exhibition showcasing how artists have sought to give artistic voice to the Zen - like, ephemeral work.
In September 2009, the gallery expanded to a 3500 sq. ft. space on West 20th Street, where the program developed to include celebrated artists such as Allison Schulnik and Christoph Ruckhäberle, while continuing to debut emerging artists like Rachel Rossin, Lauren Silva and Paul Anthony Smith.
Some artists in the show, like Elaine de Kooning, Lee Krasner and Joan Mitchell, are already hugely celebrated, but lesser known practitioners like Mary Abbott, Sonia Gechtoff and Deborah Remington will also be highlighted.
It is humbling to be at the helm of this powerhouse of contemporary visual culture as we mark our 50th birthday, and to celebrate the impact that artists and their ideas have had on millions of visitors like me over the decades.
Before Sunday's incident, the fair had been marked mostly by mammoth parties like the one thrown at the Grand Hyatt by Sedition in conjunction with the K11 Art Foundation to celebrate their «Déjà Vu: Chinese Artists in Moving Images» digital collection.
Together with a group of young artists — including Robert Longo, Barbara Kruger, Sherrie Levine, Richard Prince and Louise Lawler — Sherman was critical about contemporary image culture and the rise of image consumerism that both drove emerging mass media like television and was celebrated in it.
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