Sentences with phrase «celebrates the painters in»

One of the most revered and celebrated painters in Canada, he is renowned for his artistic integrity and innovation.

Celebrating painters in Britain who found new ways of depicting people, places, feelings and relationships.

ALL TOO HUMAN Feb 28 - Aug 27, 2018 All Too Human: Bacon, Freud and a Century of Painting Life celebrates the painters in Britain who strove to represent human figures, their relationships and surroundings in the most intimate of ways.

All Too Human celebrates the painters in Britain who strove to represent human figures, their relationships, and their surroundings in the most intimate of ways — and features breathtaking works by Lucian Freud and Francis Bacon alongside rarely seen pieces by contemporaries such as Frank Auerbach and Paula Rego.

Tate Brtiain's All Too Human celebrates the painters in Britain who strove to represent human figures in the most intimate of ways.

Tate Britain's major exhibition (28 February — 27 August 2018) celebrates painters in Britain who found new ways of depicting people, places, feelings and relationships.

The art market will no doubt be watching closely to see whether «Ehrenbreitstein», painted by an artist who the Tate describes as «the most celebrated painter in Engla..

Not exact matches

«Garlits is an Establishment man,» says Ed Roth, the Crazy Painter from California, who is celebrated in hot rod - ding for his creation of the Weirdo shirt (SI, April 24, 1961).

24 star Kiefer Sutherland stars as celebrated French painter Paul Gauguin in director Mario Andreacchio's slice of life biopic.

The movie starts at an art exhibit in 1926 Denmark, where celebrated landscape painter Einar Wegener (Eddie Redmayne) is fending off a small horde of well - wishers and fans.

Mr. Turner delves further back in history to the life of J.M.W. Turner, a landscape painter who is considered one of the most celebrated artists in British history.

In one masterfully conceived shot, Leigh evocatively situates us within the milieu of a Turner canvas, while almost subliminally shading in one of the film's foremost themes: the once celebrated painter's progressive sidelining by the tumultuous forces of 19th - century history as well as the fickle tide of public opinioIn one masterfully conceived shot, Leigh evocatively situates us within the milieu of a Turner canvas, while almost subliminally shading in one of the film's foremost themes: the once celebrated painter's progressive sidelining by the tumultuous forces of 19th - century history as well as the fickle tide of public opinioin one of the film's foremost themes: the once celebrated painter's progressive sidelining by the tumultuous forces of 19th - century history as well as the fickle tide of public opinion.

George P. A. Healy, who had almost no money and little education, took the gamble of a lifetime and with no prospects whatsoever in Paris became one of the most celebrated portrait painters of the day.

Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age.

A beautiful painter, Sorcha Rosenbloom, draws a mysterious man in her sketchbook before going out to celebrate the holidays.

Immerse Yourself in the Visual Arts Recognized as one of the Pacific Northwest's best art towns, Cannon Beach is home to over a dozen galleries where you will discover the work of local artists, the emerging talent of Northwest painters and some of the country's most celebrated sculptors.

He has been kind enough to share with Painters» Table his thoughts on painting and images of his work in advance of a retrospective exhibition, Celebrating Abstraction, which will be on view June 7 - 14, 2012 at the Appledore Festival.

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

In this issue we feature Encounters with our cover artists, as well as Lubaina Himid, Ian Davenport, Anne Collier and Kehinde Wiley, and have two Paper Galleries — one dedicated to the work of celebrated Leviathan creator Shazeed Dawood, the other to young painters who are turning the world on its head.

Drawing from its rich holdings of Chicago School art, MMoCA presents an exhibition devoted to the work of Ellen Lanyon, a celebrated painter and printmaker who grew up in Chicago and graduated from the School of the Art Institute of Chicago in 1948.

He is particularly proud to note that he acquired works by critically celebrated artists before many of them began to receive national recognition and appear on the cover of mainstream art magazines, including Xaviera Simmons (Art Pulse, Spring 2012), Wangechi Mutu (Art in America, June 2007), Rashid Johnson (Modern Painters, April 2012), Radcliffe Bailey (Sculpture, June 2012) and Theaster Gates (Art in America, December 2011).

William Scott: Divided Figure celebrates the centenary of the birth of Scott, one of the leading and most influential British painters of the 20th century and a central figure in European and American art.

At the same time, however, by recycling and affirming in 1967 his own words from nearly a decade earlier, Sylvester suggests that we can celebrate Bomberg for his genuine accomplishments as a painter and teacher while frankly acknowledging his important, if limited impact in the history of modern art — an impact which is still being assessed today.

In her delightful essay, «Why Abstract Painting Still Matters,» Laurie Fendrich asserts that «abstract painters ought to celebrate loudly, rather than apologize for, the convention - bound nature of their artwork.»

While many know her only for her now - infamous work Open Casket, exhibited in the 2017 Whitney Biennial, Dana Schutz was an ingénue evolving into a celebrated painter before the controversy.

Celebrated as Trinidad and Tobago's leading contemporary painter, the late Boscoe Holder (1921 - 2007) creates a vital and intimate atmosphere in his portraits of West Indian men and women.

Murillo: The Self - Portraits Murillo: The Self - Portraits is both the first, and only exhibition occurring in the United States, to mark the 400th anniversary of one of the most celebrated painters of the Spanish Golden Age.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Other highlights will include the photography of socially minded Los Angeles artist Ken Gonzales - Day at Luis De Jesus Los Angeles, a selection of work by celebrated Mexico City artist Pedro Friedeberg at M+B in West Hollywood and the work of Southern California painter Gilbert «Magu» Luján,» of the»70s collective Los Four, at Craig Krull Gallery in Santa Monica.

Celebrating the craft of Estes's paintings also threatens to draw attention away from their content, which is important; he's a painter of cityscapes who takes a genuine interest in architecture, parks, and public transportation.

With this exhibition and publication, celebrated American photographer Joel Meyerowitz pays tribute to the Bolognese painter Giorgio Morandi and realizes his dream of photographing the objects Morandi painted in his splendid still lifes.

As a founder of Casa 7 in 1983, Paulo Monteiro belongs to a generation of Brazilian painters that emerged in the eighties and who celebrated a return to the canvas.

Celebrated as a sculptor, she aws nevertheless influencial on the work of a number of painters, and, through her commitment to close contacts with contemporary European artists, she influenced the course of art in general in Britain.

April Showers, May Flowers is a group exhibition celebrating the vibrant transformation of seasons in the West, featuring a wide array of some of the most inspired painters, printmakers, and sculptors working in a variety of techniques to capture the budding colors and wild characters of Spring in the West.

John, like Damien, couldn't understand why in Britain we tend to celebrate non-figurative painters from other parts of the world — Rothko et al — but not our own.

The Tibor de Nagy Gallery marks its 60th anniversary with «Tibor de Nagy Gallery Painters and Poets,» an exhibition celebrating the gallery's pivotal role in launching the New York School of Poets and fostering a new collaborative ethos among poets and painters in post-War NPainters and Poets,» an exhibition celebrating the gallery's pivotal role in launching the New York School of Poets and fostering a new collaborative ethos among poets and painters in post-War Npainters in post-War New York.

It's only when the artist enters his seventies that a university art museum mounts a show devoted to these elusive works, enlisting the curatorial help of a somewhat younger and greatly celebrated painter who was affected by them early in his career.

The celebrated painter David Salle offers a master class in contemporary art via essays, theory, and profiles of his friends and peers in conversation with Eileen Owens (MA, Art History, 2015).

His works align with American painters like Charles Sheeler and Joseph Stella that were active in the late 19th and early 20th centuries, who celebrated cities and industrial societies.

Co-curated by musician and painter Scott Avett, lead singer of the folk - rock band The Avett Brothers, and David Kratz, president of the New York Academy of Art, ABOUT FACE, which will feature sculpture, paintings, and photographs, brings celebrated artists, many from the East End, together with emerging artists to examine the diverse ways human beings are presented in portraiture today.

His first solo exhibition, in 1944 at the Lefevre Gallery, featured the now celebrated The Painter's Room 1944.

While critics frequently compare Dona Nelson to far more celebrated postwar painters, «Painters Sculpting / Sculptors Painting» instead placed her work in conversation with that of a diverse group of younger painters, «Painters Sculpting / Sculptors Painting» instead placed her work in conversation with that of a diverse group of younger Painters Sculpting / Sculptors Painting» instead placed her work in conversation with that of a diverse group of younger artists.

This stunning and important screenprint was produced by the celebrated American artist Frank Stella in 1964 for the portfolio «Ten Works by Ten Painters.».

And as it happened, the one - man debut of Gorky's friend the Dutchman De Kooning, celebrated that April evening in 1948, was to be eclipsed if not outclassed the following year when a still scowling Pollock posed for Life magazine in front of the tumbleweed whorls of Summertime (1948) and was awarded the headline: «Jackson Pollock: Is he the greatest living painter in the United States?»

In addition, the book discusses recent technical analysis, offering a better understanding of how the self - portraits were painted and providing a rare opportunity to compare how one of the most celebrated and influential European painters chose to represent himself at different stages of his life and career.

Murillo: The Self - Portraits is both the first, and only exhibition occurring in the United States, to mark the 400th anniversary of one of the most celebrated painters of the Spanish Golden Age.

The lively paintings were celebrated, winning her a solo museum show at the de Young as early as 1957 and a spot in the Guggenheim's seminal 1954 group exhibition «Younger American Painters» alongside de Kooning, Pollock, Franz Kline, and more — though it's only recently that the historical influence of her work has been recognized and revived.

Other strengths of the twentieth - century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O'Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson and Ralston Crawford; a good showing by the American Scene painters Charles Burchfield and Edward Hopper; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry and Thomas Hart Benton, notably the latter's celebrated five - panel mural, The Arts of Life in America (1932).

Executed during the same period as her celebrated Sunflower paintings, together these paintings stand as «audacious, masterful works in which the artist adroitly juggles emptiness and fullness, balance and unbalance, lightness and weight» (P. Albers, Joan Mitchell: Lady Painter, New York, 2011, p. 315) and as act as works which show Mitchell at the height of her artistic prowess.

To celebrate a recent monograph written by Dawn Ades, the Weinstein Gallery has mounted an ambitious show — in terms of both its size and its number of significant works — of Italian - born, New York - based abstract painter Erico Donati.