The representation of these heavily mediated individuals, and the questions about image dissemination and public life, become particularly relevant in present times, where the fields of politics, spectacle and
celebrity culture collide and merge.
Flood's paintings and collages of the 1980s and 1990s transform pervasive corporate, pornographic and
celebrity imagery into provocative and knowing grotesques of the
colliding worlds of art and consumer
culture using adulterated found materials: signs, advertisements, flea - market paintings, and magazines.