Instead of misappropriating
celebrity death as a gospel opportunity, I believe we should use it to demonstrate that we understand and relate, not to our culture, but to human beings.
You have to be careful when tweeting about
a celebrity death as a brand, no one wants to feel like you're exploiting their passing.
Not exact matches
«
As tempting as it is to use Dunn's tragedy as an object lesson for the living, the lesson we should learn here is that even the celebrities that Dunn's death affected need the space and permission to be human... they need the public to turn their bac
As tempting
as it is to use Dunn's tragedy as an object lesson for the living, the lesson we should learn here is that even the celebrities that Dunn's death affected need the space and permission to be human... they need the public to turn their bac
as it is to use Dunn's tragedy
as an object lesson for the living, the lesson we should learn here is that even the celebrities that Dunn's death affected need the space and permission to be human... they need the public to turn their bac
as an object lesson for the living, the lesson we should learn here is that even the
celebrities that Dunn's
death affected need the space and permission to be human... they need the public to turn their back.
This led to
celebrities such
as Jenny McCarthy taking up the no - vaccine cause and directly leading to several children's
deaths due to outbreaks of measles.
More sad news
as related to
celebrity deaths, with the passing of John Hurt, Miguel Ferrer, Mary Tyler Moore, among others...
She endured through her
death in 1994
as a mysterious shadow in the hot glare of the public spotlight, a
celebrity that revealed nothing.
Katniss Everdeen (Jennifer Lawrence) and her friend Peeta Mellark (Josh Hutcherson), the victors in the previous year's fight - to - the -
death competition known
as The Hunger Games, have returned home to the struggling District 12, but they are uncomfortable in their
celebrity.
2016 will likely go down
as one of the most depressing years in recent history, but that has more to do with a certain reality TV host being elected President of the United States, not to mention some particularly hard - hitting
celebrity deaths, than the movies we watched along the way.
What it gets right on paper is immediately apparent: Casting hot - ticket stars against type
as crestfallen romantics struggling to cope with mental illness provides two attractive but ostensibly vacuous mainstream
celebrities (Bradley Cooper and Jennifer Lawrence) the enviable opportunity to prove their worth with conspicuously «revelatory» performances; meanwhile, the fundamental seriousness of their characters» respective arcs, with Cooper hoping to control the outbursts caused by his bipolar disorder and Lawrence attempting to overcome her grief over her husband's recent
death, raise the emotional stakes considerably, elevating largely light material from rote comedy to overtly «adult» drama.
Some of the most notable artworks include 1960s pop art paintings of consumer products, including Campbell's Soup Cans and Coke, and
celebrities portraits of stars like Elizabeth Taylor, Jackie Kennedy, Marilyn Monroe, and Elvis Presley; 1970s series, such
as Death and Disaster, Mao, and abstract Oxidations; and works from the 1980s, including The Last Supper and collaborative paintings made with younger artists, such
as Jean - Michel Basquiat and Francesco Clemente.
Today, with vastly expanded channels for the propagation of images, events
as varied
as the terrorist attack on the World Trade Center and the
deaths of
celebrities such
as Princess Diana and Michael Jackson have the ability to become traumatic on a global scale.
Here we return to Warhol's enduring aesthetic — the artist's concerns with
death are again suppressed by that of
celebrity,
as we leave behind Warhol's obsessive electric chairs, or car crashes, and swiftly return to the artist's fascination with the mass production of the image, repetition, and commercial cultural value.
But we soon return to
celebrity friends such
as Ingrid Bergman and Muhammad Ali, reminding the viewer of the artist's fascination and obsession with fame, and of Warhol's commissioned portraits spanning the 1970s right up to the year before his
death — with the artist's wish for his «society portraits» to all hang together in a huge display at New York's Museum of Modern Art.
With 17 of their classmates and faculty shot to
death, the students of the school have become
celebrity activists, whom many left - leaning Americans have embraced
as the new leaders of the nation's gun control movement.