Sentences with phrase «celluloid dreams»

When aspiring to the stuff of celluloid dreams, one technology company's thoughts appear to have been cast back to iconic mid-1990s film Clueless and the wardrobe technology of fashion - forward style diva Cher Horowitz.

Also, an alert Cremaster Fanatic directed me to the Celluloid Dreams web site.

ABOUT PETER CANAVESE An officer and voting member of the San Francisco Film Critics Circle, Peter Canavese authors and maintains the website GrouchoReviews.com and is the chief film critic for both Palo Alto Weekly and Celluloid Dreams, a weekly radio show devoted to film (KSJS 90.5 FM in San Jose, CA every Monday at 5 pm and online at celluloiddreams.net).

Obviously, this is an allusion to Rick's profession, a notable somebody in the world's largest manufacturer of celluloid dreams, all more or less tied to a sprawling city known for its proliferation of psychics and mediums as both tourist attractions or acceptable lifestyle conditions.

Celluloid Dreams / uConnect, the sales division of uMedia, has snapped up the international rights to acclaimed Japanese director Takashi Miike's untitled next...

Images copyright 2008 Paramount Vantage, Celluloid Dreams, and Paramount Home Entertainment.

Production: (New Zealand) A Transmission Films (in New Zealand / Australia), Seville Intl. release of a Four Knights Film production, presented in association with the New Zealand Film Commission, Celluloid Dreams, Arama Pictures, Southern Lights Films, Park Road Post Prod., NZ on Air.

Not exact matches

Although the events of the finale became public when the last book was released four years ago, the delay in timing between the printed and screen versions of the saga has seen the audience bounding with enthusiasm to see if the celluloid interpretation of the finale matches the one in their dreams.

SYNOPSIS: Dreams are chased and love is found in Damien Chazelle's ode to Hollywood musicals and celluloid magic.

Until then, he'll have to brood while rehashing the past and dreaming about celluloid futures.

Still a staple in film critics» conversations since it's inception into celluloid (I had to), Christopher Nolan's sci - fi heist thriller won over our hearts and minds with it's wig - out - worthy concept of dream hacking.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).