Threads # 6 Christina Newland's regular column considers the dog collar and its place in
celluloid history.
Few films in
celluloid history have been as eagerly anticipated as the first installment in the «Star Wars» prequel trilogy, 1999's «The Phantom Menace.»
Not exact matches
I put these facts on the record not to support a return to Prohibition, which I strongly oppose, but to set the historical record straight and temper the revisionist view of legalizers who take their
history from
celluloid images of 1930s gangster movies.»
Really, for fans of Barry Lyndon, the only thing that matters in the entire
history of home video is that Criterion's presentation of the most visually stunning film ever committed to
celluloid is also among the most jaw - dropping transfers ever encoded onto Blu - ray.
What
history professors do in lecture halls, Attenborough did with
celluloid.
His lens introduced audiences to the cherished
celluloid vehicles Chitty Chitty Bang Bang and Genevieve, and as the last of «The Archers», the creative team helmed by Michael Powell and Emeric Pressburger, his place in film
history is as indelible as his images are unforgettable.
His love of cinema and his passion for politics and
history came together in his 1996 feature
Celluloid, which dramatizes the making of the pioneering neorealist masterpiece Rome Open City.
«It's the truth I needed to get out there not only about Australia, but to the world, to say there's an alternative
history, an oral
history that we have passed down; and we're starting to use for
celluloid to tell, and that's really important for us,» he said.
Experimenta screened all of them in their original formats, in 16 mm, something that reminds its participants of the significance of
celluloid in the tumultuous and ever - secret
histories of experimental cinema that often escapes us for the ubiquitous presence of the digital in the regular, standard received festivals that do exist in the international film festival lexicons.
Barba's work investigates the fundamental properties of film, exploring cinema — its forms,
histories, and technical apparatuses — and the material properties of
celluloid.