The comparative positioning of the two artists» paintings at Loretta Howard Gallery inadvertently recalls the way contemporary modernism used to be taught using «slide trays» filled with 35m
celluloid images projected images side - by - side on a large screen.
We tell you how to get the best results from your DVD player and take a closer look at the technical processes involved in converting
celluloid images into zeroes and ones.
I put these facts on the record not to support a return to Prohibition, which I strongly oppose, but to set the historical record straight and temper the revisionist view of legalizers who take their history from
celluloid images of 1930s gangster movies.»
As Luciano Tovoli once said in his response to a question regarding his own supervision of the Blu - ray transfer of Dario Argento's 1977 Eurohorror classic Suspiria, the physicality of
celluloid image should be contrasted with the mathematical image offered by the digital.6 Experimenta, with its assiduous persuasion for the original formats of films in most cases7 in a country that severely lacks an experimental film culture and a consciousness regarding the latter, set the physical, tactile presence of films and filmmakers as its focal point.
Not exact matches
Lifeless frames of
celluloid passed in front of a bright bulb 24 times a second yield moving
images convincing enough to make us believe there are living people up there on a screen, moving about with purpose.
What refuses to fade are the indelible
images Ceylan has painted on the
celluloid canvas.
Unfortunately, neither ever proved to be as dependable as the filtering of present light through that moving strip of
celluloid which projects past
images and voices onto a screen.»
Disney's approach to restoration was witchcraft in those early days of the format: Regarding
celluloid as a transitory delivery system for animation, Disney archivists (somehow) managed to leach the
image of film grain without harming fine detail.
Images copyright 2008 Paramount Vantage,
Celluloid Dreams, and Paramount Home Entertainment.
THE BLU - RAY DISC by Bill Chambers Disregard what I speculated about the BD release of 300: I didn't think it would look better, just more artificial — but what the added resolution actually does is clarify the details beneath the sandstorm of grain, giving the
image greater depth and a more persuasive
celluloid texture.
It's that organic quality — something living and breathing in that
celluloid and the way it captures the light and
images on that silver.
Baker said he's really excited about the look of the film, especially the way Zabe captured the sun - filled
images on
celluloid.
He's driven around in his limo by the still fabulous looking Edith Scob (who's worked with some of the most thrilling directors ever to commit
image to
celluloid, like Franju and Zulawski), and let the cinematic references begin.
His lens introduced audiences to the cherished
celluloid vehicles Chitty Chitty Bang Bang and Genevieve, and as the last of «The Archers», the creative team helmed by Michael Powell and Emeric Pressburger, his place in film history is as indelible as his
images are unforgettable.
As ever, it's odd that Nolan should be such a fervent champion for shooting on
celluloid when so many of his
images are monotonous and filmed in a color and lighting range that's more typical of digital.
In After the Rainbow, the background of the frame is replaced by
images of burning
celluloid.
This slow - moving Iranian art film makes way for a non-stop display of impeccably gorgeous
celluloid, black - and - white
images dancing against a grainy hi - fi score that's in part Sergio Leone spaghetti Western and equally a rave scene.
Some cinnamon skin tones aside, David Eggby's rote cinematography could scarcely ask for a more ideal platform; the
image nicely retains the film's
celluloid structure, wearing a light coat of grain like a badge of honour.
Tellingly, one of the most moving — and visually dazzling — moments in the film is an
image of an ageing, blind filmmaker fondling a giant display of old, pixellated black and white
celluloid.
The
image is crystalline and that's a blessing and a curse: Lacking the
celluloid remove of Warner's recent release of The Polar Express, Valiant frequently has the texture of a hi - res download — which, as extended exposure to Flash animation will tell you, can be awfully disengaging after a while.
The 2.35:1, 1080p
image is mostly, but not entirely, free of
celluloid blemishes, with a wash of softly undulating grain ever - present — in fact, the precise look of the film's transfer contributes to its sterling late -»60s aesthetic.
The film was shot on three - perf 35 mm stock to allow for smaller magazines and therefore lighter cameras / increased mobility; according to Greg Carson's worthwhile supplemental featurette, «Obtaining Cover: Inside Code 46», director Michael Winterbottom purposely avoided digital video because he wanted the crispness of
celluloid, and yet there is often a PAL - like quality to the
image here that considerably softens definition and shadow detail.
Looking at early dime novels that dished sensational stories about the shoot -»em - up, rough - ridin» ways of the West,
celluloid epics that celebrated the
image of the wholesome, white - hatted cowboy, and TV serials whose handsome heartthrobs trotted through the dusty streets of Kansas cowtowns, George - Warren demonstrates how the myth of the range evolved in the media, shrewdly exploring the gap between the
image and the reality of the wild frontier.
Dean shows a montage of beautiful
images that she created, edited, and projects on
celluloid.
Kodak illustrates
celluloid's ability to produce «a near perfect simulacrum of our visual world» in a series of stunning
images that reflect elusiveness through both the subject and medium of film.
Throughout Kodak, Dean's footage oscillates between documentary - style
images of workers attending to the factory's operations and abstracted
images of the
celluloid production and factory space.
And then there's that
celluloid effect, imbuing the moving
images with a richness, a sense of depth and tactility akin to the craquelure of a Renaissance oil.
Using a homemade bath, he chemically destabilizes the emulsion so that he can extract the filmic
image and optical sound track from the reels of
celluloid.
These new paintings feature
celluloid - like
images of scrolling banners both with and sans mottos.
The resulting film, Empire, 1964, is a study as much in cinematographic looking as it is on the properties of film itself; though the
image of the building at night is otherwise fixed, small dramas play out through exposure, the shifting of light over time, and the slight jumpiness of the
image as the
celluloid passes through the projector.
There's no rocket - science upscaling algorithms at work here, but the sheer pixel density of the panel gives
images a
celluloid sheen.