James Mitchell Crowe writes about the somewhat exciting decay of
celluloid materials, mentioning the spontaneous ignition of early film tapes...
«Lenzing Tencel» is highly absorbent, has natural anti-bacterial properties, and is currently the greenest
celluloid material currently produced.
Not exact matches
Comedy writers have to be able to keep up on the news of the day, fluently critique every comedy movie since the invention of
celluloid, and then write original
material under deadline.
As Hyatt noted in one of his early patents,
celluloid transcended the deficiencies that plagued many traditional comb
materials.
Though it could, with effort, be made to mimic natural
materials, it didn't have
celluloid's knack for imitation.
«Obviously none of the other
materials... would produce a comb possessing the many excellent qualities and inherent superiorities of a comb made of
celluloid,» Hyatt wrote in one of his patent applications.
For all its significance,
celluloid had a fairly modest place in the
material world of the early twentieth century, limited mainly to novelties and small decorative and utilitarian items, like the comb.
Celluloid could be rendered with the rich creamy hues and striations of the finest tusks from Ceylon, a faux
material marketed as French Ivory.
But in the late nineteenth century, that panoply of possibilities began to fall away with the arrival of a totally new kind of
material —
celluloid, the first man - made plastic.
Here's that rare movie that equals its source
material: While the mid-point plot twist is easier to spot in the film — and while the pitchfork scene in the novel is far more disturbing than on
celluloid — the movie is more ambiguous than the book, and that in turn makes it far more haunting on multiple levels.
Following the huge misfires like the Aaron Paul vehicle Need For Speed, the late - 80s attempt to bring Super Mario Brothers to the big - screen, the recent Tomb Raider and even that early vehicle for Dwayne «The Rock» Johnson, Doom (and countless others) Tinseltown hasn't quite managed to successfully transfer the allure of the source
material to
celluloid.
The exhibition explores how the
material qualities of
celluloid, can be turned into tangible, sculptural installations.
Made in a specifically DIY approach, West's hypnotic videos are a product of her idiosyncratic experimentation into what happens when
celluloid film surface is subjected directly to a wild array of processes, chemicals,
materials, and events.
Barba's work explores the
material properties of film, such as the
celluloid filmstrip, projection and sound apparatus, while at the same time probing the structure of cinematic narrative and its relationship to memory itself.
In what might prove to be a vain rearguard action, the work of rising star Rosa Barba celebrates the
material elements of analogue cinema — its projectors and
celluloid filmstrips, its control of tone, and the Heath Robinsonesque noises of its Continue Reading»
(TGA.8717.1.2.5328) That Wells referred specifically to perspex rather than
celluloid, which he had used in earlier pieces, suggests that he had access to new sources of
materials.
In this unique event, titled Skate the Sky Melon Grab Film, West will build on her previous experiments with everyday
materials such as pepper spray or Axe body cologne used to physically manipulate
celluloid.
Barba's work investigates the fundamental properties of film, exploring cinema — its forms, histories, and technical apparatuses — and the
material properties of
celluloid.
Before picking up a camera, Tambellini physically worked on the film strip, treating the emulsion with chemicals, paint, ink and stencils, slicing and scraping the
celluloid, and dynamically intercutting
material from industrial films, newsreels and broadcast television.