Sentences with phrase «center of my artistic practice»

Several key elements lie at the center of her artistic practice: an interest in the metaphysical, the representation of feminine memory, and African - American identity which, in her work, takes on takes on evocative and unusual forms.

I suddenly felt very fulfilled making drawings in this way, and with it being the center of my artistic practice, as it were.

Assaël — who became intrigued by mathematics, physics, and their relation to art while in high school in Rome in the mid -»90s; who, still a teenager, knocked on arte povera artist Jannis Kounellis's door to discuss tragedy and the notion of necessity; who later studied the philosophies of Kant, Hegel, and Heidegger at university; and who now, an artist in her own right, has particular enthusiasm for the work of Bruce Nauman, Gordon Matta - Clark, and Richard Serra — creates inspiring artworks that re-place the body and authentic experience at the center of artistic practice after

For Odette England the notion of home is the center of her artistic practice.

It's not only the concept that is in the very center of artistic practice; it is about the political subjectivity of the artist in the moment when he or she creates art, and the subjectivity of the public.

Burchfield worked in relentless pursuit of the elusive center of his artistic practice.

At the center of her artistic practice are sociopolitical concerns related to, among others, -LSB-...]

At the center of her artistic practice are sociopolitical concerns related to, among others, women's place in society, art and its power structures, post-modernism and corporate media.

Not exact matches

Mara Sidmore, artistic director of Applied Theatre Practice at the Bok Center Photograph by Jim Harrison

The four cornerstones of the Hoboken Charter School — academic, artistic, personal, and civic growth — are unified by two basic educational practices: learner - centered education and service learning.

Museums reported increases in audience without compromise to artistic quality, as well as a change in the practices of staff members who took ownership of their institution's new mission and visitor - centered culture.

The program will include a substantial amount of independent studio time for participants to delve into their practice, as well as a combination of professional development opportunities, studio visits and tours to get a sense of the artistic and cultural of community at the Joan Mitchell Center and the city of New Orleans.

1.1 Describe why the training / conference / study trip is right for you and your artistic practice: The opportunity to study with Yoshiko Iwamoto Wada at Arrowmont School of Arts & Crafts is ideal for me as the Director of [an Art Center] and its growing Fiber Arts Program.

In situating the development of his art directly alongside his life experiences, and in expressing doubt and desperation, LaDuke placed painting firmly at the center of a sentient artistic practice.

If you are or were part of an avant - garde center, gallery, non-profit organization, publication, artist group, or other type of artistic initiative that operated according to an alternative or avant - garde mission or practice, we are interested in hearing from you.

Artist Dorit Cypis» FabLab (looking for patterns), is a living laboratory centered around Cypis» research and reflection on her past 30 year artistic practice of exploring the psycho, physical, social and political implications of identity and social relations.

Artist Dorit Cypis» project titled, FabLab (looking for patterns), is a three - month art laboratory centered around Cypis» research and reflection on her past 30 - year artistic practice to actively explore models of personal and social engagement.

These objects served as offerings of inspiration for his artist friends, brought attention to contemporary artists operating outside of Western art centers, and represent collecting as an inherently artistic practice in its own right.

Jan Williamson, Executive Director of 18th Street Arts Center said: ``... Because of Pilar's strong curatorial background, our artists in residence will receive more tailored support in deepening their artistic practice.

The Center is unique within the global landscape of experimental artistic practice and regularly convenes the brightest minds from across disciplines to do, in Wilson's words, «what no one else is doing.»

SEE / SAW ： Collective Practice in China Now was an exhibition held at Ullens Center of Contemporary Art between November and December last year, presenting the collective artistic practice of ChinPractice in China Now was an exhibition held at Ullens Center of Contemporary Art between November and December last year, presenting the collective artistic practice of Chinpractice of China today.

Since then, using a wide range of media including video, sculpture, performance, installation, and works on paper, she has generated an artistic practice centered around issues of ritual, race, consumerism, and the politics of identity.

A workshop centered around the mural featured in Philadelphia Assembled, followed by a discussion on the role of community in artistic practice.

The Idea Fund provides cash awards to artists at three distinct levels: Spark ($ 1,000), Catalyst ($ 4,000), and Stimulus ($ 7,000) artist - generated, or artist - centered projects that exemplify the unconventional, interventionist, conceptual, entrepreneurial, participatory, or guerrilla artistic practices that occur outside of the traditional frameworks of support.

«In addition to offering artists time and space to develop their practices, the Center emphasizes community - building as an important aspect of fueling artistic endeavor.

On the occasion of this solo exhibition at Providence College Galleries, Amy Beecher delivers a presentation on the trajectory of her artistic practice and participates in a panel discussion centered around the dominant themes of her work.

2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..

The Center for Contemporary Art was founded in 1998 by Sergio Edelsztein along with a handful of board members to promote time - based contemporary artistic practices in Israel.

The exhibition recalls several threads from Jean Genet's book, which provide a prism for a special reading of Xing's artistic practice; in every image she creates, Xing reconstructs reality, as if driven by a compulsive desire to be at the center of the incident, approaching her characters with a marked sensuality.

The first publication to document the Museum's collection and its connections to dramatic changes in artistic practice over the past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs, decade - by - decade accounts of the institution's links to modern craft history and an abbreviated exhibition chronology.

Since 2011, The Pew Center for Arts & Heritage has provided recent Pew Fellows with opportunities to take sojourns outside of the Philadelphia area, for residencies intended to push their artistic practice and expand their horizons.

Sweet Liberty at Newport Street Gallery, Colen's first major solo exhibition in London, chronicles the past 16 years of his artistic practice, a period bookended by the fall of the World Trade Center and the rise of Donald Trump.

The first Common Practice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contriPractice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contripractice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contributions.

For Alvarez, place is an intersection of disparate stories and ideas, both personal and artistic, as suggested by her recent exhibition Here at the Chicago Cultural Center, guest curated by Terry R. Myers, the first major examination of the artist's practice that spans over forty years.

Dylan Gauthier (b. 1979, Santa Monica, CA) is a Brooklyn - based artist, curator, and writer who works through a deeply engaged artistic practice centered around ideas of ecology, architecture, image - objects, and the social.

The Watermill Center's Artist Residency Program invites collectives and individual artists take up residence at The Center to live and develop works that critically investigate, challenge and extend the existing norms of artistic practice.

a definitive exhibition featuring the Chicago Imagists movement of the late 60s, Hyde Park Art Center has been at the forefront of encouraging Chicago - based artistic practice.

I understand collaboration, teaching and curating as part of my artistic practice which is centered around performance, mediated performance and installation.

Gao Yuan's artistic practice centers on animation and painting, illustrating the homogeneity and repetitiveness of images and concepts, and the temporality of the two.

Cai also arrived in Japan at the height of revisionist debates concerning Mono - ha (literally «School of Things»), a movement that had changed the course of Japanese art in the late 1960s by accepting Asia as a center, rather than periphery, of contemporary artistic practice and discourse.

Visionary Africa — Art at Work is an itinerant urban exhibition of contemporary African artistic practices organised jointly by the European Commission and the Palais des Beaux - Arts (Centre for Fine Arts) in Brussels, including artist residencies, showcases of local artists, and workshops on art and development in modern urban centers in Africa.

PRAXES Center for Contemporary Art is a not - for - profit venue for international contemporary art and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artistic practices.

Yerba Buena Center for the Arts presents contemporary art from the Bay Area and around the world that reflects the profound issues and ideas of our time, expands the boundaries of artistic practice, and celebrates the diversity of human experience and expression.

In summer of 2014, she and artist Mark Clintberg launched a research project entitled Everyday Cooking, Cooking Every Day at the artist - run center Articule in Montréal, which made links between domestic cooking and artistic and curatorial practices.

AIR Antwerpen is centered around the contemporary artistic practice and focuses on individual artistic needs of the emerging visual artist.

MINNEAPOLIS -(June 26, 2017)- Join Minnesota Center for Book Arts (MCBA) for their 5th Book Art Biennial July 15 - 23, 2017 including workshops, lectures, and 7 exhibitions feature programming that encourages people of all disciplines and skill levels to amplify individual and collective voice through grassroots artistic practice.

«Outer Regions: Roundtables and Public Panel Discussion,» a two - day event held at East Tennessee State University with funding support from the Mary B. Martin School of the Arts, was organized by Vanessa Mayoraz and Andrew Scott Ross to explore the ramifications of artistic practice outside of major metropolitan art centers.

«Nicole brings a significant understanding of contemporary art and artistic practices to McColl Center,» said Isaac Payne, Alumnus Artist and member of the Board of Directors of McColl Center for Art + Innovation.

Founded in 2013 by Rhea Dall and Kristine Siegel, it investigates the objects, process and interactions that combined constitute an artistic practice, through half - year cycles centered on the full span of work of two unassociated artists.

At the Visual Arts Center of Richmond, high - school aged students can expand their artistic practice, grow their personal portfolios and prepare for possibly attending art school.