Sentences with phrase «center of the gallery»

A much - larger version of this piece opened during Art Basel Miami Beach at Locust Projects, where the entire center of the gallery had been excavated to create a concrete trash crater.

I inherited the old clock from my grandma and decided it should be the center of the gallery wall so it got a fresh coat of chalk paint.

Take a look at more photos we took below, including some shots of a teepee installation at the center of the gallery.

The installation includes works on the walls, on the ceiling, and a sculpture in the center of the gallery space.

Maychack, who could be labeled a sculptor, has largely created flat wall works, with the exception of a few freestanding sculptures in the center of the gallery.

The text of the book will only be present in the form of a video work on two monitors installed in the center of the gallery.

This being the Drawing Center, drawings lie visible through an opening at the center of the gallery.

Among the works in his 2014 show at Anthony Meier Fine Arts in San Francisco were (left to right) Noisebox, The Motion of the Ocean, Untitled (through the doorway), Grande Modele (center of gallery), Available Light and Eclipse, all from 2014.

Gower re-created the Ambassador's balcony at a 1:1 scale in the center of the gallery, flanked by a series of collaged prints which re-imagines the comprehensive architectural exhibition on the embassy building presented in the late 1950's, at the height of the modernization and expansion in Havana.

The powerful installation features nine medium format screens placed on the walls and in the center of the gallery.

Rauschenberg's Pyramid Series (1974) is partially visible at left, and Trophy IV (for John Cage)(1961) is installed at the center of the gallery.

As the entire length of the viewing time amounts to more than an hour, the viewers are invited to the rest area — the archive space located at the center of the gallery.

It measures approximately 5 ′ x 50 ′ x 60 ′ and occupies the center of the gallery.

They are installed in concentric rings in the center of the gallery floor.

Susan Philipsz's Night and Fog (Clarinet)(2016), recorded from a stationary point at the center of the gallery, SFMOMA, 2017

Simple rubberband and acrylic works on paper interact with a pedestal of books placed in the center of the gallery and demand a new way of reading Prince's approach to content.

Made up of a latticed metal screen variously woven and penetrated with soft rubber tubes in hues referencing the four humors — black bile, yellow bile, phlegm and blood — and metal spikes, Friedman's sculpture Two Person Operating System, situated in the center of the gallery, channels both threat and attraction.

Inti also created an immersive installation by covering the floor with stencilled skulls while a spectacular Pietà sit prominently in the center of the gallery space.

Betty Woodman's ceramic work in the center of the gallery blends a contemporary aesthetic with classic forms.

A large image of a man in a library hangs in the center of the gallery.

A minimalist building - like sculpture of the same scale featured in both the Luminary light boxes and single - channel video occupies the center of the gallery, illuminated by LED neon.

Commissioned originally for dOCUMENTA 13 in Kassel, Germany and making its West Coast debut at SFMOMA, artist William Kentridge's The Refusal of Time (2012) is an immersive installation combining synchronized video projections featuring live action, animation and dance, with audio feeds that incorporate music and sound and a central kinetic sculpture called «the elephant,» which breathes a steady rhythm from the center of the gallery.

A walled - off installation, housed within a purpose - built space at the center of the gallery, contains different objects that glide momentarily past on a moving conveyor belt.

In the center of the gallery specifically, one encountered the dual installations Untitled Set # 1 (August 1 — September 7) and Untitled Set # 2 (August 1 — September 7)(all works 2017), which consist of platforms teeming with huge wineglasses, cutlery, and X-Acto

Camil further explores the relationship between the visual and the physical with Espectacular Transparencia (2014), a large sign - like structure with a transparent scrim in the center of the gallery.

In the center of the gallery will be a third new sculpture made of highly polished stainless steel; a self - portrait of the artist with his dog, sleeping flat on their backs.

In the center of the gallery, Allen will also present a new sculptural installation entitled City of Dying Dreams on an unadorned, low - lying MDF plinth.

On view in the center of the gallery will be a single sculpture: a one - to - one replica of Aristide Maillol's sculpture La Rivière.

A functioning ceramic fountain sits in the center of the gallery, atop a carpet - like grid of painted tiles.

Hauser & Wirth features another art world grande dame, Louise Bourgeois, whose work is at the center of the gallery's thematic presentation, which spotlights the spider, an insect that's viewed as a positive omen in Chinese culture.

The two «takes», looped and projected on top of one another from either side of a screen suspended in the center of the gallery, emphasize both the impossibility and ecstatic potential of such an attempt, as well as the circularity of modernism's pursuit of «the new.»

Inside, a minimalistic configuration of white pedestals and a partition wall convey a curious sense of vacancy, while several pairs of binoculars at the center of the gallery inquisitively suggest closer looking.

Twenty sculptural tableaux are cast in bronze, each presented on an individual plinth and placed in a spiral formation that curves into the center of the gallery.

During the event, a fertilized, incubated buttonquail egg was placed in the center of the gallery just as it was about to hatch.

The most dramatic and egregious of these art - design confrontations comes toward the beginning of the exhibition, with the 1961 room, which is dominated by a midnight - blue Jaguar E-Type Roadster convertible at the center of the gallery.

But in the case of a work like «Landscaping (Canyons),» 2010, an installation which was placed in the center of the gallery, it did.

In the center of the gallery are two large - scale floor drawings by Tony Lewis created from roofing paper, tape, and dense layers of graphite arranged in a sculptural form.

In the center of the gallery are six tall square chambers constructed from semitransparent white scrims.

This piece combined cut frames of Plexiglas, covered with yellow glue pigment that stood alone in the center of the gallery space.

This body of 11 sculptures, arranged in a processional atop a low plinth in the center of the gallery, suggest reproduction and twinning as their subject.

Los Angeles based artist Chris Beas is currently presenting a new exhibition titled Tamburello at Martha Otero Gallery in L.A. Similar to previous exhibitions by the Beas, Tamburello consists of several flat works which are bridged by a larger freestanding sculptural installation in the center of the gallery.

Arrayed in the center of the gallery floor, her arms reach skyward, echoing the figuration of Colen's dead trees.

Some of the objects will be placed on two long tables in the center of the gallery, where the artist has been working.

In the center of the gallery, a 1/32 scale model replica of the F1 circuit rack at Imola serves as the site of the San Marino Slot Car Grand Prix for which the driver had his last race.

Presented in the center of the gallery this roomlike structure represents the collaborative effort of four artists: Piero Almeoni, Manuela Cirino, Maurizio Donzelli, and Roberto Marossi.

Knowing the method of production for these images, it becomes easy to discern that an entire page of the book has been enlarged (in fact, both books are presented on a pedestal in the center of the gallery for reference).