Sentences with phrase «center of the new documentary»

It's the question at the center of the new documentary «Besa: The Promise,» which premiered last weekend at the San Francisco Jewish Film Festival.

In September, IEL published a Huffington Post Blog on this transformation, and the school is the center of a new documentary, Oyler: One School, One Year.

Not exact matches

The continual reminder that Jesus is coming soon is interspersed with appeals and documentaries reminding viewers to contribute to the building of new centers, colleges, holiday villages, churches, and hospitals.

Joyce McKinney, a would - be femme fatale, now in her early sixties, is at the center of Errol Morris's strange new documentary, «Tabloid,» which chronicles a scandal that took place thirty - four years ago yet remains oddly resonant today.

Darcy McKinnon NOVAC Darcy McKinnon is a documentary filmmaker and Executive Director of NOVAC, the New Orleans Video Access Center, which has supported community - based media in Southeast Louisiana since 1972.

Fantastic documentary film chronicles Philippe Petit's 1974 high wire walk between the twin towers of New York's World Trade Center.

With the encouragement of acclaimed documentary photographer Mary Ellen Mark, she enrolled in New York City's International Center for Photography.

The new documentary by William Friedkin (left) centers around footage of an exorcism performed by Rev. Gabriele Amorth (right), who has performed the procedure tens of thousands of times.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

The Film Society of Lincoln Center announces Ava DuVernay's documentary The 13th as the Opening Night selection of the 54th New York Film Festival (September 30 — October 16), making Read More →

The 2017 New York Film Festival has added a conversation with Kate Winslet, documentaries about Steven Spielberg and Bob Dylan and four new films by «Shoah» director Claude Lanzmann, the Film Society of Lincoln Center announced on MondNew York Film Festival has added a conversation with Kate Winslet, documentaries about Steven Spielberg and Bob Dylan and four new films by «Shoah» director Claude Lanzmann, the Film Society of Lincoln Center announced on Mondnew films by «Shoah» director Claude Lanzmann, the Film Society of Lincoln Center announced on Monday.

The many bonuses include about 14 minutes of deleted scenes; an hour - long New York Times talk with David Carr, Laura Poitras, Glenn Greenwald, and Edward Snowden (via a live video feed); a 29 - minute Q&A at the Lincoln Center with Poitras and film critic Dennis Lim; and an earlier documentary short by Poitras.

Posted by Cole Smithey at 12:27 PM in Cinema, Culture, Current Affairs, Documentary, Film, Film Society of Lincoln Center, New York Film Festival, News, Politics Permalink

That film would be «Man On Wire,» James Marsh's crisp, witty and ultimately very moving documentary about Philippe Petit, the charismatic French performance artist who in 1974 committed the so - called «artistic crime of the century» — an illegal tightrope walk between the Twin Towers of the New York's World Trade Center.

In addition to screening many of the best documentaries and independent films from across the globe in its state - of - the - art theaters, IFC Center hosts some of New York's most anticipated film festivals, including Rendez - vous with French Cinema and DOC NYC, New York's premiere documentary film festival.

Coinciding with the release of a new documentary about the director from Noah Baumbach and Jake Paltrow, the SIFF Film Center is playing a mini-retrospective of Brian De Palma's films this weekend, June 24 - 26.

Last week, Dave Eggers and Ninive Clements Calegari, founders, according to their official ID, of the 826 National tutoring centers and producers of the documentary «American Teacher,» wrote an essay for the New York Times titled The High Cost of Low Teacher Salaries.

A new spate of documentaries and media coverage have all centered on the role teachers unions play in blocking necessary change and innovation in public schools.

The Our Community, Our Schools coalition in Dallas, along with the Dallas AFL - CIO, Texas Organizing Project, NEA Dallas, Alliance - AFT, Texas Alliance for Retired Americans and Texas New ERA Center / Jobs with Justice hosted a showing of the documentary, Backpack Full of Cash on Thursday, May 10th.

As ExED partner school Watts Learning Center celebrates their 20 year anniversary, a new documentary, «A School Grows in Watts,» examines the success of the innovative charter school.

Piri Halasz, From the Mayor's Doorstep http://www.pirihalasz.com/blog.htm?post=907117 Nancy Keefe Rhodes Exhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeton Univ..

Myra Greene's work has been featured in nationally exhibitions in galleries and museums including The New York Public Library, Duke Center for Documentary Studies, Williams College Museum of Art, Spelman College Museum of Fine Art in Atlanta, Museum of the African Diaspora in San Francisco, and Sculpture Center in New York City.

Their work has been exhibited and screened at international venues, including The New Museum, The Kitchen, the Queens Museum, NY; the Stedelijk Museum, Amsterdam; 3rd Guangzhou Triennial; Arko Art Center, Korean Arts Council, Seoul; Taiwan International Documentary Festival; rum46, Aarhus, Denmark; Yerba Buena Center for the Arts, San Francisco; Auckland International Festival of Photography, New Zealand.

The Contemporary Arts Center (CAC) screens director Karen Thorsen's James Baldwin: The Price of the Ticket (1989), a documentary which compiles archival footage of the writer's time in New York and Paris and links his writing to discussions on race relations in the United States.

Tonight at the Anderson Ranch Arts Center, Aspen Film and Galerie Maximillian present a screening of the new documentary «Hockney.»

A new two - hour documentary looks at the provocative photos and life of Robert Mapplethorpe, including the ones which brought obscenity charges against Cincinnati's Contemporary Arts Center in 1990.

Jill Freedman is a highly respected New York City documentary photographer whose award - winning work is included in the permanent collections of The Museum of Modern Art, the International Center of Photography, George Eastman House, the Smithsonian American Art Museum, the New York Public Library, the Museum of Fine Arts, Houston, and the Bibliothèque Nationale, Paris, among others.

She studied visual communication at the National Institute of Design in Ahmedabad and documentary photography at the International Center of Photography in New York.

Titles include Boomerang by Richard Serra (1974), featuring Nancy Holt vibrantly experimenting with the then - new and immediate medium of video; SHEDS (Jane Crawford and Robert Fiore), a short documentary produced for the 2004 Robert Smithson retrospective at the Museum of Contemporary Art, Los Angeles, that features newly compiled footage of two Smithson works (Partially Buried Woodshed and Mica Spread); video excerpts from artist Renee Green's Partially Buried gallery installation; and the experimental 16 mm films Monuments by Redmond Entwistle (2010) and Center of the Cyclone by Heather Trawick (2015), among other titles.

Join Art21 and The Studio Museum in Harlem on April 5 at Maysles Documentary Center for a screening of two films from our New York Close Up digital series, featuring artist Jordan Casteel.

Alice Dison is a documentary photographer and graduate from the International Center of Photography, New York.

Her work has been included in exhibitions and screenings internationally including the Whitney Biennial, Whitney Museum of American Art, New York (2012); 11 Rooms, Manchester International Festival, Manchester, United Kingdom (2011); Documentary Fortnight, Museum of Modern Art, New York (2010); Greater New York, PS1, Long Island City, New York (2010); Sound Design For Future Films, Wexner Center for the Arts, Columbus, Ohio (2010); China Town and Archive, Nevada Museum of Art, Reno, Nevada (2010); Eastern Standard, MASS MoCA, North Adams, Massachusetts (2008); In Practice, Sculpture Center, Long Island City, NY (2007); and Con Air II, Performa Radio, Performa05, New York, NY (2005).

Cinthya is a recent graduate of the Visual Journalism And Documentary Practice Program at the International Center Of Photography in New York Citof the Visual Journalism And Documentary Practice Program at the International Center Of Photography in New York CitOf Photography in New York City.

She is a 2010 New York Foundation for the Arts Fellow in Photography and 2010 recipient, with writer Sarah Dohrmann, of the Dorothea Lange - Paul Taylor Prize from the Center for Documentary Studies at Duke University for If You Smoke Cigarettes in Public You Are a Prostitute: Women and Prostitution in Morocco.

Dyson's work has also been supported by The Drawing Center, Lower Manhattan Cultural Center, The Laundromat Projects, the Green Festival of New York, the Center for Documentary Studies at Duke University, the Mural Arts Program of Philadelphia, The Kitchen, and the Rebuild Foundation.

Over the past decade, his films and have been included in the BFI London Film Festival, Karlovy Vary International Film Festival, Images Festival in Toronto, Collegium Hungaricum Berlin, Los Angeles County Museum of Art, REDCAT, Other Cinema in San Francisco, New York's Anthology Film Archives, Boston's Museum of Fine Arts, Echo Park Film Center, Antimatter Film Festival, Iowa City Documentary Festival, and the Black Maria Film Festival.

2008 You Complete Me, Western Bridge, Seattle, USA TRANSactions: Contemporary Latin American and Latino Art, Sheldon Memorial Art Gallery, Lincoln, USA (travelled to Weatherspoon Art Museum, Greensboro; The High Museum of Art, Atlanta) HeartQuake, Museum on the Seam, Jerusalem, Israel That Was Then... This Is Now, P.S. 1 Contemporary Art Center, Long Island, USA Die lucky Bush, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Belgium MATRIX / REDUX, Berkeley Art Museum and Pacific Film Archive BAM / PFA, Berkeley, USA Risky Business Art, Kunstpanorama, Lucerne, Switzerland Aurum: L'or dans l'art contemporain, Centre PasquArt, Biel Worlds on Video, Palazzo Strozzi, Florence Africa On: Beecroft, Jaar, Kentridge, Galleria Lia Rumma, Milan Arte ≠ Vida: Actions by Artists of the Americas, 1960 — 2000, El Museodel Barrio, New York Pictures in Series, Fisher Landau Center for Art, Long Island City, New York Framing and Being Unframed: The Uses of Documentary Photography, Ezraand Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, USA

New Directions in the Art of the Moving Image, Smithsonian Museum of American Art, Washington D.C., US Images of the Mind, Deutsches Hygiene - Museum, Dresden, DE The Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art, IL

Sperone Westwater: 257 Bowery, New York, NY 10002 Leslie Lohman Museum of Gay and Lesbian Art: 26 Wooster St, New York, NY 10013 Anton Kern: 532 W 20th St, New York, NY 10011 Danese Corey: 511 W 22nd St, New York, NY 10011 Steven Kasher: 515 W 26th St, New York, NY 10001 Higher Pictures: 980 Madison Ave, New York, NY 10075 Bronx Museum of the Arts: 1040 Grand Concourse, Bronx, NY 10456 Bronx Documentary Center: 614 Courtlandt Ave, Bronx, NY 10451

Tulane's New Orleans Center for the Gulf South, A Blade of Grass Foundation, Socially Engaged Artist Fellowship, Antenna, Art Matters, The Givens Foundation for African American Literature, The Kindle Project, The Joan Mitchel Center, The MAP Fund / Creative Capital, The McColl Center for Art + Innovation, Open Society Foundation Documentary Photography Project Moving Walls Grant, Smack Mellon

Following a screening of the documentary Monir (2014), the film's subject, artist Monir Shahroudy Farmanfarmaian, is joined by artist Frank Stella and curator Suzanne Cotter for a reflection on Monir's practice, attitudes toward abstraction, and the artistic centers of Tehran and New York in the 1960s and 1970s.

Lavalette's photographs have been shown widely, including exhibitions at the High Museum of Art, Atlanta, GA; Center for Documentary Studies at Duke University, Durham, NC; Aperture Gallery, New York, NY; Montserrat College of Art, Beverly, MA; The Carpenter Center for Visual Arts at Harvard University, Cambridge, MA; The Center for Photography at Woodstock, Woodstock, NY; The Museum of Fine Arts, Boston, MA; Musee de l'Elysee, Lausanne, Switzerland, among others.

2008 «Character Project» — USA Network Commission Honored Educator, The Society for Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA Life Trustees Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.

«Risky Business Art,» Kunstpanorama, Lucerne «Aurum: L'or dans l'art contemporain,» Centre PasquArt, Biel «Worlds on Video,» Palazzo Strozzi, Florence «That Was Then... This Is Now,» P.S. 1 Contemporary Art Center, Long Island City, New York «Africa On: Beecroft, Jaar, Kentridge,» Galleria Lia Rumma, Milan «Arte ≠ Vida: Actions by Artists of the Americas, 1960 — 2000,» El Museo del Barrio, New York «Pictures in Series,» Fisher Landau Center for Art, Long Island City, New York «Framing and Being Unframed: The Uses of Documentary Photography,» Ezraand Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut

The new documentary by William Friedkin (left) centers around footage of an exorcism performed by Rev. Gabriele Amorth (right), who has performed the procedure tens of thousands of times.

Brian Palmer (MFA 1990 Photography) Photojournalist, writer; formerly CNN reporter; formerly with Fortune magazine; formerly Beijing bureau chief, U.S. News and World Reports; his documentary, Full Disclosure (2009), based on his experience as an embedded journalist in Iraq with a U.S. Marine infantry unit was supported by grants from the Ford Foundation and the Applied Research Center; photos have appeared in the New York Times; contributor, Mother Jones magazine, Colorlines, The Huffington Post; 2009 fellow at NYU Law School's Center for Law and Security, recipient of the Nation Institute investigative journalism grant

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

Join Art21 and The Studio Museum in Harlem at Maysles Documentary Center for a screening of two films from Art21's New York Close Up digital series featuring artist Jordan Casteel.

This 45 - minute documentary by Ralph Goertz follows the widely acclaimed exhibition Claes Oldenburg: The Sixties, which toured internationally and was presented at the Walker Art Center in Minneapolis and The Museum of Modern Art in New York in 2013 — 14.

A graduate of Cornell University and Clinical Professor of psychology at the University of Texas Southwestern Medical Center, Dr. Warshak's work is featured in media worldwide including NBC Today, ABC 20/20, CBS Early Show, CNN, CTV, FOX & Friends, CourtTV, New York Times, USA Today, Macleans, Washington Post, London Sunday Telegraph, Toronto Star, SEMANA, National Public Radio, Time, and a PBS documentary.