Sentences with phrase «center of the scene»

This image shows the largest feature identified as a volcano in the upper center of the scene.

The lower center of the scene shows the entire Valles Marineris canyon system, more than 3,000 kilometers (1,860 miles) long and up to 8 kilometers (5 miles) deep, extending from Noctis Labyrinthus, the arcuate system of graben to the west, to the chaotic terrain to the east.

Baumbach nails the comic center of each scene, no matter how contained or expansive.

In the center of this scene stand two altars, one of Yahweh, one of Baal.

He moonlighted, doing Army and Baltimore Colt games for the fledgling DuMont Television Network, but he no longer was the center of the scene.

Mounting the scene on the wall and the camera on a tripod so that the center of the camera lense is trained right on the center of the scene should do the trick, and you'll seem like a expert.

Mounting the scene on the wall and the camera on a tripod so which the center of the camera lense is trained right on the center of the scene should do the trick, and you'll seem like a professional.

Those uncertain alliances seemed to be at the center of the scene Coogler and his team were filming when we were on set.

Mentioning that a movie has an overabundance of colloquies tends to send up a red flag (at least for this writer), but the filmmaker refuses to ever make it the center of the scene.

Who is the center of the scene?»

It might well be the center of the scene now, but we just see it as something that just evolved without much planning.

At Kohn Gallery, «Wallace Berman: American Aleph» paints an intimate picture of the legendary artist who was at the center of the scene when Los Angeles came into its artistic own.

For Ms. Anderson, the center of that scene was Gordon Matta - Clark, whose site - specific work included cutting shapes out of abandoned buildings, even sawing buildings in half.

One might say that Sperone Westwater largely represents this history, having outlasted other important galleries who championed the genre in New York — including John Weber, Julian Pretto, Sonnabend, and Leo Castelli — all of whom operated out of SoHo, the center of the scene during the early years of Conceptualism.

At the center of each scene is a famous ancient or classical sculpture — so meticulously rendered in oil paint as to suggest both the third dimension and the stone out of which it is carved — symbolizing love, ardor, potency or fertility.